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Rate the Dress: 1852 does 18th century

I rather expected that last week’s 1810s Rate the Dress wouldn’t be hugely popular, not in the sense that people wouldn’t like it, but in the sense that it wouldn’t attract lots of comments.  It’s not the type of outfit that’s usually super popular in terms of commenting, and it’s a portrait.  But, even without a lot of comments  we had a lively (if small) discussion anyway.

In general the shawl and coral got high marks, the colour scheme got the overall nod of approval, and people were torn on the ruff.  But good parts do not necessarily make a good whole, and while many of you enjoyed its understated elegance (to paraphrase Daniel), not everybody was onboard with the full ensemble, so the outfit managed a 7.8 out of 10.

(I think it might amuse you to know that I picked the painting because I was thinking of the Bonaparte family as being the Kardashians of the 1800s (powerful, divisive, and in the eyes of some, rather  vulgar), and that if this was Caroline, it was her trying to separate herself both politically, and, through the portrait, aesthetically.  Btw, go back and look at her.  She could be a Kardashian!)

This week’s Historicism themed Rate the Dress (because there is so much variety in historicism, how could I not use it as a theme all month!) is an 1850s ball  gown from the Helen Larson historic costume collection which very obviously references the 18th century.

While classically 1850s in its silhouette, the dress is  replete with Rococo detailing, from the ‘stomacher’ effect of the bodice front, to the overskirt which opens over a petticoat with scalloped ruffles.  Unlike their 18th century counterparts, which would have been left with raw pinked edges, these scallops are almost certainly machine made: the product of industrial revolution advances.

In addition to looking back to the 18th century, the gown foreshadows  its own historicism-ization: when mid 1910s and early 1920s fashions looked to the mid-19th century crinoline era for inspiration.  The wreath decorations of the skirt are so typical of  the type of ornamentation that was borrowed and utilised in the late teens and 20s that they look almost anachronistic in their own era on this dress.

What do you think of this mid-19th century reinterpretation of the fashions of a century before?  Are you a fan of early Rococo revival?

Rate the Dress on a Scale of 1 to 10

Cooking in 1916 thedreamstress.com

Come and hear about the Fortnight in 1916!

I’ve blogged about the Fortnight in 1916 a great deal, but haven’t yet spoken about it publicly yet in Wellington.  Time to remedy that!

Join me at the Petone Settlers Museum next Saturday, the 24th of September, at 11 am, to  hear me talk about my experiences in the Fortnight in person, see me in a typical outfit from 1916, and handle some of the items I wore and used.

The talk will be followed by morning tea.

And I have no objection whatsoever if anyone wants to come along in their own 1910s outfit, so we can all  pretend it’s 1916!

1916in2016_SewingMachine_IMG_0127

1916 Research thedreamstress.com

A Fortnight in 1916: the research

It took a LOT of research to spend a Fortnight in 1916 – I spent almost a year accumulating information, reading diaries, and figuring out what was and wasn’t done.  Despite all that, I’m still sure I made plenty of mistakes.

One of the real frustrations for me in creating this project, and something that was part of the impetus for it in the first place, is how little published research is available  on the New Zealand home front of  WWI.  There are a number of books that have chapters on the timeperiod, and much written about the WWI itself, and the politics around the war, in and outside of the country, but not one that I have found about the NZ home front as a whole.

The period of 1914-18  would have been  a time of huge change within the country even without the war: so many new technologies are introduced at this time.  I’d really love to see more research and writing focused on the domestic side of this period.

Here are the resources I used, with notes on the ones I most useful and relevant to my research.  I hope they are of interest and use to you!

Primary  Resources (General):

 

Papers Past – the National Library of New Zealand’s online database includes scans of almost every NZ newspaper dating back to the 1840s, and it’s searchable (and free!).  It’s been invaluable in providing recipes, fashion advice, housekeeping advice, and pretty much everything else.

The Museum of New Zealand Te Papa Tongarewa – their collections include numerous photographs taken in New Zealand during the war, as well as clothes and corsets from the period, providing an excellent image of what was available, and worn, in 1910s NZ.

