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Old Government House, Parramatta, Sydney, thedreamstress.com

Old Government House, Parramatta, Sydney

I’m in Sydney & the surrounding area for the week, visiting the wonderful Theresa, having a much-needed mini-holiday with Mr D, and, most importantly, speaking in conjunction with the ‘Tales from the East: India & New South Wales‘ exhibition at Old Government House, Parramatta, Sydney.

Old Government House, Parramatta, Sydney, thedreamstress.com

I was incredibly excited about getting the opportunity to visit Old Government House.  It’s the oldest public building in Australia and one of the few authentic examples of Georgian architectures in the Antipodes.  It’s also an extremely important structure from a historical standpoint.  It’s strongly linked to both Australia’s convict and colonial history, and to Governor Lachlan Macquarie.  Macquarie is sometimes called the ‘Father of Australia’.  While his legacy is chequered, he was undeniably central to shaping Sydney & New South Wales general trajectory in its formative years as a colony.

He and his wife Elizabeth were also responsible for expanding Old Government House to its current structure.  The house is furnished as it would have been under their residence, in the style of the 1820s.

Old Government House, Parramatta, Sydney, thedreamstress.com

Theresa and I were dressed a bit earlier: she in 1770s, I in ca. 1800.  Even though we were slightly anachronistic, we felt very much at home in the rooms, which tried to bring European grandeur to the far corners of the world.

The attempts at grandeur are, in a way, even better than grandeur itself would be.  Note the black and white floor in the photo two up: wood painted to give the effect of tiles.  It mimics the elegant entries of England as closely as possible, within the constraints of Australia, the available materials, and the available builders (convicts) and architects (probably ex convicts).

Old Government House, Parramatta, Sydney, thedreamstress.com

 

The museum is both a historic space, and an exhibition venue that focuses on stories relevant to the building’s past.  It’s a difficult balance to achieve: ensuring that the exhibitions keep the house updated, relevant, and perpetually interesting, but don’t detract from the sense of stepping into history that you feel in the best historical buildings. Old Government House does a fantastic job of both.

‘Tales from the East’  was partly inspired by Macquarie’s experiences in India prior to his appointment to Australia.  It also included a general look at ways in which India has influenced and interacted with Australia, and profiles of modern Desi Australians.  It managed to use all these strands of history, and to intertwine them into the layout and general history of the house seamlessly.  Each story support and built on the others.

Old Government House, Parramatta, Sydney, thedreamstress.com

Amazingly, Old Government House also pulls this off with no national funding – a fact I was absolutely gobsmacked to learn.  Not only is it on the State and National Heritage Registers, Old Government House and the surrounding Domain are both on the UNESCO World Heritage List as Australian Convict Sites. It’s scandalous that it is funded by a friends organisation and its own income from events.

Old Government House, Parramatta, Sydney, thedreamstress.com

If you’re in Sydney, I highly recommend a visit.  Parramatta is an quick train ride away from the CBD.  The Domain and Old Government House are an easy walk from the train station.

Old Government House, Parramatta, Sydney, thedreamstress.com

In addition to the house itself, the Domain is just gorgeous.  There are lawns sloping down to the river, and flocks of sulphur crested cockatoos, rainbow lorikeets, and other birds.  I heard rumours of water dragons down by the river, but we didn’t make it that far.

Old Government House, Parramatta, Sydney, thedreamstress.com

There is an excellent restaurant just across the courtyard from OGH, and cute tearooms at the gatehouse that do light meals and high tea.

Old Government House, Parramatta, Sydney, thedreamstress.com

I can’t promise that you’ll have quite as much fun as Theresa and I did frolicking around Old Government House in period attire, but I can promise that you’ll get to see an incredibly important part of Australian history, beautifully presented.

Old Government House, Parramatta, Sydney, thedreamstress.com

(And yes, my dress is new! I made a thing! More about it in another blog post in a few days!).

Rate the Dress: Robe a la Cypress

Last week’s Rate the Dress featured bright pink silk velvet and gold lace. This week’s features humble furnishing cotton with wool embroidery made into a very posh dress – will faux simplicity fare better than brash finery?

