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The Reproduction jacket

This week’s theme on the Sew Weekly was ‘On Trend’ – sew something inspired by one of the catwalk trends for Summer-Autumn 2012.

I may be a historical seamstress who loves vintage, but I’m actually quite enthusiastic about trends, and follow new design collections with interest.  Why?  There are so many different cuts and colours and fashions  that I love (Gold-yellow!  Paisley!  Greek keys!  Colour blocking!  Yokes!  1930s piecing! Laurel wreaths!  High waists!  Wide legged pants! Birds!  Small floral prints!  Petrol Blue! and…and…and…) that every season is sure to bring something that I adore, and then that item is easy to find and I can revel in it and stock up so that I can enjoy it till it comes around again.

What I love, I love, and when everyone else loves it, I think that’s fantastic.  I’m like the anti-hipster (“I liked that before everyone else did, and now they all do and that’s sooooo wonderful!”)

When the theme came up I knew exactly what I wanted to make.  One of my very favourite things has been all over the  catwalks for Summer and Autumn:  White on white.  Yes!  I not-so-secretly  love  white.  I have at least twice as much white fabric as any other colour.  And I have a little jacket that I own and love that I’ve had patterned up for months, waiting to make a new version in a white wool-acrylic blend.  The jacket has a cool wide standing collar, which is something else that has been on the catwalks a lot recently.

So, with the perfect pattern and the fabric to make it out of, I pulled out my fabric, pulled out the pattern, got another piece of coordinating white wool for a white version of the dress I did for  the accessorize challenge  and put them all ready to make up when the week rolled round.

So everything should have been really easy.  But it wasn’t.  Come the week, fabric and pattern are no-where to be found.  I searched, and searched, and just couldn’t find them.

OK, time for a re-think.  Retro Americana is on-trend for the Northern Hemisphere summer.  I’ve got a great novelty print from Grandma.  I pull it out, find an adorable pattern to pair it with, size the pattern up from a 32″ bust to a 37″ bust, and then discover I forgot to check the fabric requirements, and I am desperately short.  Back to scratch.

By this point, I’m getting a little worried and short on time.   I have one last brainstorm and a massive rummage in my newly re-organised sewing room, and this time, finally, hallelujah, it’s there.  So I had a mad dash to make the jacket in time for the challenge.

The mad dash was not helped by the horrible fabric.  Acrylic is such a revolting fabric to work with — it won’t press, won’t sculpt and just goes limp when you iron it.  There wasn’t enough wool in the blend to mitigate that, and if I hadn’t inherited the fabric I wouldn’t have had it in my stash.   Still, I managed a perfect bound buttonhole in acrylic, so I’m feeling quite pleased with myself!

I first paired the outer fabric with a gorgeous pastel floral lining twill lining, because I thought a white lining was a bit much.  Alas, the pastel floral showed through the white (stupid sucky acrylic), and I had to go through the painful process of unpicking it and replaced it with some white satin lining that I had, very providentially, found at an op-shop just that day.

Thanks to the loosing the fabric and days of sewing time I had to give up on making the dress as well, so I worn the jacket with jeans and black top, which is how I’ll actually wear it on a day to day basis.  If I were doing this for a runway show I’d pair the jacket with a maxi dress in heavy white silk jersey.  As I have no need for such a garment in my wardrobe, and, alas, no such fabric in my stash, my photoshoot is little less fashion-forward.

The photos were taken in downtown Wellington during a little Sunday shopping with Mr D, and then at a stop at the artificial beack at Oriental Bay to enjoy the late-afternoon winter sun.

 

Just the facts, Ma’am:

Fabric:  1.3 metres of loosely woven twill-weave acrylic-wool blend inherited from Nana, 1 metre of white satin-weave acetate lining fabric from an op shop ($4 for 3 metres).

Pattern:  Self drafted, based on a jacket I already own.

Year:  2012 does 1965

Notions:  one large white button and a vintage dome (snap), both inherited from Nana

Hours:  1 hour to draft the pattern from the jacket, 3.5 hours to make, 5+ hours of searching for the darn fabric!

