All posts filed under: 18th Century

Muff 2.0

Woohoo!  My Squares, Rectangles & Triangles Historical Sew Fortnightly Challenge is done, and on time (and I have another one 7/8 done, so hopefully I’ll be posting about that on Thursday). May I present my not-at-all-historically-accurate Muff 2.0: I was inspired by late 18th century silk muffs, like this one (obviously without the mezzotint): I’m using this muff as a prototype for a class I’m teaching, so I focused on making it work in a modern context, and playing with the construction, rather than on historical accuracy, or even research, as I did with my fur muff. It was supposed to be a simple two-hour project, but I got a bit carried away when it came to trim.  First I decided that none of the ribbons I had in my stash looked right with the fabric (and that was after I’d already spent about four hours rummaging through my stash trying to pick the right fabric and match fabrics), so I had to make self fabric strips to pleat round the muff. Because this was …

Terminology: Buffons, Fichu, Neckerchief, Handkerchief

One of the questions that has come up in 18th & early 19th century costuming is what to call the ubiquitous scarves/neck-fillers.  Are they handkerchiefs?  Fichus?  Neckerchiefs?  And when did each term arise? A handkerchief was a large square of fabric folded into a triangle, or cut and sewn as a triangle, worn around the neck throughout the 18th century. If you were upper class, your handkerchief would probably be white.  Poorer woman were more likely to wear darker handkerchiefs that would show less dirt.  George Eliot describes Adam Bedes mother at the end of the 18th century with “her broad chest covered with a buff handkerchief.”  Handkerchiefs were not limited to women – men wore then as bohemian alternatives to cravats and stocks. They could be of linen or silk, or later cotton.  For men and women, silk versions were the dressiest.   They were frequently embroidered, and could be bought pre-made, but even the very wealthy frequently made their own, as the decorative finishes were considered appropriate needlework for a gentlewoman. Neckerchiefs were …

Rate the Dress: 18th century Polly / Oliver inspiration

There were an interesting mix of feelings about last week’s tan and red 1870s frock.  Some of you were swept away by the silhouette, and the parasol pocket, others felt that while the period is attractive, this wasn’t the most inspired example of an 1870s frock, and some of you found the colour combination too reminiscent of bleeding flesh for comfort.  Despite a few very low ratings, the frock managed 7 out of 10.  You’ve all been so nice and generous with your ratings lately! This week you’re going to rate one of the images that I’m using as inspiration for my Polly / Oliver outfit.  Here is Marie Antoinette in hunting attire, one year after her marriage to the Dauphin of France: I’m using this image as inspiration for Polly / Oliver, so you might assume that I think the ensemble perfection indeed, and  Marie Antoinette is famous for her fashion innovations.  However, I may only be using bits of this portrait for inspiration, and many of ill-fated Queen’s fashion choices were perhaps more …