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My historical costuming people thedreamstress.com

So you’ve made a historical costume: where do you wear it?

In my last post, I discussed some ways to get started in historical costuming: different strategies for tackling your first makes, and where to get help with making.

But once you make a thing, you need a place to wear it! And that can be hard – especially if you don’t live somewhere with a lot of historical costume themed events. (I know all about this – NZ is fancy dress party central, but historical costume events are thin on the ground…)

A lot of people get started making historical costumes because they have a specific event to go to, and want to be dressed up. If that’s you: you’re sorted! Just talk to other people at the event, and you’ll probably learn about more events to wear your historic costume to.

A costume event is how I really got started in historical costuming: I made outfits for myself and a friend to wear to the SF Bay Area Renaissance Faire.

However, I went for 5 years between my 16th c Flemish outfit for a Renaissance Faire, and my next serious bout of historical sewing.

What prompted the next bout? An exhibition of impressionist paintings, and a chance to give a talk on the fashions in them. Between them I didn’t have a lot of events, and without a reason to wear costumes, it was hard to be motivated.

I still struggle to find motivations to costume if I don’t have an event to wear the costume to – and that can definitely be something that

So here’s some ideas for events & places to wear your costume to.

Conferences, Balls, and other big costume events

This is the obvious one. There are tons of things specifically designed for costumers to show off their stuff!

In the US & Canada there’s the Louisville Jane Austen Festival in Kentucky, a number of events at Colonial Williamsburg, Costume College in LA, and Costume Con (which travels, and will be in Montreal in 2020), plus numerous Civil War Era reenactment events, and lots more.

In the UK & Europe there’s the Jane Austen Festival in Bath, Fêtes Galantes at Versailles, Fête Napoleon III at Ville Vichy, Carnivale in Venice with historical events, and numerous other balls and festivals

In Australia there is the Australian Jane Austen Weekend (now becoming a more general historical weekend – and the organisers hold other balls and events) in Canberra, and the Abbey Medieval Festival in Queensland.

Those are just the ones I know off the top of my head, as someone who doesn’t live in those countries and is extremely unlikely to ever attend any of the out-of-NZ events in the future…

In New Zealand there is the Art Deco Festival in Napier and the Oamaru Victorian Heritage Celebrations.

Hunting Gorillas at Art Deco Weekend

Costume specific groups

Some areas have active local costuming guilds, like the Greater Bay Area Costumers Guild, Costumer’s Guild West, the Oregon Regency Society, etc., all of which throw their own events.

There are also costume-friendly dance events, like PEERS in the SF Bay Area.

Use google, pay attention to event listings in your area, and hopefully you’ll find one.

Historical villages, museums, and other history themed places that welcome costumers

Many areas have historical villages and or historical house museums, and many of these places are happy to have people visit in costume – and may even let you in to special areas to take photos if you come in costume.

Old Government House, Parramatta, Sydney, thedreamstress.com
Old Government House, Parramatta, Sydney,

Museum exhibits that match your costume in theme are also fun places to go in costume. Think 1860s-80s outfits to an Impressionism exhibition, 15th & 16th century to a Renaissance exhibition, or think a little more out of the box, and wear 18th century & Regency to a Pompeii exhibition, as if you were seeing the art & artefacts shortly after they were first rediscovered.

Call ahead to check that costumes are allowed before you wear them to a museum/historical house/private garden. Some museums and parks specifically forbid costumes, and some exhibitions are so popular that they have to deny costumes, because they would be distracting and slow down the flow. Read more about the ettiquette of wearing historical costumes in public here.

Film Premiers

Dressing up in theme for historical films is pretty common in some areas – and some theatres even encourage it for premiers.

At least two local theatres did dress-up (or dress-up-allowed) events for the premier of Downton Abbey – I went to one and wore my 1913 lounging pyjamas.

Events like these are a great place to meet other costume enthusiasts. Just talk to anyone else who is dressed up, and you might make some new friends to go to events with.

Lounging pyjamas inspired by a pair by Callot Soeurs at LACMA thedreamstress.com

(pro tip: be sure to remove any hats or big feathered headpieces before the movie starts!)

