Latest Posts

The HSF ’14: Challenge #22: Gentlemen

Do you know how long it has been since I’ve done a HSF inspiration post?

Long enough that I’m now two challenges behind!  Anyway, catching up to do!

Per popular vote, the theme of the HSF ’14 Challenge #22, due Monday 1 December, is ‘Gentlemen’: Make a historical item for a gentlemen, or a ladies item inspired by/borrowed from menswear.

I am just overwhelmed with ideas!  There are so many fantastic things I could make, either for Mr D (I live in hope…) or as menswear or menswear inspired things for me!

Here are a few bits of manly fashions that amuse and attract me:

Shepherds, 1430s

Shepherds, 1430s

Medieval stirrup stockings?  Of course!

Saint Lucia in Court, 1532, Lorenzo Lotto

Saint Lucia in Court, 1532, Lorenzo Lotto

Obviously, the actual menswear depicted in Lotto’s painting is pretty fantastic (those stockings!  Those slashed shoes!), but Saint Lucia’s gown, with its slashed sleeves and bodice, is also menswear inspired (probably), as slashing was said to have become a fad after the slashed effect of mens clothing after a battle.

Portrait of a Young Man, by Federico Barocci (Il Baroccio), perhaps c. 1580-90 but possibly slightly later, ca. 1600

Portrait of a Young Man, by Federico Barocci (Il Baroccio), perhaps c. 1580-90 but possibly slightly later, ca. 1600

Is there anything not to love about Barocci’s young man’s outfit?  That fabric!  Those buttons!  The utterly gorgeous ruff!  (and, of course, some ruff styles were unisex).

Outfit worn by Charles X Gustav of Sweden (1622-1660), 1647 Collection of the Royal Armoury.

Outfit worn by Charles X Gustav of Sweden (1622-1660), 1647 Collection of the Royal Armoury.

Mid 17th century men’s clothes are so funny, but also quite gorgeous.  That silver trim!  And the cape!

 

Archduchess Maria Antonia of Austria, the later Queen Marie Antoinette of France, at the age of 16 years, 1771

Archduchess Maria Antonia of Austria, the later Queen Marie Antoinette of France, at the age of 16 years, 1771

And, of course, there is always 18th century woman’s riding outfits, with multiple elements borrowed directly from menswear.

Court suit worn by Johann Hummel, Uncut voided silk velvet, silk faille, silk embroidery floss, gold & silver embroidery purl & frieze, rhinestone & metal sequins c. 1810-14 Paris, France, FIDM Museum, 2008.947.2A-C

Court suit worn by Johann Hummel, Uncut voided silk velvet, silk faille, silk embroidery floss, gold & silver embroidery purl & frieze, rhinestone & metal sequins c. 1810-14 Paris, France, FIDM Museum, 2008.947.2A-C

One day I’m going to make a fully embroidered men’s court suit…or two, so I can have one for me!

Riding habit of green wool, circa 1825. From the Rijks Museum.

Riding habit of green wool, circa 1825. From the Rijks Museum.

Following on from their 18th century predecessors, most 19th century women’s riding habits have designs and decorations that are heavily based on menswear and mens tailoring.

Banyan, French, 1830s, silk, Les Arts Decoratif

Banyan, French, 1830s, silk, Les Arts Decoratif

And this particular banyan is so glorious that if I had one I would wear it every day – as a coat!

Gazette of Fashion and Cutting-Room Companion 1872

Gazette of Fashion and Cutting-Room Companion 1872

I love the more relaxed mens sporting and outdoors fashions of the mid-late 19th century, and the way they inspired 20th century ‘Safari’ gear.

1887, Godey's Ladies Book

1887, Godey’s Ladies Book

Boater hats?  Borrowed from menswear!  And, of course, both of these yacht club costumes were heavily influenced by menswear (and are fabulous).

George Arliss was a stage actor in the early ’20th century, and oh boy, did he know how to look fabulous!  Check out the striped buttons, and the little piggy on his watch chain!

Journal des Dames et des Modes 1912

Journal des Dames et des Modes 1912

This would be the ladies costume take on the men’s sporting wear, and I think it’s just sublime!

