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Rate the Dress: Norma Shearer as Juliet in Botticelli

Last week’s Rate the Dress discussion was everything I could hope for from a blog post: lively debate, outside research, and a little mischief.

Opinions on Charles James’ anatomical dress differed greatly, even among individual people, mostly because of the colour.  Was the dress palest peach and marigold orange, as in the image I posted?  Or was it pale peach and dark peach, as in the Met’s current image?  Most of you liked it better as the second, but Cecil Beaton’s photograph of James’ frocks for Vogue suggests that pale and orange was the designers intention (thanks Steph for finding it!).   With ratings ranging from 1 to 10, the frock evened out with a rating of 7.2.  Not bad for a dress that was described as ‘labial folds’ and ‘baby poo’!

This week I move away from young girls dressed as women, and very womanly dresses, to a womanly woman dressed as a young girl.  Norma Shearer was 34 when she played the teenage heroine of Romeo and Juliet.  As much as I adore and respect Shearer in other ways, I think that agreeing to play Juliet was a silly, silly thing for her to do.  She was completely the wrong age, completely the wrong look, completely the wrong temperament, and unsuited to Shakespeare in general.  Shearer claimed that she “always chose sophisticated parts because you can’t really be interesting as a young girl or outstanding as an ingenue.”  Clearly she broke that rule with Romeo and Juliet, as you can’t get a more archetypical ingenue than Shearer’s starry eyed Juliet (with a pet fawn!)

While critics raked the film, and Shearer, over the coals, it did receive praise for its artistic design which was directly inspired by Renaissance artists.  One memorable costume has Shearer in a dress taken from Botticelli’s Primavera and Birth of Venus. Shearer claimed to have a hand in her own costumes, saying “somehow or other I always got myself rigged up in something sensational.”

Norma Shearer as Juliet in a Botticelli inspired gown

Norma's garland and headdress

The sleeves and cuffs

A full length scene showing the filming of Romeo and Juliet (sorry for the watermark!)

The dress is certainly interesting and very innocent and youthful, all organza puffs and floral garlands, plus a floral crown.  You decide if Norma’s costume was a better choice than her role.

Rate the dress on a scale of 1 to 10

Happy Naw-Rúz!

Today is Naw-Rúz, the Baha’i New Year.  It marks the start of BE (Baha’i Era) 168 – 168 years since the Bab, the forerunner of the Baha’i prophet, Baha’u’llah, announced that he was a messenger of God.

Naw-Rúz is a time of reflection, renewal, and of new beginnings.  It is a time for material and spiritual spring cleaning: a time to cleanse the debris out of your home, and your life.  It’s also a time to forgive people, to reconnect with family and friends who you haven’t seen in a long time.

It coincides with the beginning of Spring in the Northern Hemisphere, and with the equinox, when the suns light is spread equally over the world.  This is particularly relevant to the Baha’i Faith, as equality is such a central principle of the faith.

My years really do start and end with  Naw-Rúz.  The year before last, BE 166, was a terribly, terribly year for me.  Five people I loved and was very close to died in 166, four of them unexpectedly and tragically young.  Everything that could go wrong, did, in 166.  And then, come March 21, everything changed.  Precisely, and momentously, my life turned around, stepped from darkness to light, all on one day.

Looking back, 167 has been the most wonderful year for me.  I’ve made the most amazing friends and strengthen my relationships with the friends and loved ones I already had.  My business has grown leaps and bounds, as has my knowledge, and experience.  It has been a year of discovery and joy, a year to celebrate.

One of the many blessings in my life this past year has been you, my blog readers and commenters.  It’s a daily pleasure to come see what you are saying on your blog, if you keep one, and your responses to my blog.  Thank you.  Mahalo Nui

I don’t know what 168 will bring for me.  I can only hope it will be as good as 167, not just for me, but for you, and your friends and family, and for the world as a whole.  We could all use the 180 degree turnaround I saw last March 21 – a total turn from tragedy, and unhappiness, and darkness, to a new year of healing and joy.

My New Year’s prayer is for healing and joy for the world, and my resolution is to do my part to bring it about.

(OK, I’ll lay off on the deep, heavy, introspective posts for a while and go back to showing you pretty frocks now)

Now those look like proper children’s clothes!

At least in a sort of rich, elaborate, 18th century fashion

The Marsham Children by Thomas Gainsborough, 1787, the Staatliche Museum, Berlin

Look, Master Marshall even has his waistcoat unbuttoned so that he can climb a tree!  And Miss Marshall is getting her dress soiled with fruit, while the littlest Marshall gets muddy paw prints all over her (well, probably her) pretty white frock!