Last week: a pink velvet & gold lace 1910s evening dress

If we counted Instagram & Facebook reactions last week’s dress would easily be a 9.9 out of 10 – there was SO MUCH LOVE.  However, I do not, because I can’t go back and find them later (and because it’s too much work – and I do have to actually work), so only the ratings here on the blog count.  And they were decidedly more mixed, with some loves, and a few real NOPES.

So the official rating is…

The Total: 7.5 out of 10

So so

This week: a 1770s crewel embroidered Robe a la Francaise

This striking Robe a la Francaise made such a stir on the internet when Cora Ginsburg’s 2018 catalogue came out that I thought it was unfair to show it as a Rate the Dress option immediately.  But it’s been a few months, and cypress motifs in art and textiles have come up three different times for me this week so it’s clearly a message that it’s time to rate it:

Rather than the typical brocaded or flat silks, or printed cotton, this ca 1770 française is made from a midweight cotton embellished with cypress trees worked in wool crewel embroidery.

Ginsburgh’s catalogue suggests that the fabric was intended as a furnishing material, and that the dressmaker or wearer made the unusual decision to use it as dress fabric instead.

The heavy cotton of the dress is balanced by the embroidered net lace trim, its delicacy providing a counterpoint to the bold cypress motifs.

 

Rate the Dress: Bright Pink ‘Teens Velvet

Last week’s Rate the Dress was very subdued and subtle and restful.  This week I’m going in exactly the opposite direction, and featuring a vivid pink 19teens dress with lots of zing.

Last week:  A 1920s artistic ensemble

A few of you loved it for looking supremely comfortable and wearable, and most of you could appreciate the elegance of the embellishment, but many of you were not quite convinced by the colour, or all the details – especially the cuffs.

The Total: 7.7 out of 10

And a huge thank you to Daniel for adding a bunch of extra historical information and context about the outfit!

This week:

I wanted something bright and fun as a contrast to last week, and you can’t get much brighter and more fun than hot pink velvet:

Gown in silk velvet by Robert, Paris, 1910-1914, sold by Augusta Auctions April 20, 2016

Gown in silk velvet by Robert, Paris, France, 1910-1914, sold by Augusta Auctions April 20, 2016

Augusta Auctions gave a date range of 1910-14 when they sold this pink velvet confection, but the draped hobble skirt is so absolutely typical of 1913-14 that I feel confident dating it to those years.

Gown in silk velvet by Robert, Paris, 1910-1914, sold by Augusta Auctions April 20, 2016

The horizontal seam across the hips, while unusual to modern eyes, allows the draping of the skirt, and causes interesting visual contrasts as the grain of the velvet changes, creating the effect of different shades of pink.

The seam also widens the hips – emphasising the still fashionably small waist, and moving away from the extremely narrowed hips of the earlier 1910s.

Gown in silk velvet by Robert, Paris, 1910-1914, sold by Augusta Auctions April 20, 2016

Gown in silk velvet by Robert, Paris, 1910-1914, sold by Augusta Auctions April 20, 2016

The pink appears particularly vivid against the muted tones of the metal lace and silk chiffon sleeves, but the contrast was originally probably much less stark: the lace, un-tarnished, a brighter gold or silver, the chiffon either a brighter white, or purposefully subdued to create the illusion of bare skin.  Tying together all this boldness, the sparkle of diamantes, anchoring the neckline, and shimmering as the arms moved.

Gown in silk velvet by Robert, Paris, 1910-1914, sold by Augusta Auctions April 20, 2016

Gown in silk velvet by Robert, Paris, 1910-1914, sold by Augusta Auctions April 20, 2016

Obviously the flowers on the corsage have aged someone, and aren’t quite blooming as intended, so please don’t judge the effects of age too harshly.

What do you think?  Is this rosy hued 19teens frock delicious or declasse?

Rate the Dress on a Scale of 1 to 10

A reminder about rating — feel free to be critical if you don’t like a thing, but make sure that your comments aren’t actually insulting to those who do like a garment.  Our different tastes are what make Rate the Dress so interesting. However it’s no fun when a comment implies that anyone who doesn’t agree with it, or who would wear a garment, is totally lacking in taste.

(as usual, nothing more complicated than a .5.  I also hugely appreciate it if you only do one rating, and set it on a line at the very end of your comment, so I can find it!  Thanks in advance!)