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Felicity the Costuming Cat at work and play

One of the horrible facts of life that I’m having to face is that Felicity is getting old, and I won’t have her forever.  She turned 14 this year, and has had a very rough six-months health-wise, with thyroid issues causing kidney issues causing her to loose 2/5 of her body weight in only 6 months.

You’ll be happy to hear she’s doing much better now, so I can hopefully look forward to a good few years more of snuggles, help, and general wonderfulness.

Despite not feeling the best, she’s still been a dedicated sewing helper, patternmaker, and nap buddy.  Here’s a catch up of her activities.

They include:

Sitting on sewing projects:

Felicity the Costuming Cat thedreamstress.com

Sitting on me while I sew:

A calico cat sleeping on a lap, with handsewing in the foreground.

Felicity the Costuming Cat thedreamstress.com

Felicity the Costuming Cat thedreamstress.com

Keeping a firm paw on the pattern-instruction process:

Felicity the Costuming Cat thedreamstress.com

Felicity the Costuming Cat thedreamstress.com

Felicity the Costuming Cat thedreamstress.com

And the pattern testing process:

Felicity the Costuming Cat thedreamstress.com

(sorry, this is a personal pattern, and not one destined for a future Scroop project.  Sometimes I need to do things just for me!)

Felicity the Costuming Cat thedreamstress.com

Felicity the Costuming Cat thedreamstress.com

And she even managed to get in a few naps in the sunshine:

Felicity the Costuming Cat thedreamstress.com

She’s such a good kitty!

Rate the Dress: Brilliant Blue Bustle Era

Last week’s dress, and the reactions to it, were rather restrained.  This week I’ve picked a very un-restrained dress, from an era that was rarely restrained.  The first-bustle-era reception gown we’re looking at combines bold fabrics, bold colours, and bold textures for maximum impact.  Will you find it find it pleasingly exciting?

Last Week: an early 19th century embroidered morning dress.

Reactions to last week’s embroidered morning dress were slightly more muted than the week before, both in the ratings, and in the number of people who were inspired to rate.  You thought the dress was restful and comfortable, and perfect for a slow day after a big evening.  The main complaint was that the embroidery didn’t have enough impact, though Emma Louise commented how balanced the dress would look with a richly coloured Kashmiri shawl, which is exactly the sort of accessory it might have had.

The Total: 8.5 out of 10

Very respectable, but not one for the rating history books.

This week: a brilliant blue and floral late 1870s bustle era reception gown

Late 1870s fashion is rarely subtle, and this end-of-the-first-bustle-era reception dress, in vivid sapphire blue satin and black and ivory floral brocading, combines the era’s love of the still-relatively-new aniline dyes and lavish textural trim.

Reception gown, ca. 1876, Centraal Museum

Reception gown, ca. 1876, Centraal Museum

While the patterned fabric and the coloured fabric are are unrelated, they have both been used very deliberately.  The stripes of the floral have been carefully arranged to heighten the illusion of curves, emphasising the fashionable hourglass figure.  The plain blue satin is used as the perfect canvas for fabric manipulation, arranged in a series of pleats and ruches.

Reception gown, ca. 1876, Centraal Museum

Reception gown, ca. 1876, Centraal Museum

The structured geometry of the pleats and gathers in the blue silk provides a counterpoint the the naturalistic draped fall of the floral bustling.  A single lavish bow in the blue silk pulls the two fabrics together.

Reception gown, ca. 1876, Centraal Museum

Reception gown, ca. 1876, Centraal Museum

What do you think?  Is it an elegant representation of its era?

Rate the Dress on a Scale of 1 to 10

A reminder about rating — feel free to be critical if you don’t like a thing, but make sure that your comments aren’t actually insulting to those who do like a garment.  Phrase criticism as your opinion, rather than a flat fact. Our different tastes are what make Rate the Dress so interesting.  It’s no fun when a comment implies that anyone who doesn’t agree with it, or who would wear a garment, is totally lacking in taste.

As usual, nothing more complicated than a .5.  I also hugely appreciate it if you only do one rating, and set it on a line at the very end of your comment.

Making an extremely exuberant Amalia Jacket

Remember the chintz robe I made for Lynne last year?  Well, I saved a length of that fabric for myself, to make the most fabulously, floral-y, extremely exuberant Amalia Jacket.

A calico cat with green eyes lying on floral fabric

I’ve been plugging away on it all year.  It’s been my happy sewing.  I love the fabric.  The cotton and linen are so easy and fun to work with.  It’s really nice to make something without a deadline, and to just work on it when the mood strikes you.  It’s not a fast process, but it’s so satisfying. And I’m still so delighted with the Amalia Jacket pattern!

Here’s a look at the making process.

I started with the lining, and then added the back panels, building out from the center back, and lapping each piece over the other:

A partly made 1780s jacket in bright floral fabric

Felicity, in her own special way, made sure that I didn’t go over my daily sewing allotment.

A calico cat lying on floral fabric

Bodice assembled!

The lining of a partly finished Amalia jacket

Now, on to the sleeves:

Sleeve pattern pieces lying on ivory linen

Here’s a little sewing tip.  If you need to cut a pattern piece with the pattern wrong side up, fold the pattern piece along the grainline:

A sleeve pattern piece folded along the grainline

Now it’s easy to see the grainline, and make sure it’s placed properly on the fabric!

A sleeve pattern piece positioned on floral fabric

I loooooove sewing 18th c sleeves.  The assembly technique is so clever.

A pinned seam on the linen lining of an 18th century sleeve

And involves whipstitching!  I could whipstitch all day long…

A whipstitched seam on a white linen lining

Then it was on to the bodice front.

An extremely exuberant Amalia Jacket thedreamstress.com

I opted for the cutaway front, even though it’s very subtle in such a bold print, because most of the extant jackets with cutaway fronts are also in chintz.

An extremely exuberant Amalia Jacket thedreamstress.com

Lots and lots of finishing stitching…

An extremely exuberant Amalia Jacket thedreamstress.com

An extremely exuberant Amalia Jacket thedreamstress.com

And then a final try-on, and the excitement of sleeve fitting!

An extremely exuberant Amalia Jacket thedreamstress.com

Yesssss…

An extremely exuberant Amalia Jacket thedreamstress.com

Am I excited about this outfit?  Yes I am!

An extremely exuberant Amalia Jacket thedreamstress.com

(yes, there’s a matching petticoat!)

An extremely exuberant Amalia Jacket thedreamstress.com

Not exactly a proper pinning job!

An extremely exuberant Amalia Jacket thedreamstress.com

The final outside touch was the chintz straps…

An extremely exuberant Amalia Jacket thedreamstress.com

An extremely exuberant Amalia Jacket thedreamstress.com

An extremely exuberant Amalia Jacket thedreamstress.com

But there was some inside finishing to do.  I felt this jacket deserved that!

An extremely exuberant Amalia Jacket thedreamstress.com

And my Amalia Jacket is finished inside and out!

An extremely exuberant Amalia Jacket thedreamstress.com

An extremely exuberant Amalia Jacket thedreamstress.com

An extremely exuberant Amalia Jacket thedreamstress.com

I wore it to the Georgian Dinner, but it’s definitely going to get a lot more outings, and, eventually, so many ruffles!  (seriously, so many!)

A midwinter Georgian dinner thedreamstress.com