Pachyderm paradise

I recently finished a super-cute retro inspired skirt that I thought you might enjoy

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I used this utterly adorable retro fabric that Nana gave me for the skirt:

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Look at the elephants! How could you not love it?

I didn’t use a pattern: just drafted a quick waistband and then box pleated the fabric too it, and fussed with the pleat widths until it the fabric fit right.

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Box pleats

I indulged my taste for quirky finishes with bright pink binding around the inside edge of the waistband, and my taste for pedantically perfect and historical finishes with a hand-sewn in zipper (which is often easier than machine sewing, unless you use invisible zippers).

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Hand sewn-zipper 

And then I realised that to give the correct vintage silhouette the skirt was going to have to sit quite a bit higher on my waist, so I got to unpick my beautifully sewn in zipper and a bunch of the pleating, take in the waistband, and re-pleat the skirt and sew in the zipper again.

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It’s all about the vintage silhouette!

But now the skirt looks perfect, and it was clearly meant to be, because I went shopping on Saturday and found the perfect blouse, shoes, and belt to go with my skirt, all in the same vintage clothing store! 

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Those shoes! Just looking at them makes me happy! 

And, to make it even better, after four days of waiting I finally got weather good enough to wear it, and discovered that my friend Madame Ornata is a great photographer, and was willing to do a full on photo shoot with me (I was just hoping for a few snaps from someone who wouldn’t complain!), so we spend a lovely evening rambling along the waterfront and taking pictures.

We ended up getting so many gorgeous pictures that I can hardly decide which ones to show you! Here is a slideshow of my favourites:

Skirt: by me, retro fabric from Nana’s stash
Blouse: retro from Missy’s Room
Shoes: ‘Heather’ by Sojo
Belt: retro from Missy’s Room
Cuff: from Thailand
Sunglasses: DG

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5 things I love about New Zealand (this week)

1) Waterfront swims

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Teachers on field trips to Te Papa let their students jump off the wharf into the harbour after their visit. How awesome is that? 

When I was in school we weren’t even allowed to dip our toes in the water for fear of lawsuits and injury, and in NZ 10 year olds get to leap off bridges into the ocean (in their undies if they forgot to bring togs!) on field trips.

2) Cold water swims

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Students jump off the wharf into the bay even on days when it is so cold that I am wearing a wool coat. Those Kiwis are hard cases!

3) Pohutukawas in full blossom.

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4) Wonderfully wacky competitions

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Wellington is holding the Unicycle World Championships. That is 1,000,000 times cooler than the Olympics, and no huge crowds, litter, congestion and national debt to deal with!

5) Free museums!

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Friday Review*: I Do: 100 Years of Wedding Dresses

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I don’t have images, so enjoy Toulmouche’s The Reluctant Bride, who looks more like the ‘Seriously pissed off Bridezilla’ to me

What it is:

An exhibition of wedding dresses at Expressions, Upper Hutt’s Arts and Entertainment Centre, with dresses spanning the period from 1875 – 2006.

Remember how I spent a lovely day a few months ago looking at wedding dresses? Well, these are them, and now you can see them yourself (as long as you are in the Wellington region).

The Good:

It’s an exhibition about wedding dresses? What could not be good?

Beyond the instant appeal of the topic, the exhibition is beautifully designed and curated.

The selection of dresses is inspired, reflecting both the most popular and common dress trends of each era, and a few brides who broke with the trends and chose very unique and individual dresses.

The visual design is lovely: dresses are grouped by period, with each having enough space to stand alone, without feeling isolated. A few special dresses stand on individual plinths, allowing the visitor to see them from all angles, and keeping them from competing with the other dresses.

The centre of the room is occupied by the most extravagant and over the top dress in the exhibition: a ‘princess bride on acid’ confection of gold silk, gold lace, embroidery, applique, lacing, ribbons, bows and matching accessories which could have overwhelmed the exhibition, but is carefully placed to complement rather than swamp the other dresses.

The whole room is tied together with panels of romantic floral wallpaper and ribbons of plain wallpaper, presenting the entire exhibition as a present to be slowly opened.

The Bad:

The bad is that I don’t have photographs (yet), but you can see a lovely article with a photograph here and TVNZ did a little short on it with three gorgeous dresses in their Breakfast programme.

(You just have to get through 2 minutes and 20 seconds of randomness involving a 6 foot tall texting rabbit first, and restrain yourself from trying to reach through the screen and give the newsreader a smack when she grabs one of the dresses.)

The Ugly:

Some of the dresses aren’t quite to everyone’s taste.

But that is good too, because there is something to appeal to everyone, from the minimalist to the maximalist, from the traditionalist to the uber avante-garde.

(oh, c’mon, you didn’t actually think I was going to say “Well, this one dress with the green bows is just beyond hideous”, did you?)

The so good it is bad:

Do I need to say? With all those gorgeous dresses I want to get married again! (to the same person of course). And everyone who attends is going to go slightly dewey-eyed and wedding mad for a little bit.

The other so good is that there are going to be floor talks on Sunday the 13th from 2-3 and Thursday the 17th December from 10.30-11.30 by a local costume historian, and I hear they are going to be very good (I hope!). Maybe I’ll see you there?

*I know this is a bit late for a Friday Review, but this exhibition isn’t on for very long, and is so utterly lovely, that I want to give you as much of a chance as possible to see it!

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Leimomi Oakes is the Dreamstress, a textile historian, seamstress, designer, speaker and museum professional. Leimomi is available for educational and entertaining presentations, textile and fashion advice, special commissions and events. Click to learn more

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