Month: January 2012

Finished projects: the Lonely Heart wedding dress

I’ve finished the late ’40s wedding dress for Lonely Heart, and the show is on, and the dress is on the actress, and I’m done! The dress however, I’m sorry to tell you, is just a trifle frumpy onstage.  It’s partly because the bodice is so long – it really shortens and widens the body. I’d like to try the dress on a different body type: I think that would help a lot. I also really, really want to try the dress in better fabric.  Extremely polyester tablecloth damask was a brilliant choice for the demands of stage, but it isn’t a flattering fabric, it’s a PAIN to gather, and it was very tricky to work with along the waist shaping and sweetheart neckline.  Being a seamstress is a lot easier when you work with really high quality fabric!  😉 Oh, and Lonely Heart was fantastic – really brilliant music, great costumes by Mrs C, excellent reviews, even Mr D was entertained and impressed.  Hopefully it will have a bigger staging soon!

Friday Reads: The Gentle Heritage

The Gentle Heritage is one of those early 20th century books that has fallen out of favour because its moralising and religious themes are no longer fashionable. This is really a pity, because it’s actually a charming, delightful book, told with wit and imagination through the words of ‘Nell’, our small protagonist, still young enough to tell us: “It was when we were all quite nursery children, a long time ago; two years since at the very least.” Nell describes her siblings: bossy Patricia, the eldest, Bobby, her best friend and rival,  ‘tiresome’ Annis, and finally little Paul “who is sometimes very odd and obstinate”.  The children are the heart of the story, and they are so real, and engaging, that they easily carry what is, in essence, a very simple story indeed. The book begins with their trials with Nurse, who feels they don’t play as proper children should, preferring instead to hold meetings under the nursery room table, complete with ‘notices’ and ‘chairs’.  Their favourite topic for the meetings is the dreaded ‘Bogey’, …

Terminology: What is a chesterfield coat?

The chesterfield is a man’s overcoat with simple vertical seams, no side-back piece, and a velvet collar, usually in grey with black. The velvet collar is the defining feature of the chesterfield (as the fitted waist has since been lost) and is said to be based on the black strips that supporters of the old regime sewed on their jackets after the execution of Louis XVI in 1793.  This last bit, while quite romantic and appealing, is, alas, probably apocryphal. According to The Encyclopedia of Fashion, the coat was named after Phillip Dormer Stanhope, 4th Earl of Chesterfield, .  This seems somewhat improbable, Stanhope died in 1773.  As the first known use of the term was in the 1840s, it seems likely it refers to a 19th century Earl of Chesterfield, perhaps the 6th Earl of Chesterfield, who cut a bit of a swath in London the 1830s and 40s.  There are certainly references to it as a Lord Chesterfield coat, indicating a link between the Lord and the coat. The Chesterfield was interesting as …