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1916 Research thedreamstress.com

A Fortnight in 1916: the research

It took a LOT of research to spend a Fortnight in 1916 – I spent almost a year accumulating information, reading diaries, and figuring out what was and wasn’t done.  Despite all that, I’m still sure I made plenty of mistakes.

One of the real frustrations for me in creating this project, and something that was part of the impetus for it in the first place, is how little published research is available  on the New Zealand home front of  WWI.  There are a number of books that have chapters on the timeperiod, and much written about the WWI itself, and the politics around the war, in and outside of the country, but not one that I have found about the NZ home front as a whole.

The period of 1914-18  would have been  a time of huge change within the country even without the war: so many new technologies are introduced at this time.  I’d really love to see more research and writing focused on the domestic side of this period.

Here are the resources I used, with notes on the ones I most useful and relevant to my research.  I hope they are of interest and use to you!

Primary  Resources (General):

 

Papers Past – the National Library of New Zealand’s online database includes scans of almost every NZ newspaper dating back to the 1840s, and it’s searchable (and free!).  It’s been invaluable in providing recipes, fashion advice, housekeeping advice, and pretty much everything else.

The Museum of New Zealand Te Papa Tongarewa – their collections include numerous photographs taken in New Zealand during the war, as well as clothes and corsets from the period, providing an excellent image of what was available, and worn, in 1910s NZ.

Complete Etiquette for Ladies & Gentlemen: A Guide to the Observances of Good Society.  London: Ward Lock & Co.  circa 1920.  This ettiquette book comments on the societal changes created by the war.

Jenkins, Herbert.  Patricia Brent: Spinster.  London.  Herbert Jenkins Ltd.  1918.  This WWI era romance novel, set in London, provides an interesting period look at courtship and manners, and is the sort of thing my 1916 counterpart might have read.  Listen to it here.

Kirkby, Mandy (ed.).  Love Letters of the Great War.  Very sweet, the letters are from both ends, so include a female perspective (hooray!), but few are from NZ.  London: Macmillan Press.  2014.

Klickmann, Flora.  The Flower-Patch Among the Hills.  London: Religious Tract Society.  1916.  Flowers and a bit of wartime gossip, though generally quite cheerful, as the book was published at the beginning of the war.

Klickmann, Flora.  Between the Larch-woods and the Weir.  London: Religious Tract Society.  1917.  In between the descriptions of flowers and gardens that characterise her books Klickmann turns her observant eye and wry tongue on the changes to society during war, from society hostesses cutting their staff from 14 to 9 (oh, the hardship) to government recommendations on how to save on corsetry.

Montgomery, L. M.  Rilla of Ingleside.  1921.  This is one of the few fictional accounts of the war told from a female perspective, by a woman who had lived through the war.

Norris, Susanna Montgomerie with Anna Rogers (eds.).  Annie’s War: A New Zealand woman and her family in England 1916-19.  The Diaries of Annie Montgomerie.  Dunedin: Otago University Press.  2014.  This is the only published contemporaneous account of the war from a civilian, NZ, female perspective that I have found.  Unfortunately it doesn’t begin until 1916, and is begins when Annie’s family leaves NZ, and is focused on their time in England.  It does give insight into clothing (Annie mentions sleeping in pyjamas for the first time, and keeps a detailed record of her shopping), food, medicine, and  general lifestyle.  Most interestingly, Annie is quite cynical about the war, extremely harsh in her opinion of the  English as a society, and indicates a general awareness of how much the failings of the British military are contributing to the death of NZ soldiers.  I did wonder, reading her diary, if the English press was less censored than the NZ press during WWI.

Ward, Chrissie.  Dear Lizzie: A Kiwi Soldier Writes from the Battlefields of World War One.  Auckland: Harper Collins.  2000.  If only we had Lizzie’s letters to her brother!  France etc. is all very interesting, but I want to know about NZ.

Punch: or the London Charivari.  July to December 1914.  It’s interesting to see the start of WWI, and how quickly ideas and attitudes change.  By August 19th, for example, there are cartoons of German shops getting patriotic British makeovers.  While British, Punch would almost certainly have been read in NZ at the time – albeit a few days late.