Create your own events

This is mostly what I do!

For years I costumed primarily for photoshoots – I turned the act of taking photos and documenting the outfit into my ‘event’. All I needed was me, and a photographer (aka. Mr D, who isn’t a photographer but is willing to try for me). Some costumers do it with a tripod.

I also threw some bigger costuming events: balls and picnics that were open to the public. If you are going to do this make sure you’re familiar with your local laws around throwing a public event, and serving food, alcohol, etc. It’s a lot of work, and a lot of money, and you have to have a way to advertise it. I met some amazing, wonderful people who are still dear friends doing this.

Like Theresa!

I’m just not up to that amount of work and stress anymore, so I don’t organise public events, but I try to go to the ones other people organise, and support them.

Now, I’ve found local costuming friends, we do smaller private events, which are much less stressful, which brings me to…

Where to find fellow historical costumers to do stuff with you

Start with all the facebook groups I mentioned in my last post! Ask if there is anyone local to you in them. You may even find a local group.

If your own area doesn’t have a dedicated costuming group, think about things that are historical-costume adjacent, and you may find other people in them who will do historical costuming stuff with you.

Many forms of dancing are vintage and historical clothes friendly. Join a dance group, and you’re likely to meet people who like to dress up, and find out about events where you can. Swing dancing is great for 1920s-50s. Contradancing is basically what Jane Austen was doing. Some ballroom dance groups are historical costume friendly.

Swing Dancers in full 20s-30s finery at Art Deco Weekend

Almost all historical groups are good bets. Historical architecture aficionados have some people who want to dress in the clothes of the era, historical military groups often do reenactments, and are interested in the wider society of the time. Etc. etc.

Most of my local historical costuming friends are people I met through standard sewing classes. They are people who are creative, and like making things, and like working with fabric. Join sewing groups, and you may find that many people who have only previously sewn modern clothes have secretly dreamed of dressing like Jane Austen, or having a complete outfit for a Medieval fair.

Hopefully these tips will help you find some friends to costume with!

Just keep in mind that no one is obligated to be your friend just because you share the same niche hobby, nor are you obligated to be anyone else’s friend. The most important thing about my costuming friends is that they are people who I enjoy spending time with. I’d like them if they weren’t historical costumers, but it’s even better that they are.

There are costumers I’ve met who I just didn’t gel with: they are lovely people, they make lovely things, I totally respect them and their work, but when we try to hang out we just end up saying “ummm” at each other while we try to think of things to talk about.

Don’t be discouraged if you hit a few dead ends meeting costume people: eventually you will find ‘your’ people.

My historical costuming people thedreamstress.com
Historical Costuming - jump right in! thedreamstress.com

How to get started in historical costuming

True story:  quite a few of my closest friends became my friends because they heard I do historical costuming and said “Oh, I’ve always dreamed of making X kind of dress.”  And I said  “Really?  Well, I can help with that!  Let me tempt you to the dark and full of handsewing side…”  

And then 300 hours of pattern choosing and handsewing later we’re sending each other terrible memes at 3am, and crying on each others shoulder when things are hard.  

I can’t promise you a costuming friend for life, but I can give you some of the tips that I give friends when they start on this journey.  Hopefully they will help you achieve your costuming dreams.

First, choose what you want to make:

That’s pretty obvious! But it can be a bit overwhelming.

The three main strategies that people use to get started are:

  1. Pick an era, and make a complete outfit for that era, from the inside out.
  2. Pick a simple item that can be used for multiple eras, and start with that.
  3. Just make the pretty dress, and hope it fits once you make proper undergarments (or buy the undergarments, and make the dress).
How to Get Started in Historical Costuming thedreamstress.com
Miss Priscilla’s first historical dress, based on a pattern in Janet Arnold’s Patterns of Fashion

Here are some tips for doing each of those:

1. Pick an era, and make a complete outfit for that era, from the inside out

This is the most commonly suggested method for getting started. Pick an era, identify the garments and layers for that era, find patterns for each garment, and get working.