Complete Etiquette for Ladies & Gentlemen: A Guide to the Observances of Good Society.  London: Ward Lock & Co.  circa 1920.  This ettiquette book comments on the societal changes created by the war.

Jenkins, Herbert.  Patricia Brent: Spinster.  London.  Herbert Jenkins Ltd.  1918.  This WWI era romance novel, set in London, provides an interesting period look at courtship and manners, and is the sort of thing my 1916 counterpart might have read.  Listen to it here.

Kirkby, Mandy (ed.).  Love Letters of the Great War.  Very sweet, the letters are from both ends, so include a female perspective (hooray!), but few are from NZ.  London: Macmillan Press.  2014.

Klickmann, Flora.  The Flower-Patch Among the Hills.  London: Religious Tract Society.  1916.  Flowers and a bit of wartime gossip, though generally quite cheerful, as the book was published at the beginning of the war.

Klickmann, Flora.  Between the Larch-woods and the Weir.  London: Religious Tract Society.  1917.  In between the descriptions of flowers and gardens that characterise her books Klickmann turns her observant eye and wry tongue on the changes to society during war, from society hostesses cutting their staff from 14 to 9 (oh, the hardship) to government recommendations on how to save on corsetry.

Montgomery, L. M.  Rilla of Ingleside.  1921.  This is one of the few fictional accounts of the war told from a female perspective, by a woman who had lived through the war.

Norris, Susanna Montgomerie with Anna Rogers (eds.).  Annie’s War: A New Zealand woman and her family in England 1916-19.  The Diaries of Annie Montgomerie.  Dunedin: Otago University Press.  2014.  This is the only published contemporaneous account of the war from a civilian, NZ, female perspective that I have found.  Unfortunately it doesn’t begin until 1916, and is begins when Annie’s family leaves NZ, and is focused on their time in England.  It does give insight into clothing (Annie mentions sleeping in pyjamas for the first time, and keeps a detailed record of her shopping), food, medicine, and  general lifestyle.  Most interestingly, Annie is quite cynical about the war, extremely harsh in her opinion of the  English as a society, and indicates a general awareness of how much the failings of the British military are contributing to the death of NZ soldiers.  I did wonder, reading her diary, if the English press was less censored than the NZ press during WWI.

Ward, Chrissie.  Dear Lizzie: A Kiwi Soldier Writes from the Battlefields of World War One.  Auckland: Harper Collins.  2000.  If only we had Lizzie’s letters to her brother!  France etc. is all very interesting, but I want to know about NZ.

Punch: or the London Charivari.  July to December 1914.  It’s interesting to see the start of WWI, and how quickly ideas and attitudes change.  By August 19th, for example, there are cartoons of German shops getting patriotic British makeovers.  While British, Punch would almost certainly have been read in NZ at the time – albeit a few days late.

Primary  Resources (Clothing):

 

Burgess.  Fred W.  The Practical Retail Draper: A Complete Guide for the Drapery and Allied Trades.  Volume IV.  London: Virtue & Company.  circa 1913.  This guide to running a successful drapery gives a good idea of what it would have been like to go garment shopping in the 1910s.

Fales, Jane.  Dressmaking: A manual for schools and colleges.  New York: Charles Schribner’s Sons.  1917.  A useful source for period sewing and garment construction techniques.

Resources for spending a fortnight in 1916

Secondary  Resources, Life in NZ:

 

Belich, James.  Paradise Reforged: A History of the New Zealanders From the 1880s to the Year 2000.  Auckland: Allen Lane the Penguin Press.  2001.  Gives an excellent socio-political overview of NZ and WWI.

Leach, Helen.  Kitchens: The New Zealand Kitchen in the 20th Century.  Dunedin: Otago University Press, 2014.  Like all of Leach’s books, Kitchens is meticulously researched.  The preface, and chapters 1-4 (1900, 1900-1909, 1910-1919, 1920-29) the best available secondary resource which gives  an overall perspective on houses, kitchens, and cooking in NZ in the first quarter of the 20th century.  I highly recommend this book for anyone interested in food and cooking history, even if you are far from NZ.