Primary  Resources (Clothing):

 

Burgess.  Fred W.  The Practical Retail Draper: A Complete Guide for the Drapery and Allied Trades.  Volume IV.  London: Virtue & Company.  circa 1913.  This guide to running a successful drapery gives a good idea of what it would have been like to go garment shopping in the 1910s.

Fales, Jane.  Dressmaking: A manual for schools and colleges.  New York: Charles Schribner’s Sons.  1917.  A useful source for period sewing and garment construction techniques.

Resources for spending a fortnight in 1916

Secondary  Resources, Life in NZ:

 

Belich, James.  Paradise Reforged: A History of the New Zealanders From the 1880s to the Year 2000.  Auckland: Allen Lane the Penguin Press.  2001.  Gives an excellent socio-political overview of NZ and WWI.

Leach, Helen.  Kitchens: The New Zealand Kitchen in the 20th Century.  Dunedin: Otago University Press, 2014.  Like all of Leach’s books, Kitchens is meticulously researched.  The preface, and chapters 1-4 (1900, 1900-1909, 1910-1919, 1920-29) the best available secondary resource which gives  an overall perspective on houses, kitchens, and cooking in NZ in the first quarter of the 20th century.  I highly recommend this book for anyone interested in food and cooking history, even if you are far from NZ.

Leather, Graeme.  The Home Front: North Otago 1914-18.  Oamaru: IslandBridge.  2014.  Leather begins his book by saying ‘It is not my job to pass judgement or draw conclusions’.  He’s not kidding.  While the book dutifully recounts what happened in North Otago during WWI, there is no overall critical analysis, and the same information can easily be gleaned from period newspapers.

Scott, Keith.  Dear Dot, I must tell you: A Personal History of Young New Zealanders.  Auckland: Activity Press.  2011.  Children’s letters to a newspaper personality.

Secondary Resources, Women during WWI:

 

Adie, Kate.  Fighting on the Home Front: The Legacy of Women in World War One.  London: Hodder & Stoughton.  2013.  Interesting, but from a British perspective.

Bunkle, Phillipa and Beryly Hughes (eds.).  Women in New Zealand Society.  Auckland: George Allen & Unwin Australia Pty Ltd.  1980.  Olssen’s chapter on Women, Work and Family: 1880-1926 was the most useful of the essays.

Condell, Diana and Jean Liddiard.  Working for Victory?  Images of women in the First World War, 1914-18.  London: Routledge & Kegan Paul Ltd.  1987.  Helpful in showing a less glamorised image of the war, but (once again), from a British perspective.

Coney, Sandra.  Standing in the Sunshine: A History of New Zealand Women Since They Won the Vote.  Auckland: Penguin Books.  1993.  Lots of fantastic history, though very little of it is focused on the WWI home-front.

Marlow, Joyce (ed.), The Virago Book of Women and the Great War.  London: Virago Press, 1999.  Though focused on Great Britain (like most other books on women during WWI), this collection of letters and diaries from from women of all walks of life  provides a wonderful female perspective on the war.

Marwick, Arthur.  Women at War: 1914-18.  London: Croom Helm Ltd. 1977.  Page 130 reproduces  Evans’ To Women War Workers: Some Homely Advice in Regards to the Maintence of their Health & Comfort – with detailed advice on dress, hygiene, what to do ‘At Certain Periods, and in case of ‘certain personal diseases.’  It’s set in the UK, but still the most detailed description of personal care of the period I have encountered.

Nicholson, Virginia.  Singled Out: How Two Million Women Survived Without Men After the First World War.  London: Penguin Group.  2007.  British.

Rees, Peter.  The Other Anzacs: Nurses at War, 1914-1918.  Cros Nest, NSW, Australia: Allen & Unwin.  2008.  Interesting, but the usual NZ female WWI perspective: nurses.

