11 Search Results for: 18th century calico

Terminology: What is calamanco?

Calamanco (also spelled callimanco, calimanco, and kalamink) is a thin fabric of worsted wool yarn which could come in a number of weaves: plain, satin, damasked, and was even brocaded in floral, striped and checked designs.  The surface was glazed or calendered (pressed through hot rollers). References to calamanco go back to the late 16th century, but calamanco’s heyday was from the end of the 17th century to the end of the 18th century.  It was a popular fabric for women’s gowns and petticoats and men’s waistcoats, though it was gradually replaced by cotton and linen calico as a dress fabric. Daniel Defoe mentions a petticoat of black calamanco in 1720, and they remained popular among the rural populace until the early 19th century.  He also describes the wardrobe of the ‘poorest countryman’ in England and notes his ‘waistcoat of calimanco from Norwich.’ At least in the beginning of the century, calamanco wasn’t confined to the common man’s waistcoat.  The Tatler in 1709 describes the wardrobe of the ‘Dapper’. The habit of a Dapper when …

Portfolio: 1780s Lady Anne Darcy’s Wedding Dress (Robe a la Francaise)

The Idea and Inspiration: A formal, early 1780s robe a la francaise, as might have been worn as a wedding dress by Lady Anne Darcy, the mother of Mr Darcy (of Jane Austen’s Pride and Prejudice) By the 1780s robe a la francaises were becoming less common, but were still seen for more formal and conservative occasions.  As a formal gown, this dress harkens back to the 1760s and 70s in its basic construction, but the trimmings are current to the early 1780s. I looked at a number of different gowns and paintings from the 1760s to the 1780s for inspiration for the dress. The colour, based on paintings by Boucher, West, and Gainsborough, was clearly popular throughout the later half of the 18th century, and contemporaneous writing indicates that it was a particularly popular choice for wedding gowns for the wealthy upper class. The ‘poofed’ trimmings were based on gowns in the Metropolitan Museum of Art and at the Victoria and Albert Museum.  The round ‘poofs’ were very common on 1780s gowns, and are …