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Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

A tapestry workshop in Czechia

In the town of Valašské Meziříčí in the Zlín Region of Czechia there is a gem I almost missed seeing, but which turned out to be a highlight of the trip: the Moravská gobelínová manufaktura (MGM).  MGM is Czechia’s oldest tapestry workshop, and one of the few working tapestry makers left in Europe.

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

Its set in a fairly unassuming building a few blocks off the main square.  The guidelines gave the opening hours for a tour, and when we arrived a small sign told us to ring a bell and wait.

So far, not very exciting…

But ah, when the door opened and we were taken in!  Magic!

Rooms of huge looms waiting to be warped:

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

Piles of designs, and samples of yarn in every shade imaginable.

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

A huge loom, with an in-progress rug on which a enormous monochromatic bloom was taking shape:

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

The rug-maker talked us through what she was doing, explaining the design and the process in Czech, with Hana translating the most interesting and important bits for me.

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

One particularly interesting bit, at least for me?  All their rugs and tapestries are made with NZ merino wool!

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

Every wall in the workshop was covered with tapestries and rugs, or designs for tapestries and rugs: both new ones, and antiques the workshop had repaired.

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

Do you know what these are?  They are tenterhooks!  For stretching the finished woven item, so it is even and smooth.  It’s where the phrase ‘to be on tenterhooks’ comes from:  because the fabric on it is stretched taut and under pressure.

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

And once the rug was fully stretched, it would be trimmed to be perfectly smooth and even with this exciting and alarming device:

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

In the next big, airy open room smaller tapestries were being hand knotted.

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

The skill and concentration to follow those designs and manage all those colours!

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

You can see there are three different schematics for keeping track of the pattern.  There’s a black and white outline that sits behind the warp threads, an overall large picture hanging over the top of the loom, and a broken-down guide that shows the primary colours that will be used in each section:

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

And the colours!  I would dearly have loved to take some of these delicious shades home!  (what I would do with them I don’t know!)

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

The colours are all custom dyed.  They use chemical aniline dyes for lightfastness.

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

The loveliest thing about the visit is that it wasn’t a formal ‘tour’ that you usually get in businesses that let you in to see their manufacturing.  Instead it felt like visiting a friend’s sewing room.  We got to wander around, look at things, and the tapestry makers just chatted with us and showed us what they were doing.

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

Once we’d enjoyed all the in-progress tapestries we got to explore the rest of the building to see all the other looms and equipment – both pieces still in use, and pieces they keep for historical reference.

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

 

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

 

We finished up in the pub, which was closed that day, but which we were told we could visit to see the tapestries on the walls.

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

As it turned out, the pub owners were in, tidying up, and they chatted with Hana and offered to make us drinks.

I will never say no to limonáda (in Czechia this is soda water poured over frozen crushed fruit pulp) on a hot Czech day, especially when one of the flavours available is maracuja (passionfruit – I was so proud that I knew that name for passionfruit and could recognise it on menus)!

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

And ESPECIALLY not when it served in a pub/cafe that just casually has a 17th century tapestry over the bar!

Moravská gobelínová manufaktura (MGM) in Valašské Meziříčí, Czechia

What a treat to end a treat of a tour.  I’m SO glad we stayed that extra day in Valmez to do this!

The Summit Dress: Tester Makes! Part 1

The Summit Dress is out (and on sale for just two days more) and that means it’s time show off the gorgeous versions the testers made!

The Scroop Patterns Summit Dress scrooppatterns.com

 

Testers help ensure that a pattern fits just right on a wide range of bodies. They follow the instructions and let me know if they are clear, and will make sense to the average sewist across the world. They point out all the bits I could make better .  The final patterns are definitely better for all their input.

And they provide lots of inspiration of fabrics and notions! (so dangerous – I go away wanting a half dozen more versions to use all their ideas!)

Here is the first of two blog posts of the tester makes!

Sonya of @sonya_is_sewing

I had the hardest time choosing which photos of Sonya’s View B Summit Dress to show you.  Her dress is so gorgeous and her photos are all so pretty!