1916 Research thedreamstress.com

Secondary  Resources:  Fashion & Textiles

 

Nicholson, Heather.  The Loving Stitch: A History of Knitting and Spinning in New Zealand.  Auckland: Auckland University Press.  1998.  An excellent overall history of knitting and spinning, with detailed chapters on WWI and the pre-war years.  I have a slight theory, developed independently of this book, but related to its topic, that knitwear may have been more acceptable in a wider range of settings in NZ in the 1910s than in much of the rest of the Western world.  My theory  based on the number of photos of women of all walks of NZ society in knitwear in the 1900s and 1910s that I came across.  I’d need to do significantly more research before I felt comfortable saying this was a definite quirk of NZ fashion, but it did influence the inclusion of a cardigan in my WWI wardrobe.

Salen, Jill.  Corsets: Historical Patterns & Techniques.  Hollywood: Costume & Fashion Press.  2008.  I used the 1916 German Ersatz Austerity Corset as the basis pattern for the corset I wore throughout the project.

Waugh, Norah.  Corsets & Crinolines.  New York: Routledge/Theatre Arts Books.  1954.  Excellent information on 1910s corsets and undergarments.

Waugh, Norah.  The Cut of Women’s Clothes.   London: Faber & Faber Limited.  1968.  Excellent information on garment  cuts and construction techniques used in the 1910s.

Rate the Dress: red, white & blue Empire

Ok…so…last week’s Doucet evening dress…I did NOT see that coming!  In brief, the dress itself was generally very well reviewed, but the embellishments got an…interesting reaction.  Personally, no matter how hard I squint, I don’t really see it, but I can see where people are coming from when they say the scale of the bows it a bit off.  With a few very high marks, and a few very low marks, and a few in the middle, the dress came in at a fairly disappointing 7.1 out of 10.

I’ve really been getting into Regency/Empire historicism, and more informal 1810s fashions (sadly, that’s not a hint as to what my historicism sewing project is), so this week’s Rate the Dress is a 1810s outfit with a little bit of historicism, a little bit of exoticism, and a slightly more relaxed feel:

Portrait of a Lady (possibly Caroline Bonaparte-Murat, Queen of Naples) by Robert Lefèvre, 1813

Portrait of a Lady (possibly Caroline Bonaparte-Murat, Queen of Naples) attributed to  Robert Lefèvre, 1813

This painting, usually attributed to  Robert Lefèvre, shows a lady, possibly Napoleon’s younger sister Caroline Bonaparte-Murat, Queen of Naples, in a white day dress with a subtle dotted pattern, and an interesting collared over-robe.  Her standing collar gives a nod to the late 16th century, and her coral diadem, which matches her necklaces and bracelets, to the ancient Greeks.

The kashmiri shawl that ‘Caroline’ casually lifts adds the final fillip of casual luxury to the ensemble, adding to the desired impression of a wealthy, cultured woman.  If this is a portrait of Caroline Bonaparte, the more informal Southern European styling and presentation would make sense in 1813, when Caroline and her husband were attempting to distance themselves from Napoleon as he declined in power following the disastrous Russian campaign.

Caroline or no, what do you think of the outfit?  Do you approve of this version of luxe casual, circa 1813?

Rate the Dress on a Scale of 1 to 10.  

Visiting Matiu/Somes Island, Wellington

It is bitterly, bitterly cold in Wellington today – it even snowed a little bit, which is extremely unusual in the capitol.  It’s not going to be a great deal better for the next few days either, so I’m thinking longingly of summertime, and warm days.

That, and all the blogging I’ve been doing about visiting other places, reminded me that I have a local visit from this summer  which I’ve never covered.

This is Wellington, centred around Wellington Harbour (Port Nicholson, or, to be even more accurate, Te Whanganui a Tara):

Wellington Harbour (Port Nicholson) via Te Ara Encyclopedia of NZ

Wellington Harbour (Port Nicholson) via Te Ara Encyclopedia of NZ

Right in the middle of the harbour is an island: Matiu/Somes Island.*

Prior to Western contact, Maori used Matiu Island as a place of refuge during war.  Post-Western contact, the New Zealand Company took possession of the island.  In 1866 the first harbour lighthouse in NZ was built there, and it was home to the lighthouse keeper and his family.  The 1866 lighthouse was replaced circa 1900, and its replacement still stands on the island.