That’s how my friend Nina got started two years ago. She settled on Regency, bought patterns for all the pieces, and worked her way through each garment following the pattern. Now she has a full, beautiful, Regency ensemble:

How to Get Started in Historical Costuming thedreamstress.com

There are a few eras that are traditionally considered easy to start with, because there are lots of patterns for them, they don’t require a huge amount of supportive undergarments, and fitting is reasonably straightforward.

Some easy starter eras are:

Regency: for a start, you’d want a chemise, stays (corset), petticoat, and dress. From there you can add spencers for daywear, sleeveless spencers for balls, and make bonnets and other headwear. Burnley & Trowbridge had a great range of patterns, and suitable fabrics.

Late Victorian (1890s): a basic outfit can consist of a chemise, corset, petticoat, skirt (the Scroop Fantail Skirt can be used for both petticoat and skirt), and a blouse or bodice. Make an evening bodice and a jacket, add hats (for daywear) and accessories and you have three full outfit. Wearing History and Truly Victorian are a good place to start looking for patterns.

1910s: Obviously this one is a favourite of mine! I’ve done a whole series of blog posts on Building your own 1910s-WWI era wardrobe, with links to all sorts of patterns, including my Rilla Corset.

WWI era corset, 1910s corset, Rilla corset, corset pattern

If you’re a little more ambitious, you could work on an era where there aren’t so many patterns:

Medieval (second half of the 14th c): This one is a little harder, because to really get a good fit, you have to drape it on yourself. And it’s really hard to make it look nice if it isn’t mostly handsewn. There are links to all the sources I used in my portfolio for my 1360s dress.

Of course, you don’t have to start with a simple era! If you want to dive right in and make 1660s (chemise, boned bodice, petticoat, skirt), or some other era without nearly as many resources, and that doesn’t scare you, go for it!

While you can go it alone, a piece of advice based on my own experience: It’s definitely easier to sew from existing patterns.

As long as it’s a good pattern to start with (ask other costumers and read reviews!), you get a much better result in a much faster timeframe, with less tears and frustration. The money you spend on a pattern is often saved in time and materials.

If planning a a whole outfit is too intimidating to contemplate, why don’t you…

2. Pick a simple item that can be used for multiple eras, and start with that

I just tempted my friend Jenni into joining our monthly historical costuming sewing day. She loves the idea of the costumes, but was a bit daunted by starting a whole outfit, and even a chemise seamed (heh heh) a bit much.

So I suggested a fichu: I use mine for 18th c, for Regency, and can even be a quick Medieval head covering:

How to Get Started in Historical Costuming thedreamstress.com

We cut out a linen triangle at 1:20, and by the time we packed up at 5, she’d hemmed both short hems, and half the long hem.

A day later she could say she’d finished the first piece of her historical wardrobe!

A reproduction 18th century fichu, thedreamstress.com
This one’s mine, but Jenni’s looks just like it.

I’m recommending that she make a Regency shift next.

In a pinch you can wear a Regency shift under 18th c, Medieval, most decades of the 19th century, and up until the 1920s. Obviously it’s a cheat for most of those eras, but if you aren’t aiming to be a reenactor, it’s hard to beat a ca. 1805 shift for time-travelling versatility.

Linen Regency chemise thedreamstress.com

Picking a simple item lets you practice stitches, get the feel of construction, get the satisfaction of ‘making a thing’ without it taking weeks.  Simple projects help you build build up a lot of the pieces that make an outfit look complete, but that a lot of costumers (cough cough, me) often neglect.

If all that sounds terribly boring, you can:

3. Throw caution to the winds and make the pretty dress to start with

It’s not the most recommended way of starting out, because dresses rarely fit right without the proper undergarments, but…

If chemises and corsets are really too uninspiring, and the thought just puts you right off costuming, it’s your life, and your time, and your sewing. Start with that pretty dress if that’s what makes you happy!

Medieval is very forgiving of dress-first, because it isn’t worn with any super-supportive/body shaping undergarments. You’ll probably end up wanting a shift to keep your outer fabric from getting sweaty/dirty, but you can get the fit right without one.