Madge Bellamy, 1920s

Madge Bellamy, 1920s

As is, of course, Madge in jodhpurs! And  jodhpurs, like any trousers for women, are clearly menswear influenced!

So, get your linen shirting, your serge and tweed and your tailoring books out, and happy sewing!

Rate the Dress: red velvet spencer

Last week I showed you a very fashion forward lady of 1914, to mixed reviews.  Some of you simply didn’t like the period, others simply didn’t like the way the ensemble wouldn’t suit most figures, and most of you weren’t too keen on the hat.  But lots of you did like it: thought it elegant, avant gard, and just ‘zingy’ enough to be interesting.  It rated a 7.4 out of 10 (it would have been a higher score if the two people who said they loved it, with exclamation points, had rated it!)

As the next HSF challenge that I’m supposed to write a (well overdue) inspiration post for is the HSF Choice Gentlemen challenge, I thought showing you a bit of menswear-inspired fashion was appropriate.

As soon as I selected this item I also realised that it is exactly the 1810s version of the 1910s suit I showed you last week: luxurious, slightly quirky, both very practical and very unpractical,  very feminine with a nod to menswear, and possibly, just a tiny bit silly.

Spencer, Underbodice and Skirt- ca. 1815, Spencer and skirt cut velvet with piping and wrapped buttons in hussar style, silk satin underbodice.  KCI AC3145 80-5-36AC

Spencer, Underbodice and Skirt- ca. 1815, Spencer and skirt cut velvet with piping and wrapped buttons in hussar style, silk satin underbodice. KCI AC3145 80-5-36AC

Last week’s offering was luxurious in being a couture item, this one is made from a most luxurious fabric: silk velvet cut in a chequered pattern.  Both share quirky buttoning detailing, and other whimsical trim. With the high, lifted bust of the spencer jacket, and the hip-emphasising skirt of the suit, both outfits make their wearers femininity abundantly clear, yet both are styles  taken from men’s fashions.  Spencers were meant to be practical garments, as were suits, but in delicate silk velvet and hobbled hems, neither garment quite lives up to its promise of ease of wear.  And with layered peplums, fan hats, and little sticky-out spencer ‘tails’, both might cop a share of ridicule.

What do you think of this weeks outfit?  Better or worse than last weeks?

Rate the Dress on a Scale of 1 to 10

A glimpse of yellow (& Katherine Mansfield)

I have been so busy with life and work and events that I’ve gotten ridiculously behind on the HSF blogging: both in showing off my own items for each challenge, and in general blog posts.  I’m going to be trying to remedy that over the next week, as well as showing you photos from Clothing the World of Katherine Mansfield as they come in.

Today, I can accomplish both!

The photos are technically terrible, because my camera is a $900 piece of crap (dear Canon: in case you aren’t already aware, the S100 sucks, has seriously dented my faith in you as a camera company, and should never have been released) and can’t handle movement or low light, or macros.  But  anyway…

Stockings!  Bright, kowhai yellow stockings!

Clothing the World of Katherine Mansfield thedreamstress.com

Hidden demurely under frills of petticoat and the 1906 Greek Key dress, in a nod to Katherine’s fondness for bright coloured stockings.

Clothing the World of Katherine Mansfield thedreamstress.com

Aren’t they fabulous?

Clothing the World of Katherine Mansfield thedreamstress.com

And they are my entry for the HSF ‘Yellow’ Challenge (#17) – they were done during the challenge, but I didn’t get photographs until yesterday .

The Challenge:  #17  Yellow

Fabric:  1/2 of  kowhai/sulfur yellow merino wool knit

Pattern:  My own

Year:  1902-6

Notions:  cotton thread.

How historically accurate is it?:  Not really, as 1900s stockings were knit into shape, not sewn.

Hours to complete:  20 minutes.  Love making stockings

First worn:  For ‘Clothing the World of Katherine Mansfield’, Sat 4 Oct

Total cost:  Under $5.

And yes, the stockings pattern is coming REALLY soon!  It’s just been on the back burner with other stuff.