@sonya_is_sewing in the Scroop Patterns Summit Dress

She used a cotton lawn for her dress, and the weight is just perfect for a summer version that will flutter in the breeze.  I love the way the print shows the seaming and grainlines of the dress.

@sonya_is_sewing in the Scroop Patterns Summit Dress

She says “This is a pattern I can make again and again. It went together quickly and quite easily. The sleeves went in like butter! I don’t think I’ve ever been able to set in sleeves so easily. Great work!”

@sonya_is_sewing in the Scroop Patterns Summit Dress

Sonya made a Size 40.  Her eye for detail as a tester is just as good as her eye for design as a maker – she’s the one who noticed that I forgot to put the little tiny lines that indicate that the pattern has pockets.  (and they are awesome pockets!)

Carmen of @IdleHabitat

Carmen has the most fantastic instagram page, full of her colourful, imaginative, fun makes.

Carmen iof @dlehabitat in the Scroop Patterns Summit Dress

Her Summit dress is everything I hoped it would be!  Colourful, imaginative, and fun!

Carmen iof @dlehabitat in the Scroop Patterns Summit Dress

She made View A in Size 54 out of a cotton-linen blend.  It has just enough stiffness to give the dress a slightly sculptural quality.

Carmen iof @dlehabitat in the Scroop Patterns Summit Dress

Carmen wove her belt herself on her inkle loom (goals!) and added embroidered details to her dress – head over to her instagram to see the it.  (and the rest of her gorgeous makes).

Carmen of @idlehabitat in the Scroop Patterns Summit Dress

She gave really helpful feedback on the dress too.  You can thank her for the suggestion to add bicep measures to the final measurements chart for the View A sleeves!

Pat

It’s a bit of a cliché that French women always look chic, but here is Pat proving that sometimes clichés have their basis in truth, because this is a very chic version of the Summit Dress.

Pat Leroy in the Scroop Patterns Summit Dress

I love blue and black together.  I’m trying to think of a word to describe the combination that isn’t chic, so shall we say that it’s sophisticated?  Both!

Pat Leroy in the Scroop Patterns Summit Dress

Her red belted version is equally delightful!

Pat Leroy in the Scroop Patterns Summit Dress

She made View B in Size 38 out of double cotton gauze.  She shortened the pattern 12cm, to match her height.

Pat Leroy in the Scroop Patterns Summit Dress

Jessi of @mezzo.jessi 

I like to have a mix of experienced testers, and people who are new to testing, and testers I’ve worked with before, and testers I’ve never worked with, for every pattern. It ensures that I get a range of viewpoints and perspectives on the pattern, and that some of those viewpoints are familiar with my usual fit and instructions, and can point out if I’m doing something really differently to what I usually do.

Jessi has tested for me a couple of times previously, and I know it will always be delightful to have her as a tester.  She provides excellent, helpful, feedback, and chooses such fun fabrics for her makes!

Jessi @mezzo.jessi in the Scroop Patterns Summit Dress

She made View B of the Summit Dress in Size 48.  Her scrolls and florals cotton print is giving me serious fabric envy.  I would be her dress twin in a heartbeat!  

Jessi @mezzo.jessi in the Scroop Patterns Summit Dress

And you know what the fabric is?  SHEETS!  

Brilliant!  How much do we love creative fabric usage?  

Jessi @mezzo.jessi in the Scroop Patterns Summit Dress

 

She says “I really enjoy how quickly it went together, and I like the overall loose fit! I love the sleeves, pockets!!!!, and the swoosh factor! I didn’t have anything medieval inspired in my wardrobe yet, so this is a welcome addition for historybounders!”

Jessi @mezzo.jessi in the Scroop Patterns Summit Dress

Belen of @walkthethread

Belen’s version of the Summit Dress looks like she should be holidaying on some glorious Greek Island.  Can’t you just imagine her lounging by the Aegean Sea in this white muslin confection?