The NZSEHR 2019 in 1360s Medieval gowns thedreamstress.com

Regency and 1910s aren’t too bad for making your dress before your undergarments. I can wear almost all my Regency & 1910s makes without my stays/corsets underneath them. I’ll even confess to making two Regency dresses before I’d manage to make stays that I was happy with the fit and silhouette of.

Don’t tell, but neither of us is wearing actual Regency stays in this photo…

Both my Regency & 1910s certainly look better with the correct undergarments, and I’m going to be re-making the bodice of my 1810s Kashmiri dress to fit properly over stays (and also because my ribcage is getting bigger with age, sigh). But they are wearable, and look very pretty to the general public.

As long as they fulfil your costuming goals without stressing you too much, that’s what matters!

3v2 Make the Pretty Dress, but buy the boring/scary things

The less-risky alternative to sewing without the proper undergarments (if corsetry scares you), is to buy ones already made.  There are a ton of makers out there, of varying quality and price range, who can create the bits you don’t want to make.

Redthreaded sells very beautifully made, reasonably priced corsets and stays that will give you the right historical silhouette.  (and good, easy to follow, patterns using theatrical sewing techniques)

Costume College 2019 thedreamstress.com
Angela of Burnley & Trowbridge at Redthreaded’s Corset stall at Costume College

You’ve chosen what you want to do to get started. What next?

Costume diaries are your friend!

I made my first actually-attempting-to-be historical outfit 17 years ago, following Drea Leed’s classic ‘Constructing a 16th Century Flemish Outfit’, and Festive Attyre’s (sadly no longer live) amazing dress diary.

Mid-16th century Flemish workingwomans dress
This was my ‘smiling isn’t historically accurate’ stage…

Whenever I start a new project, I often begin by browsing blogs, like Demode, The Fashionable Past (aka. Koshka the Cat), Modern Mantua Maker, and Katafalk and others (though more and more blogs are dormant these days – wailey wailey) just to see who else has made a thing, and what resources they used.

It’s very reassuring to see someone else make their way through a process, to know it’s possible!

But if you’re following a costume diary and a pattern, and are running into things that confuse you, or you’re still stuck on the ‘where to find patterns’ part, you should:

Join Facebook groups and other community discussions

The best way to get personalised help as you’re starting out is on a FB group or other community board, where there are a ton of people, and whoever is online, and has the time at that moment, will answer any question you ask.

A lot of people message me* through this blog asking for help getting started, or with a specific project, and I can’t always answer, either because I’m super busy at the time, or because it’s not an era I’m really expert in. And, if I forget to answer because a message comes when I’m super busy, I feel terrible. I want to make this hobby accessible, but can’t always manage to respond to everything. And every personal message I answer is time taken from public blog posts that could help lots of people. Sometimes I turn personal questions into posts, but that isn’t always possible.

I know a lot of the other more visible costumers feel equally torn between making the hobby accessible, helping one person or helping a lot of people, and taking care of themselves, their actual work, and their private life.

But if you join a FB group ( The Historical Sew Fortnightly; Elizabethan Costume; 18th Century Sewing; Georgian, Regency, Empire, Biedermeier Clothing Construction Support Group; 19th Century Sewing; Historical Pattern Reviews 1700-1929; or 1900-1925 Edwardian-WWI Era Fashion & Costuming, to name just a few of the dozens of groups out there), they are just full of people willing to help new costumers.

Ask a question, costumers all over the world see it, and answers pour in (usually, especially if you follow my tips below).

Costume College Friday thedreamstress.com
Fabulous people I met on the internets…

Matsukaze Workshops did a comprehensive list of historical costuming FB groups a few years back. There are even more groups now!

Not into FB? There’s /r/HistoricalCostuming if Reddit is more your thing.

Facebook groups and open messageboards can be frustrating, because you aren’t always sure how much the people answering know the era and craft (some people just really love to be helpful, and answer questions even if they don’t really know the answer…), but they are still pretty darn useful.

In addition to getting questions answered, you see what other people are making, get introduced to new terms, pattern companies, websites, and events.

There are a few things you can do to get better help in community groups:

Be polite and pay attention to the rules.

Every group and message board is its own little mini country, with its own laws and standards of politeness.