Make again?  Probably not for a while.  I love the jacket, but have the original (in purple), and now one in white, and I’m not really a ‘make one in every colour’ girl.

First worn:  To teach Baha’i children’s classes on Sunday morning (virtue of the week: patience.  So very appropriate!) and then for shopping and a walk and photos Sunday afternoon.

Wear again?  Yes!  That’s the benefit of patterning up and making a garment you already own: you know you love the shape and style and that it fits well into your wardrobe.

Total cost:  $1 for the lining fabric

 

The fabulous, flirty 1950s

My next class at Made on Marion is a full skirted, 1950s dress class.

Why?

Because full skirted dresses are awesome and gorgeous and fun to wear.

However, they can also be a little tricky to make.

How to gather all that fabric in, get the hem of a circle skirt to be perfectly even, fit the bodice?  Does it need boning?  What about a petticoat, and what kind?  What about horsehair at the hem?  Will it work for a border print?  What about a directional print?  A class is the perfect way to work through that, whether you have a vintage 1950s pattern you want to tackle (and maybe need to size up from a 32 bust to a 36 bust!) or a modern reprint of a vintage.

To inspire prospective students, here are a few of my favourite 1950s patterns, some of which I own, some of which I don’t:

I just got this one. Look at the gorgeous nautical detailing:

McCalls 4935

The pattern envelope describes this as “A dress to be worn with a light heart, a light step”.  <3

Butterick 7238

The low back is so ‘on-trend’ right now, and this dress is such a classy way to do it.  Also, that pleated skirt?  Swoon!

McCall’s 3187 ©1959

This sexy dress is ‘Easy to Make’, and the overlapping front pleat is tres chic.

Vogue 7536

And for really sexy and gorgeous, try this dress.  Ooh la la!

Simplicity 1848

I love the simple halter on this, and I love, love, love the pleated skirt.  A great alternative if circle skirts aren’t your best look.

McCalls 3566

If vintage patterns are too scary or scarce, you can always go with one of the fabulous reprints that Vogue are putting out:

Mmmm….stripe matching!

Vintage Vogue 8789

Vintage Vogue 1172

 

So how many of these could you actually make or do?

Last week’s poll was about inventions:

I found the answers intriguing.  On the one hand, this is a sewing-focused blog, so it’s not surprising that the largest amount of you voted for the Sewing Machine  as the item you would ‘invent’ if sent back in time to before it existed.  On the other hand, at least to my mind, with the possible exception of the stocking frame, the sewing machine would be the most difficult of these to recreate and invent.

I’d have no problem making a paper clip, barbed wire or a spiral hairpin with some pretty basic materials, the postage stamp is a easy idea to recreate, the sandwich is a slam-dunk, I know how a printing press works well enough that I could explain it to a medieval craftsman, and variolation is a scarily easy concept.

Mary Wortley Montagu who helped to bring smallpox variolation to the West, by Charles Jervas, after 1716

But the sewing machine?

I may work with it every day, I can take one apart to some degree and put it back together and make it work, but I still couldn’t really explain to an engineer what would be needed to recreate a working one.

There is an interesting discussion of how useful a modern person would be in a historical situation.  Of course, the answer depends hugely on the person, and the period.

I think I’d be reasonably useful all the way back to prehistory: growing up on a farm gave me a decent background in a lot of really practical, hands-on skills, from plumbing (I can start a basic gravity intake and transport the water for miles), to carpentry, to medicine of the scientifically-proven herbal variety, to cooking in cast iron over fires, to (of course) agriculture.  My trump card would be sewing: hand-sewing goes back millennia and as far as we can tell has been valued for all that time.

But I couldn’t tell an inventor in 1790 how to make a working sewing machine.

So, if you voted for sewing machine, could you actually work with an engineer/mechanic and make one?  And what about the other stuff?  Do you understand variolation?  Could you make barbed wire quickly and easily without tearing yourself to shreds?  Or would your skill just be awesome sandwiches?