All posts filed under: 18th Century

Keeping it in the family

I’ve blogged about the royal family of Portugal before, and while researching that post, I came across one of the common problems with European nobility.  The thing is, there just weren’t enough of them on speaking terms in each generation, so the ones that were on speaking terms tended to marry each other, leading to a lot of inbreeding. So back to the Portugese royal family.  Joseph I of Portugal (6 June 1714 –  24 February 1777) had four daughters, two of whom, Maria I of Portugal (December 17, 1734 — March 20, 1816)  and Benedita, Princess of Brazil(25 July 1746 — 18 August 1829), married. Maria, then Crown Princess, married her uncle, Pedro III of Portugal (5 July 1717 — 25 May 1786) on 1760, when she was 25 and he was 43. Nice. It gets worse though. Seventeen years later, Maria’s youngest sister Benedita, then thirty,  married her fifteen year old cousin, who was also her nephew, as he was the child of Maria and Pedro. Eeeg. Sadly, but mercifully, and certainly not …

Earthquake fashions of the 18th century

Responding to Emily’s suggestion, today’s post is about Earthquake fashion.  Like everything else, fashion and textiles are affected by natural disasters.   Trade routes are interrupted, industries are destroyed, or moved.  Fashions change and developed in response to earthquakes. This post is also meant to celebrate the resilience and  fortitude of countless unnamed people across the centuries who have picked up, sought to “bury the dead and heal the living”, and rebuilt their lives and their cities, through an exploration of how the things closest to them, their clothes and textiles, changed in response to the changes in their life. For an interesting look at earthquake fashion let’s look at the 1755 Lisbon Earthquake.  In terms of human life, this was the most devastating earthquake ever recorded, and it probably had the most profound effect on society.  The massive chaos of the earthquake, and the resulting tsunami and fires, sparked the transition from the baroque to the rococo styles in Spain and Portugal, and prompted the philosophical writings that led to the Enlightenment.  Hundreds of …

Rate the Dress: Princess Louise Marie in furry finery

I suspected that last week’s Schiaparelli would be unpopular with some, but didn’t anticipate how many of you would consider it a ‘waste of time and material’.  The only love it got was as a potential costume for a Broadway  musical.  It rated a 4.9 out of 10. Perhaps the frock of a Princess (and a nun) can tempt you to higher praise?  Drouais paints  Louise Marie of France in a dress of luxurious tobacco-coloured silk trimmed with wavy bands of fur and lightened by lace sabot sleeves. The style of dress is somewhat old-fashioned for 1770 (Louise Marie’s sister in law, the charming Maria Josepha of Saxony, was painted in similar frocks in the early 1760s), and is rather sombre in tone.  Suitably un-worldy for a princess who was about to become a nun?  Or was Louise Marie, like her sisters, the other aunt-in-laws of Marie Antoinette, another “bitter old hag” who could not be bothered to dress properly?  Or is it technically suitable, but tasteless or ugly?  You decide. Rate the dress on …