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Day dress of figured barege trimmed in purple silk velvet ribbon, 1866-1867, sold by Augusta Auctions, Feb 2021

Rate the Dress: all about those sleeves, mid 1860s

It’s been a while since I managed to do a Rate the Dress.  Not since October!

Last Rate the Dress:  a 1770s dress from 1708-10 bizarre silk lampas

How much you liked this dress depended very much on how much you liked the very distinctive yellow-greens and bold ‘bizarre’ patterns of the silk.  Some of you loved them, some of you loved its distinctiveness even if the style wouldn’t usually be your taste, and some weren’t quite so sure about those hues and patterns.  However, even those of you not fond of the colours could still see the merit of the remake and the lustre of the silk.  As the comment with the lowest rating said “I respect it, but I can’t say I like it very much.”  But even the lowest rating was only 7.5, so the total is…

The Total: 9 out of 10

Very tidy and round!

This week: an 1866-67 day dress with extremely elaborate sleeves

This dress, in the 1860s most fashionable colour family (purple!) is all about the sleeves and trim.

Day dress of figured barege trimmed in purple silk velvet ribbon, 1866-1867, sold by Augusta Auctions, Feb 2021

Day dress of figured barege trimmed in purple silk velvet ribbon, 1866-1867, sold by Augusta Auctions, Feb 2021

The distinctive 9-puff sleeves add pizzaz and personality to what would otherwise be a simple, almost plain, frock.

Day dress of figured barege trimmed in purple silk velvet ribbon, 1866-1867, sold by Augusta Auctions, Feb 2021

Day dress of figured barège trimmed in purple silk velvet ribbon, 1866-1867, sold by Augusta Auctions, Feb 2021

The dress is primarily made of barège (a very lightweight silk-wool blend leno-weave gauze fabric) in pale brown-lavender with a small floral print in purple.

Day dress of figured barege trimmed in purple silk velvet ribbon, 1866-1867, sold by Augusta Auctions, Feb 2021

Day dress of figured barège trimmed in purple silk velvet ribbon, 1866-1867, sold by Augusta Auctions, Feb 2021

The purple of the print is echoed in the purple buttons running down the front, and in the vivid mauveine velvet ribbon that catches the puffs of the sleeves, frames the yoke, and edges the ruffles around the neck and yoke, and forms a hem binding at the bottom of the dress.

Day dress of figured barège trimmed in purple silk velvet ribbon, 1866-1867, sold by Augusta Auctions, Feb 2021

Day dress of figured barège trimmed in purple silk velvet ribbon, 1866-1867, sold by Augusta Auctions, Feb 2021

The buttons appear to have been made of the same velvet as the trim, but their pile has worn off with use, leaving them a softer purple hue.

Day dress of figured barège trimmed in purple silk velvet ribbon, 1866-1867, sold by Augusta Auctions, Feb 2021

Day dress of figured barège trimmed in purple silk velvet ribbon, 1866-1867, sold by Augusta Auctions, Feb 2021

Possible the most surprising and distinctive bit of trim on the dress is the frill that edges the back-of-the-arm seam that joins the elaborately puffed outer sleeve with the simple under sleeve (very practical that simple under sleeve!)

Day dress of figured barège trimmed in purple silk velvet ribbon, 1866-1867, sold by Augusta Auctions, Feb 2021

Day dress of figured barège trimmed in purple silk velvet ribbon, 1866-1867, sold by Augusta Auctions, Feb 2021

It creates an interesting visual line to the sleeves, particularly from the back.

Day dress of figured barège trimmed in purple silk velvet ribbon, 1866-1867, sold by Augusta Auctions, Feb 2021

Day dress of figured barège trimmed in purple silk velvet ribbon, 1866-1867, sold by Augusta Auctions, Feb 2021

What do you think?  Do those purple ruffles and puffs win a well-dressed rosette, or, when it comes to the 1860s, do you prefer a more classic pagoda or block sleeve?

Rate the Dress on a Scale of 1 to 10

A reminder about rating — feel free to be critical if you don’t like a thing, but make sure that your comments aren’t actually insulting to those who do like a garment.  Phrase criticism as your opinion, rather than a flat fact. Our different tastes are what make Rate the Dress so interesting.  It’s no fun when a comment implies that anyone who doesn’t agree with it, or who would wear a garment, is totally lacking in taste.

As usual, nothing more complicated than a .5.  I also hugely appreciate it if you only do one rating, and set it on a line at the very end of your comment.

Making Ratafia Biscuits thedreamstress.com

Recipe: To make Ratafia Biscuits (aka, Ratafia Cakes)

Every couple of years this blog skips off on a little tangent, and I publish a recipe.  Back in 2022 I transcribed Roach’s famous 40 Orange Cake from Our Flag Means Death, and in previous years I’ve shared recipes for vegetarian ‘Kate Sheppard’s’ pie, and a gluten-free Plum Cake. I also share lots of posts with links to recipes which people tell me they have used.

Today’s recipe is my most-requested recipe ever: ratafia biscuits.  It’s easy, it’s delicious, and it’s gluten and dairy free, so it fits a lot of dietary requirements.  Plus, it’s historical!  Ratafia biscuits were all the rage in the 18th and early 19th century, and are perfect for your fancy historical tea party.

