All posts tagged: 1860s

A swiss waist

Way back in July 2012, when I got excited about swiss waists and what makes a swiss waist different from an underbust corset, I actually started making a swiss waist. It even got worn by a model, not quite done, over my chemise a la reine, for a talk at a steampunk convention (ah Steampunk, such a great cover for a multitude of un-historicisms!) And then I got really, really busy, and the swiss waist got shoved to the bottom of the PHD (as in, project half done, not the indefinitely postponed degree I may one day pursue…) pile. With the HSF Terminology challenge coming up, I remembered my swiss waist, and that all it  really needed to be finished was two more hand-worked eyelets. Easy! Right? Well….you know me. Here is my swiss waist. The front, with lacing: And the unlaced back: My main inspiration was this swiss waist.  I really liked the uber-curvy swoops of the silhouette.  I wasn’t so keen on the shoulder straps though, so skipped them, because there are enough …

Let there be light!

In the last half hour of my  crinolines photoshoot with Theresa  (of Existimatio), the sun began to set over the hills of Wellington and lit up the rather spectacular cloud formations in glowing azure and gold. Theresa was madly snapping away, capturing me and the sky, and the gorgeous, glowing light over the city. Suddenly she had an idea.  “Stand right there and let me get your profile against the sun!” So she snapped away, making “Ooooh” noises and telling me to move just a wee bit forward or a wee bit back,* until I became envious and said “Me, Me, Me!  My turn!  I want to try it on you!” But all I got were photos where Theresa’s hair looked like it was on fire: Then I had an idea.  “Raise your hand…no…the far one…yep, that’s just right..now click your fingers” “Perfect!  Now  LET THERE BE LIGHT!” And there was. When Theresa saw the pictures she said “Oh my god, you’re such a dork!” Yep, and a happy one at that! These pictures particularly …

Hoopskirts in the Park

Our first photo location for last week’s hoopskirt photoshoot with Theresa was a big park on the edge of the green  belt in Wellington – the same park I used for the pet-en-l’aire photoshoot. I’ve long thought that the park, with it’s long, sloping green lawn interspersed with pohutakawa and eucalyptus trees, had distinct English pastoral possibilities.  If Capability Brown  had had access to pohutakawa he would have planted in them.  They are the perfect representation of 19th century New Zealand’s complicated relationship with identity.  For 11 months of the year they are elegant faux English oak trees, and then for one month of the year they break out in flaming red SOUTH PACIFIC WONDERLAND! colours.  This is pretty much how New Zealand was for a good century: torn between being more English than the English, immensely proud of not being English and their new national culture, and not sure what to do with the Polynesian culture they were living side by side with. In any case, the pohutakawa lawn was perfect for a hoopskirt …