In the 1870s the island was used as a quarantine centre.   When ships carrying suspected epidemics (smallpox, typhoid etc) entered the harbour the passengers were held on the island until officials were sure they were no longer infectious – often for weeks.  At first the facilities were extremely rudimentary, and immigrants, tired after a long voyage, must have felt that their welcome to the country was very cold indeed.  A number of those quarantined never made it off  the island:  a memorial commemorates  those who died there  (mostly infants and small children – the terrible truth of such illnesses).

From the 1890s onwards the island was a rather nicer sort of quarantine centre: one for animals.  New animals  would be held on the island before being introduced to the mainland, to ensure they weren’t bringing in any extra pests or diseases.  The  island is still occasionally used for this purpose.

During WWI and WWII Matiu/Somes served as a prison for ‘enemy alien internees’: Germans in WWI, and Germans, Italians, and Japanese in WWII.  While some of the internees were more loyal to their countries of origin than to New Zealand, the majority in both wars were victims of racism and xenophobia.  During WWI even having a German sounding name would put you at risk of being sent to the island, and during WWII the internees included a  half-dozen German Jews who had fled Germany  due to the rising anti-Semitism.  The imprisonment of the so called ‘enemy-aliens’ is definitely not one of New Zealand’s better moments.

During WWII the island was also home to anti-aircraft gun emplacements, and a de-gaussing station.

Today Matiu/Somes is a Department of Conservation reserve, open to the public during the day, and accessibly by ferry.  In addition to all the historical sights, the island has been cleared of predators, and is home to lots of native birds and insects, as well as tuatara (aka living dinosaurs).  It’s popular with locals and tourists, but in the 10+ years I’ve lived in Wellington, I’ve never been.

Terrible!

As my sister was visiting back in March, we decided it was time to make  the trip.

The ferry (flying the red ensign flag of NZ) carried us away from the city:

Matiu Somes Island, Wellington NZ, thedreamstress.com01

WE SAW PENGUINS!!!  (I feel this deserves caps, and bold, and multiple exclamation marks)

Matiu Somes Island, Wellington NZ, thedreamstress.com

We hiked the coastal track around the island:

Matiu Somes Island, Wellington NZ, thedreamstress.com

We found the DOC Hutt from the Kemi Niko miniature houses art project.

Matiu Somes Island, Wellington NZ, thedreamstress.com

Complete with adorable visitors book:

Matiu Somes Island, Wellington NZ, thedreamstress.com

The views over the coast, the 1900s lighthouse, and to the city were spectacular:

Matiu Somes Island, Wellington NZ, thedreamstress.com

Matiu Somes Island, Wellington NZ, thedreamstress.com

Matiu Somes Island, Wellington NZ, thedreamstress.com

(and because I am having a 14 year old boy moment, lets all stop and snigger because that large rock is ‘Shag Rock’)

Matiu Somes Island, Wellington NZ, thedreamstress.com

In the centre of the island is the trig used to survey the Wellington area, and the lichen-covered remains of the gun embankments:

Matiu Somes Island, Wellington NZ, thedreamstress.com

Downhill sits the complex with the old internee barracks, animal quarantine station, and visitors centre:

Matiu Somes Island, Wellington NZ, thedreamstress.com

Back down on the coast is the remains of the degaussing station, manned by  young WRENs  during WWII.  De-gaussing uses electrical cables to help change or eliminate ship’s magnetic fields, to lessen the chances of their being hit by mines – and since the German’s had laid mines (which have never been found or detonated) at the mouth of Wellington harbour, this was important.

Matiu Somes Island, Wellington NZ, thedreamstress.com

And finally it was back to the dock for the ferry home, mission accomplished.

Matiu Somes Island, Wellington NZ, thedreamstress.com

*almost everything in New Zealand has both a Maori and an English name.  Some are called primarily by one, some primarily by the other, and some, like Matiu-Somes, are officially bilingual, and are almost always called by both.