Making Ratafia Biscuits thedreamstress.com

 

Ratafia biscuits are made with almond flour and egg whites, and are an ancestor to modern macarons.  Eliza Smith’s influential 1727 cookbook The Compleat Housewife includes a recipe ‘To Make Ratafia Bisket’, and they are included in other 18th century recipe books.  I used a slightly more recent recipe as my starting point: 1789’s The Complete Confectioner, by Frederick Nutt.  It goes as follows:

Take half a pound of sweet almonds, and half a pound of bitter almonds, and pound them in a mortar very fine, with whites of eggs; put three pounds of powdered sugar, mix it well with the whites of eggs, to the proper thickness into a bason; put two or three sheets of paper on the plate you bake on; take your knife, and the spaddle made of wood, and drop them on the paper, let them be round, and about the size of a large nutmeg; put them in the oven, which must be quick, let them have a fine brown, and all alike, but be careful they are not burnt at bottom, else they will not come off the paper when baked; let them be cold before you take them off

Frederick Nutt was a confectioner once apprenticed at the famous The Pot and Pineapple confectionary shop on Berkeley Square.  While my recipe isn’t quite the same as his, there must be some of the magic of that noted shop in it, as the reviews from the many friends I have tested these on say they are so good that a nightingale will indeed sing as you eat them!

Making Ratafia Biscuits thedreamstress.com

Ratafia Biscuit Ingredients

  • 250 grams almond flour
  • 200 grams powdered/icing/confectioners sugar
  • 3 large egg whites
  • 1/4 tsp almond extract (3-5 drops)
  • 1 tsp orange blossom water or rosewater

18th century ratafia recipes used bitter almonds, which contain cyanide.  Since poisoning your guests is generally considered bad manners (although, it is, admittedly, sometimes tempting… (insert Morticia Addams sipping tea gif here)), modern recipes use almond extract as a flavouring.

To Make Ratafia Biscuits

  1. Preheat oven to 160c/320f
  2. Line two baking sheets with baking paper.
  3. Sift together the almond flour and powdered sugar.
  4. Beat the egg whites just until soft peaks begin to form.  Add the almond essence and orange blossom water, and beat to soft peaks.Making Ratafia Biscuits thedreamstress.com
  5. Fold the egg white mixture into the almond flour and sugar mixture, blending the mix together until you have a smooth paste.Making Ratafia Biscuits thedreamstress.com (you may find that ‘folding’ is a bit of a euphemism, as it’s impossible to get them well mixed without a bit o, but of blending that’s more like beating than folding, but don’t worry, they will still puff and have a lovely texture)

    Making Ratafia Biscuits thedreamstress.com

  6. Using a spoon and clean, damp hands, shape the dough into balls ‘the size of a large nutmeg’ – or about 1 1/4”/3cm across, and arrange on your baking sheets.Making Ratafia Biscuits thedreamstress.com
  7. Bake for 15-18 minutes, or until the biscuits are just touched with golden brown.Making Ratafia Biscuits thedreamstress.com
  8. Let cool on a baking rack, and then store in an airtight container.  If, that is, you can keep them from being gobbled up as soon as they are cool!

Making Ratafia Biscuits thedreamstress.com

Serve with tea on your finest china, while dressed in your most elegant hostess gown.

Or have them with a mug of anything while wearing pyjamas with your feet up on the couch.  I don’t judge and they are delicious either way!

Making Ratafia Biscuits thedreamstress.com

 

An interview on whakarongo – Der Neuseeland Podcast!

Perfectly timed as a follow-up to my post about pretty pink Schloss Benrath, here’s what I did after touring the palace!

The first few minutes are in German, and then it switches to English* and me meandering through how I met Ripeka, how I ended up doing what I do, WWI from a New Zealand perspective, STDs, the Fortnight in 1916 experience, bad moustaches, the cultural universality of socks and sandals, where to shop in Wellington, and things I loved in Germany…
So kind-of everything!
Here’s the dress we talk about:
In the Roman baths in the Cluny Museum, thedreamstress.com
I bought it specifically for the trip, because it’s rayon crepe can be bundled up without needing ironing, is easy to wash, has pockets, and is long enough and covers my shoulders and arms enough that I felt comfortable going in to churches whilst wearing it.***
I’m sitting in the Roman bathhouse in the lowest story of the Cluny Museum in that photo.  The oldest human-built thing I saw in Europe!
The Scroop Patterns Ettie Petticoat View A Scrooppatterns.com

The Scroop Patterns Ettie Petticoat View A Scrooppatterns.com

* Because my German vocabulary is pretty much limited to nein, danke, lecker, fledermaus, and schadenfreude**…
**Fledermaus & Schadenfreude is my indie band name.  Or the main characters in my offbeat comedic detective novel series, which is written so you can never actually tell if the characters are all human, or if Fledermaus is actually a bat (or a vampire…) and Schadenfreude is actually a mole.  Schadenfreude is blind.  Like Justice.  His girlfriend is Carlotta, but her daughter calls her Car-ma instead of mother.
***Although I needn’t have worried about that bit!  In Paris I watched Italian† women in hot pants and off-the shoulder, midriff-baring tops pose provocatively for social media snaps in front of the altar in the oldest cathedral in Paris.
† There were lots of women in very skimpy attire in the cathedral, but the ones where I could definitively identify the country they were from were Italian.  It very much surprised me – another one of my preconceptions about how people from a particular country would behave shattered!  I have a very ingrained, and clearly outdated, image of Italy being one of the places where women very much cover their shoulders when entering a church.