Belen @walkthethread in the Scroop Patterns Summit Dress

She made View B in the View A length in Size 32.

The lantern sleeves might not be as structural in her light cotton muslin, but the overall effect is so dreamy!  The fabric did make sewing this dress tricky, but the final look is worth it.

Belen @walkthethread in the Scroop Patterns Summit Dress

She says: “I really enjoyed learning (despite the frustration with the fabric) to sew a godet. And these were my first lantern sleeves! Love them!”

Her favourite part of the pattern is the option to sew the front and back godets with and without seams – an option that is based on the extant Medieval examples, which often have seams because the fabric wasn’t wide enough to cut pieces like the godet on the fold.  “I love when design decisions are rooted in legacy. It’s funny how I first I disliked it because it was an added seam that felt unnecessary, and now it’s my favourite part of the design! I love when our garments tell stories.“

Belen @walkthethread in the Scroop Patterns Summit Dress

Erin of @ZeniaMoon

Erin’s instagram is an eternal source of joy to me, for her fun sewing adventures, gorgeous makes, and delightful smile.

Erin @zeniamoon in the Scroop Patterns Summit Dress

I suspected that anyone who thinks that much about how to tell an interesting story visually and in an efficient number of words would be great at pattern testing.  Her feedback was just as much of a joy as her instagram.  She really thought about the pattern, and what makes using a pattern easy and fun for her.  The pattern will be easier and more fun for you to use thanks to her suggestions!

Erin @zeniamoon in the Scroop Patterns Summit Dress

She made a View B in Size 56, in a beautifully drapey poly-crepe.  She would like to try going down a few sizes and using the add a dart and FBA tutorial I posted.   You can thank her for prompting me to write that!

Madame Grimm of @loiseaudelapluie 

Finishing up with one last gorgeous View A version of the Summit Dress, modelled against the backdrop of a Swedish summer.

Madame Grimm @loiseaudelapluie in the Scroop Patterns Summit Dress

Madame Grimm was anything but grim to have as a tester!  The only thing about her feedback and stunning Summit that make me even the littlest bit sad is that it isn’t in my wardrobe.

Madame Grimm @loiseaudelapluie in the Scroop Patterns Summit Dress

This patterned weave is so pretty, and so evocative of the medieval aesthetic.

Madame Grimm @loiseaudelapluie in the Scroop Patterns Summit Dress

The drape of the fabric is just as beautiful as the patterning on it!

Madame Grimm @loiseaudelapluie in the Scroop Patterns Summit Dress

As someone who is a visual learner, Madame Grimm says that she particularly appreciated the clear diagrams in the instructions.

As someone who always wants to make my patterns better, I can’t say enough about how fantastic this group of testers was, and how much I appreciate their feedback.  It was really, really useful.

And there are even more gorgeous makes to show you in the next post…

Get your Summit Dress pattern now!

The Scroop Patterns Summit Dress scrooppatterns.com

How to add a bust dart to the Scroop Summit Dress

I really love including multiple bust cup size options in Scroop Patterns.  I did it with the Ngaio Blouse and the Robin Dress, and there are multiple fit options in all my stay and corset patterns..  I also considered including cup options in the Summit Dress pattern too.

I was on the fence because I didn’t want the pattern to move too far from its source patterns: the 14th/15th century garments excavated at Herjolfsnes.  To help me decide, I did some quick calculations on how much extra paper it would take to include them.

It would have been over 100 A4/US Letter pages in Size Pack C.  Or 7 (!!!) A0 pages.  Oof.

The Summit is already a big pattern: nobody wants a pattern that big.

So instead, here’s a tutorial on how to add your own bust dart, and do your own FBA on the Summit Dress.  I think this is even more helpful, because you can use this method  on other garments with an interesting side-front not-a-princess-seam.

Yeah, these seams here?  Not a princess seam.  Not useful for anything remotely substantial in the way of bust fitting:

The Scroop Patterns Summit Dress scrooppatterns.com

They help create amazing swish in the dress, and are really cool design lines, but they don’t get close enough to the bust apex to be a princess seam.