When you join a group, read the rules/Terms of Use.

Some group allow outside links, some don’t. Some groups are strictly “aim for as close as you can possibly get to exactly how it was made in the period” some are “whatever you want as long as it looks vaguely historical”. Respecting the guidelines of the group you’re in will make people much more likely to help you. Respect the era of the group (i.e. don’t ask for help with a 1750s Madame de Pompadour dress in the 19th c group…)

It’s often a good idea to lurk (or better yet, say hi and then stick to complementing people on their makes) in a new group for a few days or weeks, to get a feel for the group, and what’s ‘polite’ within that group.

When you do start asking questions, make sure you’ve done as much research as possible beforehand, and be as specific as possible in your question

People are usually delighted to help, but they aren’t mindreaders, and they aren’t google. Do some preliminary research (like this post!) and try to narrow down what you really want as much as possible.

Instead of asking:

“How do I make a historical dress”
(way too broad and vague)

or even

“How do I make a Victorian dress”
(because that still covers 63 years and a huge number of different styles)

Ask:

“Can you point me towards some resources for making an 1870s day dress” (Hooray, you’ve narrowed down your date range, and the kind of dress you want!)

or:

I’m just getting started, and working on a Regency wardrobe. I’ve found these 5x patterns for Regency stays/corsets. Which of the five would you recommend?

or

I really love the dress in this painting by Winterhalter. Can you help me identify the garments shown in the painting, and where to find patterns to make a similar look?”

Countess Alexander Nikolaevitch Lamsdorff (Maria Ivanovna Beck, 1835—1866) by Franz Xavier Winterhalter 1859 The Metropolitan Museum of Art, DT2553
Countess Alexander Nikolaevitch Lamsdorff (Maria Ivanovna Beck, 1835—1866) by Franz Xavier Winterhalter 1859 The Metropolitan Museum of Art, DT2553

Questions like those will help people give you the answers you need – and are more likely to attract accurate answers.

If you’re stuck on a specific sewing step, there are even groups for most of the main historical sewing pattern companies. So you can join them, and get clarification on how a pattern should fit, or what a particular step means. If you search the group, it’s entirely possible the question has already been answered!

The internet is awesome.

If all that is still confusing (especially it’s all-ness), you can:

Take a class or workshop!

These aren’t available everywhere, but you might be surprised at how much is available if you look around. My small (210,000) city has had a some form of workshop that would teach you to make a reasonable Victorian corset on average every other year in the last decade.

Being on the internet, and paying attention to groups, and seeing if you can find one for your area, will help you locate more classes. Obviously I’m not a huge fan of a lot of travelling due to its carbon footprint, but many classes are scheduled over the weekend to make it easy for people to travel & take them. Or, if you have friends who are interested, you might be able to get a teacher to come to you, instead of having to go to them.

If travelling or getting a teacher to come to you is not a possibility, there are some fantastic online tutorials, like Burnley & Trowbridges 18th century sewing YoutTube Sew-along Series.

And in an absolute pinch, a good standard sewing teacher will be able to help you interpret and fit a good historical pattern.

Hooray! You’ve made an outfit, now what?

Now you need an event to wear it to! And that’s the topic of my next post…

Sew & Eat Historical Retreat thedreamstress.com

 

*I’m just going to put this out there. I hate it when people message me on Instagram for information, because typing complicated answers on a phone is not fun, nor is hunting up a lot of links. I don’t want to ignore anyone, but IG is not great for answering anything but the most cursory questions. 🙁

Dress and Spencer, c. 1820, Silk:alpaca mixture, trimmed with silk, The John Bright Collection

Rate the Dress: Romantic Era Warmth

We’ve been having very spring-y weather in Wellington, by which I mean changeable. It’s very four seasons in one day! Wind, rain, sun, and then back again.

So I’ve picked a Rate the Dress for changeable temperatures – although it probably wouldn’t do well in a good spring shower.

Last Week: an 1860s day dress in bright blue

Last week’s bright blue 1860s number had two distinct pools: it’s fabulous (but badly displayed) and; those shoulders and sleeves are just terrible under any circumstances.