Leather, Graeme.  The Home Front: North Otago 1914-18.  Oamaru: IslandBridge.  2014.  Leather begins his book by saying ‘It is not my job to pass judgement or draw conclusions’.  He’s not kidding.  While the book dutifully recounts what happened in North Otago during WWI, there is no overall critical analysis, and the same information can easily be gleaned from period newspapers.

Scott, Keith.  Dear Dot, I must tell you: A Personal History of Young New Zealanders.  Auckland: Activity Press.  2011.  Children’s letters to a newspaper personality.

Secondary Resources, Women during WWI:

 

Adie, Kate.  Fighting on the Home Front: The Legacy of Women in World War One.  London: Hodder & Stoughton.  2013.  Interesting, but from a British perspective.

Bunkle, Phillipa and Beryly Hughes (eds.).  Women in New Zealand Society.  Auckland: George Allen & Unwin Australia Pty Ltd.  1980.  Olssen’s chapter on Women, Work and Family: 1880-1926 was the most useful of the essays.

Condell, Diana and Jean Liddiard.  Working for Victory?  Images of women in the First World War, 1914-18.  London: Routledge & Kegan Paul Ltd.  1987.  Helpful in showing a less glamorised image of the war, but (once again), from a British perspective.

Coney, Sandra.  Standing in the Sunshine: A History of New Zealand Women Since They Won the Vote.  Auckland: Penguin Books.  1993.  Lots of fantastic history, though very little of it is focused on the WWI home-front.

Marlow, Joyce (ed.), The Virago Book of Women and the Great War.  London: Virago Press, 1999.  Though focused on Great Britain (like most other books on women during WWI), this collection of letters and diaries from from women of all walks of life  provides a wonderful female perspective on the war.

Marwick, Arthur.  Women at War: 1914-18.  London: Croom Helm Ltd. 1977.  Page 130 reproduces  Evans’ To Women War Workers: Some Homely Advice in Regards to the Maintence of their Health & Comfort – with detailed advice on dress, hygiene, what to do ‘At Certain Periods, and in case of ‘certain personal diseases.’  It’s set in the UK, but still the most detailed description of personal care of the period I have encountered.

Nicholson, Virginia.  Singled Out: How Two Million Women Survived Without Men After the First World War.  London: Penguin Group.  2007.  British.

Rees, Peter.  The Other Anzacs: Nurses at War, 1914-1918.  Cros Nest, NSW, Australia: Allen & Unwin.  2008.  Interesting, but the usual NZ female WWI perspective: nurses.

1916 Research thedreamstress.com

Secondary  Resources:  Fashion & Textiles

 

Nicholson, Heather.  The Loving Stitch: A History of Knitting and Spinning in New Zealand.  Auckland: Auckland University Press.  1998.  An excellent overall history of knitting and spinning, with detailed chapters on WWI and the pre-war years.  I have a slight theory, developed independently of this book, but related to its topic, that knitwear may have been more acceptable in a wider range of settings in NZ in the 1910s than in much of the rest of the Western world.  My theory  based on the number of photos of women of all walks of NZ society in knitwear in the 1900s and 1910s that I came across.  I’d need to do significantly more research before I felt comfortable saying this was a definite quirk of NZ fashion, but it did influence the inclusion of a cardigan in my WWI wardrobe.

Salen, Jill.  Corsets: Historical Patterns & Techniques.  Hollywood: Costume & Fashion Press.  2008.  I used the 1916 German Ersatz Austerity Corset as the basis pattern for the corset I wore throughout the project.

Waugh, Norah.  Corsets & Crinolines.  New York: Routledge/Theatre Arts Books.  1954.  Excellent information on 1910s corsets and undergarments.

Waugh, Norah.  The Cut of Women’s Clothes.   London: Faber & Faber Limited.  1968.  Excellent information on garment  cuts and construction techniques used in the 1910s.