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Tutorial: How to unpick and wash a vintage kimono

I love re-using vintage kimono silk for new garments.  I’ve used it for the Vionnet dress, my Deco Echo top, the jacket and over-skirt of my Japonisme dress, the Carte Blanche gown, the lining of my 1770s Lady Anne Darcy dress, my (as yet unfinished) 1770s jacket, the sash of my chemise a la reine, and a few other garments.  Yep.  I really love re-using kimono silk!

Here is how to unpick and prep a silk kimono for re-use.

This time I’m working with a silk crepe under-kimono.  You can tell it is meant to be worn as an under-layer because of the white collar cover.  It is unlined, and calf length, but the process for pulling it apart is the same as for any kimono.

The under-kimono, front

The under-kimono, back (with a large stain).

First, some basic things about kimono.

Kimono fabric is a special fabric woven to a narrow width, between 13.5″ & 16″.  Kimono are constructed entirely of rectangular shapes, mainly in full widths of the fabric.  In places where the kimono uses narrower widths, the extra fabric is just folded into the seams (just like 18th century dress construction!).

Extra fabric with folded into the seam & tacked down

Kimono are completely hand sewn with silk thread, using running stitches, tacking stitches, and hidden fold stitches.

Silk threads

Running stitches

Tacking stitches

To pick the kimono apart, I use a seam ripper, and thread scissors.

Seam ripper and thread scissors

Because the kimono is hand sewn, it’s easy to slip the thread scissors into a seam and snip some of the threads:

Snip snip

Cutting the threads with scissors

With the seam open, just keep snipping threads.  Watch out for backstitching at the beginning of seams.

Running stitches with back-stitches at the beginning of the seam

On seams with long lengths of running stitches, you can pull a length of thread, snip a few inches down the seam, and pull the whole thread out at once, gathering the seam as you pull, and then the gathers release as the cut thread pulls through.

A long seam of running stitches

Pulling the thread & gathering the fabric along the thread

The thread pulled out and the seam released

When you have snipped and pulled out all the threads, you will have reduced the kimono to a pile of rectangles – and possibly a little bit of fluff and dirt and musty smell.

With most kimono the outer fabric will yield two very long full-width lengths that ran from the front of the kimono to the back hem, with a join down the centre back.  There will also be two medium full-width lengths from the sleeves.  Finally, there will be a number of narrower partial-width lengths that formed the collar.  You may also have two short, narrow pieces from the inner opening of the sleeves, though these may also be in a contrast fabric.

Lined kimono will also have one or two different colours of lining fabric.

Time to wash it!

Because these are vintage silk, and may be using dyes that run, it’s important to wash your kimono pieces by hand, with COLD water.

It’s also important to wash the different colours of kimono fabric (outer fabric, lower lining, upper lining) in separate batches, just in case one batch has a non water-fast dye.  As my fabric is non-lined, I don’t have to worry about that.

Cold hand washing (in my bathroom basin)

If your kimono is particularly dirty, or smells a bit musty add some gentle detergent or shampoo to your wash.  A little vinegar also helps to get rid of a musty smell.

Agitating the fabric with my hands

Gentle agitate your silk fabric the wash water.  If the agitation releases a lot of dirt into the wash water, drain the water, rinse the fabric thoroughly, and then fill another batch of wash water.  Repeat until the water runs clear, or until all the fabric is releasing is dye, not dirt.

When your fabric is clean and thoroughly rinsed, hang it out to dry.

When dry, press with an iron on a silk setting, and your fabric is ready to go – time to turn it into something gorgeous and new!

Rate the dress: a paisley dressing gown of 1855

Last week you were divided on Anne Miller’s dance routine frock from Easter Parade.  Did you rate it as a dance dress?  As a pretend historic costume?  Most of you loved the stockings, but the reaction to the rest was mixed, balancing out at an unimpressive 5.9 out of 10.  Poor Anne.

I usually present outerwear as Rate the Dress options, but since you loved Anne’s stockings so much, it occurred to me, why not present underwear?  Or at least informal wear?  And someone requested an autumn themed Rate the Dress (since it is autumn in NZ), and what is more snuggly and fall-y than a warm, cozy robe for curling up in in front of the fire with an apple and a good book?

Something like this perhaps?

Woman's wrapper American, about 1855, MFA Boston

This cosy wool wrapper from the MFA Boston features warm colours and a paisley inspired pattern.  It may or may not be made from a cheaper Western replica of a Kashmiri shawl.  It’s even paired with paisley embroidered petticoats.

Here is a detail of the pattern:

Woman's wrapper American, detail, about 1855, MFA Boston

What do you think?  Just the thing for lounging around the house and impressing the husband, or a guaranteed way to drive him out of the house?  And is paisley wrapper and paisley petticoats just too much paisley (is all paisley too much paisley) or perfectly paired?

Rate the Dress on a Scale of 1 to 10

 

Busy, Busy, Busy

My life is a bit hectic this week.

I want to write a ‘proper’ post where I show you one of the many projects I am working on, or discourse on a considered intellectual topic, or teach some fabulously researched bit of textile history.  But it isn’t going to happen.

Today I have a really exciting photoshoot featuring some of the dresses from the Grandeur to Frivolity talk.

At the Grandeur to Frivolity talk

We’re photographing Ninon’s dress, Lady Anne Darcy’s robe a la francaise, the 1770s man’s ensemble,  18th century undergarments, and a romantic peasant ensemble.  Yummy!

I was up all last night checking seams that had come loose, refitting the 18th century man’s breeches, wishing I had time to make a whole new 18th century man’s waistcoat, assembling hair ribbons and makeup, making new engageates for the robe a la francaise, and doing other miscellaneous sewing.

I’ll spend most of today at the photoshoot, and then come home and try to get everything put away and tidied up in time for two client fittings.  Then to finish a client dress by Sat, to (maybe!) finish my Luna moth by Sat, and to catch up on paperwork and other business stuff I’ve been neglecting.

With that out of the way, it’s full speed ahead at making sure I’m completely ready for all of my sewing classes at Made Marion (are you joining me for any – register here?)

And I have to do taxes. Blech.

Felicity helps with taxes by sleeping on the paperwork

So that’s life – fantastic to mundane and back again, all in one day.