The Total: 8.7 out of 10

Not bad, if not as brilliant as the colour.

This week: a 1820s dress & spencer ensemble

So many of you loved last week’s bright blue, but you know I’m always a fan of white-on-white texture, or (in this case) palest blush on ivory texture.

Dress and Spencer, c. 1820, Silk:alpaca mixture, trimmed with silk, The John Bright Collection
Dress and Spencer, c. 1820, Silk:alpaca mixture, trimmed with silk, The John Bright Collection

This 1820s ensemble consists of a dress, and a spencer to wear over the dress.

Dress and Spencer, c. 1820, Silk:alpaca mixture, trimmed with silk, The John Bright Collection
Dress and Spencer, c. 1820, Silk:alpaca mixture, trimmed with silk, The John Bright Collection

The silk fabrics, light colour and elaborate trims suggest both pieces were for very fine occasions. By itself the dress could be worn to dinners, and even country balls: the addition of the spencer makes the outfit suitable for formal outdoor wear and church.

Dress and Spencer, c. 1820, Silk:alpaca mixture, trimmed with silk, The John Bright Collection
Dress, c. 1820, Silk:alpaca mixture, trimmed with silk, The John Bright Collection

The dress features a moderately low, square neckline, trimmed with half-bow ‘leaf’ shapes that mirror each other as they frame the neckline, coming together to form a flat bow shape at the centre front.

Dress and Spencer, c. 1820, Silk:alpaca mixture, trimmed with silk, The John Bright Collection
Dress and Spencer, c. 1820, Silk:alpaca mixture, trimmed with silk, The John Bright Collection

Typically of late teens and early 20s fashion the dress is cut without a train and features a padded and quilted hem with elaborate trimming that mimics the neckline trim.

Dress and Spencer, c. 1820, Silk:alpaca mixture, trimmed with silk, The John Bright Collection
Dress and Spencer, c. 1820, Silk:alpaca mixture, trimmed with silk, The John Bright Collection

The long sleeves of the dress are trimmed with more bows and half-bows, forming a faux cuff, or a band holding the sleeve snug to the arm.

Dress and Spencer, c. 1820, Silk:alpaca mixture, trimmed with silk, The John Bright Collection
Dress and Spencer, c. 1820, Silk:alpaca mixture, trimmed with silk, The John Bright Collection

Long sleeves suggest the dress was meant to be worn as formal daywear, or for dinners, as ball dresses or evening dresses would have had shorter sleeves. However, some period writing suggests that in the country, and further away from fashionable centres, women were more likely to blur the rules, so a dress like this might have been worn to a ball.

Dress and Spencer, c. 1820, Silk:alpaca mixture, trimmed with silk, The John Bright Collection
Dress and Spencer, c. 1820, Silk:alpaca mixture, trimmed with silk, The John Bright Collection

With the addition of the spencer, it might also have been worn to a wedding – perhaps even the wearer’s own. It’s certainly fancy enough, and while white wedding dresses wouldn’t be de rigueur until after Queen Victoria’s 1840 wedding, lighter shades were common for wedding attire in the 1810s and 20s, even as the overall fashion palette moved away from Regency white.

Dress and Spencer, c. 1820, Silk:alpaca mixture, trimmed with silk, The John Bright Collection
Dress and Spencer, c. 1820, Silk:alpaca mixture, trimmed with silk, The John Bright Collection

So, what do you think of this ensemble? Another boring example of the early 19th century obsession with non-colours, or an elegant expression of texture and restraint?

Rate the Dress on a Scale of 1 to 10

A reminder about rating — feel free to be critical if you don’t like a thing, but make sure that your comments aren’t actually insulting to those who do like a garment.  Phrase criticism as your opinion, rather than a flat fact. Our different tastes are what make Rate the Dress so interesting.  It’s no fun when a comment implies that anyone who doesn’t agree with it, or who would wear a garment, is totally lacking in taste. 

(as usual, nothing more complicated than a .5.  I also hugely appreciate it if you only do one rating, and set it on a line at the very end of your comment, so I can find it!  And 0 is not on a scale of 1 to 10.  Thanks in advance!)