So here’s how to add a bust dart that IS helpful in the way of substantial fitting.

The Scroop Patterns Summit Dress scrooppatterns.com

I did it for the sample dress that Dani models above, to demonstrate.

For this exercise we’re going to do this for an imaginary lady.  Let’s call her Mehitabel.

How to add a bust dart to the Summit Dress.

You’ll need two measurements:

  • Sewing Cup Size
  • Bust Apex

To find these accurately, make sure you’re wearing the type of bra you intend to wear under the Summit Dress while you take your measurements.

Find your cup size:

Your sewing cup size is the difference between your high bust measurement, and your full bust measurement.    This may be different than the bra cup size you wear.

It’s easiest to take and calculate in inches, so that’s what I’ll be using.

Take your full bust measure by wrapping a tape around your back and the fullest part of your bust.  The tape should be parallel to the floor.  Take a measure that is just tight enough to sit firmly around you without denting in to your bust.

Mehitabel’s full bust is 49”

 

 

Take your high bust measurement by wrapping your measuring tape around your back, under your arms, and across your chest above any bust flesh.

Mehitabel’s high bust measurement is 44”

Now, subtract your high bust measurement from your full bust measurement.

49 – 44 = 5”

Mehitabel’s difference is 5”, which means she has a sewing cup size of  DD/E

Difference                                            Sewing cup size

1 inch                                                    A
2 inch                                                   B
3 inch                                                   C
4 inch                                                   D
5 inch                                                   DD or E
6 inch                                                   DDD, EE or F

The Summit Dress was fitted on a body model with a C cup, and best fits a B or C.  We’re going to use a 2” B cup difference for making our adjustments.

So, with a 2” difference between high and full bust, you want to choose the pattern size that is 2” bigger than your high bust.

That means we’ll be working with a Size 46 for Mehitabel: 2” bigger than 44.

46 is 3” smaller than Mehitabel’s 49” bust measure, so we’ll be making a 3” adjustment to the pattern.

Figure out what what size is 2” bigger than your high bust, and how much of an adjustment you’ll be making to your pattern.

Keep that number in mind as we move to the next step.

Find your bust apex:

Your bust apex is the point of your bust bulge (yes, that’s the technical patternmaking term for it!): usually this means your nipple.  We need to mark it on the pattern, so you’re going to measure down from your shoulder, and across your chest from point to point:

Finding your bust apex point

Work with Piece A in the pattern size that is 2” bigger than your high bust.

Measure down your body from the your shoulder directly below your ear, to your bust point (aka, your bust apex, your nipple).

On Front A draw a line parallel to the centre front from the neck point, to the length you just measured:

Scroop Patterns Summit Dress Dart Adjustment

Now, measure across your bust from left bust point, to right bust point.

Divide this measurement in half.

Draw a line which just touches the bottom of the vertical line, at right angles to the CF, all the way across to your side-front seam.  Mark a point at your bust apex.

