All posts tagged: Regency

May detail, Cycle of frescos of the twelve labors of the months, Trento (Italy), Castello del Buonconsiglio (Bishops Castle), Torre del'Aquila (Tower of the eagle), otherwise unknown Master Wenceslas of Bohemia, after 1397

The Historical Sew Monthly 2018: Inspiration for Challenge #5: Specific to a Time of Day or Year

The Historical Sew Monthly 2018 is well underway now, and it’s my duty and honour to write the inspiration post for our fifth challenge of the year: Specific to a Time (of Day or Year). I was slightly panicked when I realised this theme would fall to me.  I’m not at all an expert at pre-1700s fashions, and this is a challenge that’s particularly tricky before the 19th century (ish), when specific garments for different times of day became common.  But with help from my awesome co-moderators, I’ve found examples from a range of eras – enjoy! In chronological order: This ca. 1400 cycle of frescos of the months from the Castello del Buonconsiglio in Trento, Italy, provides a wonderful look at late Medieval fashions by season, with warm layers for winter snowfights: Flowing garments for spring romance (note the love-knots on the gentleman’s tunic): And sunhats and light shirts (and sandals!) for harvest labours.  The sunhats do double duty for this challenge, being both daytime, and summer, specific: Elizabethan costume plates also show wonderful …

Rate the Dress: brief bodices and beads, ca 1810

Sometimes I know exactly what I want to post for Rate the Dress, and that it is the perfect theme. Other times, like this week, I have no idea. What I finally settled on this week wasn’t my first choice, or my second, or even my third.  Sometimes settling is a good thing, because if I hadn’t, I might not have looked at it up close, and found out that it was so much more interesting than I had thought. How so?  Scroll down to find out! Last week: A Wedding Ensemble from 1887 Well, Louise Carnegie picked well, both when it came to men, and to fashion, because her choice of wedding ensemble was very well received.  A few of you didn’t care for the red-trimmed bodice variation (but then, some of you did), and not all of you were entirely sold on the colours. Interestingly, most of you saw the dress as sort of a khaki or light olive colour.  Personally I thought it was a grey, with just the tiniest hint of brown. The …

Rate the Dress: Madame Houbigant in all-white

Last week’s very vividly green 1840s dress sparked a lively discussion over whether it was actually poison-green (i.e. arsenic green) or just poison-green coloured.  Deadly or not, most of you liked the brilliant hue, and while not everyone was keen on the ruffles and ties and overall silhouette, it still came in at a rather nice 8.5 out of 10. Whew!  We’d been on such a bad streak, nice to have a good score again.  Will this week’s choice revert back to the poor scores, or set us on another winning streak? This week let’s look at Madame Houbigant, wife of perfumer Jean-François Houbigant.  Her feather-trimmed cap, heavy satin over-robe, lace chemisette and Kashmiri shawl provide a more mature take on the ubiquitous all-white ensemble of Regency and Empire fashion. Nicole Adéläide Deschamps was the daughter of a perfumer herself, and her husband entered the trade by apprenticing under her father in law, and then founding his own business.  After rising in prominence under the ancient regime, and surviving the revolution, Houbigant Parfum went on …