All posts filed under: Rate the dress

Dress, Emile Pingat, Paris, 1897, Silk velvet & silk compound weave with supplementary warp floats, linen lace, cotton, silk, and metallic-thread applique & glass beads, LACMA M.2012.95.123a-b

Rate the Dress: Red Velvet & Rorschach blobs

This week Rate the Dress goes from very literal trompe l’oeil ruffles, to a dress with an abstract pattern that becomes a textile Rorschach test: what do you see in the ripples and blobs? Last Week: a first-bustle-era morning dress in border-print cotton How you rated last week’s dress really hinged on how you felt about the border print and the trompe l’oeil ruffle. Some of you really enjoyed the print, and thought it was inventive and witty. Others found it fussy, saccharine, and mismatched. And then there was a third segment who liked elements of the dress, but didn’t feel it pulled off the overall look. The Total: 7 out of 10 An unresolved rating for an unresolved dress. This week: an 1890s day dress with all the trimmings This week’s Rate the Dress is an 1890s day dress that might have been worn by the daughter of last week’s dresses owner: it’s equally decadent, impractical, and inventive in its design and use of fabric. Pingat was a top tier Parisian couturier in the …

http://www.metmuseum.org/art/collection/search/107809

Rate the Dress: Bustle Era Border Print

Last week’s Rate the Dress was an evening dress for an event that didn’t usually call for evening wear. This week’s Rate the Dress is a morning dress for…well, presumably exactly what a morning dress was usually worn for. Last Week: a 1920s evening-dress as wedding-dress   Last week’s wedding dress may have been a very unconventional choice, but it was a successful one! Almost everyone loved it, with the few slightly lower scores (it’s a good dress when 8 is the low score!) coming from people who just don’t like the 20s, and couldn’t quite get behind the corsage. The Total: 9.6 out of 10 Resounding approval for the brides pick! This week:  a first-bustle-era morning dress in border-print cotton This week I present an 1870s morning dress in a striking border-print cotton with trompe l’oeil ruffle effect. In the 1870s a morning (not to be confused with mourning!) dress was an informal dress, usually made in less dressy fabrics, such as cotton. A morning dress was worn at home in the earlier part …

Wedding dress, 1927. Silk crepe, glass beads, metallic thread embroidery. Maker unknown. Gift of Robert C. Woolard. 1991.408a, Sponsored by Laura Barnett Sawchyn, Chicago Historical Society

Rate the Dress: the ’20s are back

It’s the 20s again, and 1920s & 30s frocks are always what I think of when I imagine the perfect New Years outfit.* So this week’s Rate the Dress is a 20s dress for a festive event. Last Week: an 1840s dress in striped silk Last week’s rating were all over the place: a big chunk of 9s & 10s from people who loved the piecing and play of stripes; a smattering of middle ratings from those who liked it, but weren’t quite reconciled to the not-perfect pattern matching, the unusually low berthe, and the muted colours; and a few really, really low scores from people who didn’t like anything about it. The Total: 7.8 out of 10 You can’t please them all! This week: a 1920s dress I think of ’20s frocks as the perfect New Year’s attire, but this week’s Rate the Dress is actually a garment for a different kind of ‘new’: a new beginning. It’s a wedding dress, albeit an unusual blue sleeveless example that departs from the more common ’20s wedding …