Scroop Patterns Summit Dress Dart Adjustment

And now we can…

Add a bust dart

  1. Draw a diagonal line from your bust apex point to 1 1/4”/3cm up the armhole curve from the lower point of the armhole.
  2. Draw a vertical line which runs parallel to the centre front from your bust apex point all the way to the hem.
  3. Draw a horizontal line at right angles to the centre front and the Step 2 vertical line just above the pink rectangle marking the top of the godet insertion.
  4. Mark the 1.5cm seam allowance at the bottom of the armhole.
    Adding a bust dart to the Summit Dress scrooppatterns.com
  5. Cut across the horizontal line that intersects the bust apex point from the side-front seam to, but not through, the bust point.  You’re going to use the dot as a hinge point.
  6. Cut across the Step 3 horizontal line, and up the Step 2 vertical line, through the bust point (making sure that there’s still a bit of paper between this cut, and the one from Step 5), and out to, but not through, the seam allowance line.
  7. Cut in the seam allowance line to, but not through, leaving a little bit of paper to act as a hinge point.
    Your pattern will look like this, with hinge points at the bust apex point and armhole that you can use to spread the pattern pieces to add length and width for a bust dart:
    Adding a bust dart to the Summit Dress scrooppatterns.com
  8. Slip a large piece of paper (or several small pieces of paper) under all the slashes you have just made.  Make sure that the paper sticks out beyond the open triangle from Step 5 an inch or so just at the triangle.
  9. Go back to the cup size and the adjustment that you calculated you would need for your pattern.
    Mehitabel needs a 3” adjustment.  We’re going to add 1/2 that measurement to the pattern piece, because it’s 1/2 the front.
  10. Keeping the gap an even width, spread the vertical slash 1/2 the total adjustment needed (this is the difference between the pattern size you are working with and your full bust measure.).
    Mehitabel has spread hers 1 1/2”:
    Adding a bust dart to the Summit Dress scrooppatterns.com
  11. Tape the pattern pieces down, using small pieces of tape that just hold the pattern securely in place.  You still need to mark a dart, and don’t want it to be too hard to write on the tape!
  12. Measure the gap of the open triangle in the side seam, and mark the centre point.  Draw a line out from the angled inner corner of the upper bodice piece to marked centre point.  This will be the centre line of your dart.
    Adding a bust dart to the Summit Dress scrooppatterns.com
  13. Measure back along this line from the bust point to mark your dart tip.  You never want your dart tip to end right on the bust point.  The larger your size, the further back it should sit.  If know how far away from your bust point to your dart tip is attractive on you, use that.  If not, use this guide:
    • For bust sizes 30-38, measure back 1”.
    • For bust sizes 40-46, measure back 1.5”
    • For bust sizes 48-50, measure back 2”
    • For bust sizes 52-56, measure back 2.5”
  14. Mark your dart tip.
    Mehitabel has a 49” bust, so she’s be marking her dart tip 2” back from her bust point.
    Adding a bust dart to the Summit Dress scrooppatterns.com
  15. Draw lines from the marked dart tip, out to each end of the open triangle on the side seam.  This is your dart.  It’s probably going to look smaller than you expect a dart to look for your size.  That’s because it’s only going to a side-front seam: not all the way to a side seam.
    Adding a bust dart to the Summit Dress scrooppatterns.com
  16. Tape the dart and all other gaps in the pattern down securely.
  17. Tape a long strip of paper down the centre front edge of the pattern to re-establish the centre front line.
  18. Carefully fold the dart on the dart centre line, bring the two outer lines of the dart together, and press the dart down, as you will when its sewn in the dress.
  19. Cut along the side seam over the dart to smooth out the edge.
  20. When you open it up there should be a small triangle added to the side seam, which shows you where the dart goes:
    Adding a bust dart to the Summit Dress scrooppatterns.com

And that’s your bust dart added!  Just sew it in like you would any other dart.

Altering the godet height on the Summit Dress

Now, there’s just one more thing you should do.  If you are larger busted, the top point of the godet may sit too high on you to be flattering.  Let’s change that so that it sits at a point that’s right for your body.

The Scroop Patterns Summit Dress scrooppatterns.com

Hold the pattern piece up to your shoulder, and measure straight down your front, over your bust, to where you want the godet to start.

The pattern is designed to have fullness from the natural waist, but where it starts is entirely up to you.  Do you like fullness from just under your bust?  From a high waist?  From your natural waist?  Mark the point that corresponds to that.

For Dani’s dress, we moved the godet start point down 3”, so it started just below her natural waist.

Once you’ve picked a new top point that you like, alter the godet to match.  If you don’t want a lot of extra fullness you can simply take the amount you moved the godet start point off the bottom of the godet piece.

If you do want maximum fullness, use the lengthen-shorten lines to change the pattern, re-draw the angled side seams of the godet piece, and then check them against the length of the piece A centre front hem-to-godet-top point.  Adjust as needed.

The Scroop Patterns Summit Dress scrooppatterns.com

Enjoy your customised Summit Dress pattern!