The last few Rate the Dresses have been quite subdued and muted in their colour scheme. That means it’s time for something bright! How about..orange? And velvet!
Last Week: an 1880s dress with embroidered cherries
I really wasn’t sure how people would feel about last week’s dress. It was so unlike most 1880s garments. Well…most of you loved it! And then some of you really, really didn’t like it, and thought it resembled a straitjacket, and looked ready to scold you. It would be the only cherry embroidered straitjacket to ever exist, that’s for sure! There was also a small group who thought it had definite possibilities, but needed accessories.
The Total: 8.5 out of 10
Just a fraction of a point up from the week before.
Can this week do better?
This week: a 1920s dress of voided velvet in vibrant orange
I felt that there was something a bit staid about last week’s dress, despite its perky pleats and cherry embroidery. This week’s dress, in contrast, is decidedly playful.

Goldstein Museum of Design 1981.033.032
The dress is made of voided or ‘devore’ silk velvet in dark orange, with a border pattern of abstract roses and interlocking arches.

Goldstein Museum of Design 1981.033.032
The velvet body of the dress is cut in a straight rectangle from shoulder to hip. It has long sleeves with very low, dropped armscyes, forming a ‘batwing’ effect.

Goldstein Museum of Design 1981.033.032
The sleeves are made of a light silk chiffon in the same shade of orange as the velvet.

Goldstein Museum of Design 1981.033.032
The same chiffon is used to form sashes which fall from a low half-belt which wraps across the back of the dress. The sashes are fastened to the belt with ornamental buckles made from an early form of plastic.

Goldstein Museum of Design 1981.033.032
The sleeves and sashes add movement to the dress, creating shape and interest out of the otherwise straight rectangle.

Goldstein Museum of Design 1981.033.032
The dress would originally have been worn with a slip underneath, likely in a matching orange, but possibly in a skin tone. At this date it’s unlikely the underdress would have been cut on the bias, so even in a skin tone it would have been as straight as the outer dress, and would not have revealed the body as the mannequin is revealed in these photos.
What do you think? How does this rank as a 20s frock?
Rate the Dress on a Scale of 1 to 10
A reminder about rating — feel free to be critical if you don’t like a thing, but make sure that your comments aren’t actually insulting to those who do like a garment. Phrase criticism as your opinion, rather than a flat fact. Our different tastes are what make Rate the Dress so interesting. It’s no fun when a comment implies that anyone who doesn’t agree with it, or who would wear a garment, is totally lacking in taste.
As usual, nothing more complicated than a .5. I also hugely appreciate it if you only do one rating, and set it on a line at the very end of your comment.