I’ve been super busy in preparation for yesterday’s talk on Baroque and Rococo music and fashion, and consequentially ran out of time to blog.
I always do that!
I must remember to have blog posts prepared in advance for the four days before and three days after any talk or event, because otherwise I just don’t have time to blog (ergh).
I’ve been doing lots of awesome stuff instead of blogging though: I made a 1770’s man’s ensemble (which I am super happy with), and a 1720’s Grand Habit (which I am not at all happy with, but oh well), and I started a 1690s mantua (which I am going to have to set aside while I finish all my other half-finished projects) and I helped Madame Ornata with her polonaise dress, and Ninon’s dress looks amazing.
So now I have lots and lots of stuff to blog about!
But first I have to run off up the country to give a talk to a quilting group. More madness!
And now, for your entertainment and education Felicity will demonstrate the proper use of cable tie boning.
Sniff thoroughly to ensure the quality is consistent
Bend and rub to check proper flexibility and texture
Nibble delicately to sample taste
Nom the heck out of that sucker
Louis XIV’s favourite colour was flame, an orangish-red which worked well with his self designated title of ‘The Sun King’. Louis wore it frequently.
Maria Theresa is handed over to the French and her husband by proxy, Louis XIV on the Isle of Pheasants
The French court was all about gaining the kings favour, and a good way to become his favourite was to wear his favourite colour, thus it’s frequently seen in garments and trimmings in 17th and early 18th century portraits.
Women wore it in ribbons and feathers:
La Grande Mademoiselle, Anne Marie Louise d'Orléans Duchesse de Montpensier by Louis Ferdinand Elle, 1640
Portrait of Françoise-Marguerite de Sévigné, Comtesse de Grignan attributed to Pierre Mignard
La Grande Mademoiselle, Anne Marie Louise d'Orléans Duchesse de Montpensier by Louis Ferdinand Elle ca. 1650
Or wrapped around their body in wraps:
Henrietta of England, Duchess of Orléans, oil on canvas, châteaux de Versailles et de Trianon, studio of the Beaubrun brothers
Men wore it as bows around their neck:
Louis Charles de Lévis, Pierre Mignard, 1675
Or as sashes tied around their torsos:
Antoine Nompar de Caumont, duc de Lauzun by Alexis Simon Belle
Whole interiors were done in it, and family groups wore it as jackets and robes:
Louis of France, Grand Dauphin, and his wife Maria Anna Victoria of Bavaria with their three sons- Louis, Petit Dauphin, Philippe (later King Felipe V of Spain) and Charles, Duke of Berry by Pierre Mignard 1687
If you didn’t like flame, but still wanted to kiss up to the king, inflicting it on your children in large quantities was always an option.
They could wear it as historical fantasy dress:
A young Mademoiselle de Blois, Marie-Anne de Bourbon, daughter of Louis XIV and Louise de La Vallière, by Pierre Mignard
Or pseudo-classical short clothes:
Élisabeth (Isabelle) d'Orléans, Duchess of Guise with her son by Mignard, 1672
Or stiff, old fashioned dresses with flame rosettes:
Elisabeth Charlotte of the Palatinate displayed with her two children Élisabeth Charlotte d'Orléans, (future Duchess of Lorraine) and Philippe d'Orléans, (future Regent and Duke of Orléans) by Pierre Mignard
Even Louis’ neglected wife and his kids wore the colour:
Maria Theresa of Austria (1638-1683) and the Grand Dauphin (1661-1711) by Charles Beaubrun, 1665
Yep. Mid 17th century France was aflame.
I can’t really trim Ninon’s dress because I can’t get the right trim in Wellington, and I feel I shouldn’t make a special trip up to Brian Gaskin’s in Palmy because I have to go up there on business next week.
So instead I’m researching what jewellery and accessories she should wear.
It’s pretty easy actually: every-single-painting shows the sitter wearing a collarbone level necklace of large pearls, and large pear-drop pearl earrings.
Some ladies went for simply the pearl necklace and earrings, and nothing else:
Simple necklace and pearl drop earrings
Most sitters added a few more accessories of her own to go with the ubiquitous necklace and earrings.
This one has bracelets:
Pearl necklace, pearl earrings, pearl bracelets
Brooches at the centre front holding the fichu in place are common, usually with pearl drops:
Pearl necklace, pearl earring, brooch with pearl drop to fasten the fichu drape
And of course, I have Elisabeth d’Orleans as my inspiration for Ninon with her pleated fabric/shell with a bow and jewelled bodice trimming.
Pearl necklace, pearl earrings, pearls over her hairbun
There are other portraits that show the same pearls in the bun at the back of the head
Pearl necklace, pearls wrapped around bun, brooch with pearl drop
And one lady went all out to gain Louis XIV’s favour, wearing trimmings of his favourite colour: flame.
Three-drop earrings, flame-coloured bows in hair and at wrist, three drop brooch, and a very bejewelled bodice.