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Rate the Dress: an end-of-the-crinoline era wrap gown

Last week we didn’t have a Rate the Dress, because of the blog makeover.  I’ll be getting to the Rate-the-Dress scores from the week before in a couple of hours, but for now I am dealing with the effects of a 28 degree day in Wellington (I am basically cold-blooded.  I can handle 14-25 degrees, and on either side of that my body freaks out) and have to limit my computer time or trigger a migraine.

I keep going back or forth on whether I think this is a very elaborate wrapper/dressing gown, or a perfectly proper outdoors coat-dress.

The bows on the shoulder  suggest  a most elegant inside wrapper – basically  an early tea gown, which first began to appear in the 1870s.

At the same time, it  is  also very reminiscent of the trimmings and silhouettes of the type of unshaped outdoor dresses that were popular in the 1860s, such as the ones seen in Monet’s Women in the Garden.  The back view makes me lean in that direction.

I suspect on days when my brain wasn’t cooked to a crisp I would know exactly what this was, and the precise  name, but today you shall have to endure me being quite stupid, and will have to make your own suppositions, whilst  you also consider the sartorial merits of this garment.

While the loose fit of the bodice suggests the gown could have been worn by a woman who was expecting, or simply a larger women, very unshaped dresses appear regularly enough in 1860s fashion plates to indicate that it was a general style.

So what do you think this is?  Tea gown?  Wrapper?  Very elaborate coat dress?

And what do you think of it aesthetically?

Rate the Dress on a Scale of 1 to 10

The placation dress thedreamstress.com

The Playcation dress

I’ve been working on the Truly Victorian 1900s S bend corset all this week , and by Saturday it became obvious that it was not.going.well.  Along the lines of – “I’ve let out ever seam 1/4” of an inch, and the thing is still 2″ too small for me!” not going well ( a couple of other bloggers have mentioned their corsets were far too small  in passing, so I suspect an overall issue with the pattern’s smaller sizes and the fact that our body type is going to have a much higher immovable bone to moveable squish ratio, especially with the ribcage, that isn’t accounted for in the patterns sizing and shaping).  So I threw the corset in the corner in disgust and had a sad.

Then lifted my chin, threw back my shoulders, and fished out a piece of striped black and ivory viscose knit I’d found in the Fabric Warehouse $5 bin during their 40% off sale, and whipped up a simple two piece summer dress on my overlocker.

No pattern, no fussing, just a super simple T-shape.

From fabric to hemming, the frock took less than an hour to sew, and happiness was restored.  There is nothing quite as mollifying to the aggrieved sewist as a super quick and super successful make.

The finishing is less than stellar, and I suspect I’m going to have to re-do the neck at some point, as the viscose really isn’t strong enough to be a successful binding, but the whole thing was just the balm I needed.  And my standards weren’t so low that my stripes don’t match perfectly at sleeves and sides, so my corset encounter hasn’t left me completely bruised and un-me!

Dress done, Mr D and I went for a lovely late-afternoon ramble on Mt Victoria, and saw little baby quail no bigger than a spool of Sylko thread, and an amazingly engineered arrangement of scaffolding and lifts for tree-pruning, and a bright green lift machine to go with the scaffolding, and the last of the pohutakawa blossoms, and sat in a lush meadow, and life was wonderful.

I did fashionista posing with the tree-pruning platform tractor thingee:

The placation dress thedreamstress.com

And “Yay! It’s Wellington” posing in front of the view:

The placation dress thedreamstress.com

And just happy hanging-out-in-the-meadow not-actually-posing-but-by-golly-that-doesn’t-matter-because-these-are-magazine-worthy not-posing:

The placation dress thedreamstress.com

(and check out the beautiful sleeve V’s.  Yes!)

The placation dress thedreamstress.com

The placation dress thedreamstress.com
Oh, and this photo?

The placation dress thedreamstress.com

Totally unposed.  Just happened.  Just happiness.  I am now fully placated.  All sewing grumbles are forgiven.  Once more into the breech with the corset!

The Sewing Workshop, 1760 Musee Reattu - Arles, France.

Terminology: What is sewing carbage? (or cabbage, or garbage)

Carbage or cabbage, and more rarely garbage, is the name given to the bits of fabric left over from cutting out an item.

Tailor from Das Ständebuch (The Book of Trades), Jost Amman and Hans Sachs, 1568

Tailor from Das Ständebuch (The Book of Trades), Jost Amman and Hans Sachs, 1568

You can see the box of ‘carbage’ under the tailors table in Amman’s woodcut.

The term dates back to at least the 17th century, where it was also used for ‘shreds and patches used as padding’.

In 1648 Robert Herrick wittily commented on tailors credit:

Eupez for the outside of his suit has paid
But for his heart, he cannot  have it made
The reason is, his credit  
cannot get
The inward garbage  for his  
cloathes as yet

In another poem he complained of women’s fashions:

Upon some women,
Pieces,  patches, ropes of haire,
In-laid garbage  
ev’rywhere

Some versions Herrick’s poems use carbage instead of garbage, and I would dearly  like to know which were  used in the original.

Butler’s 1660s Hudibras makes clear how important cabbage was to tailors:

For as  tailors preserve their cabbage,
So squires  take care of bag and baggage

In the  mid-17th century play Hey for Honesty (usually attributed to Randolph, though this seems very unlikely) the character of the  tailor states:

Nay, he has made me sharper than my needle; makes me eat my own cabbage.

The Sewing Workshop, 1760 Musee Reattu - Arles, France.

Antoine Raspal, The Sewing Workshop, 1760, Musee Reattu – Arles, France

The end of the 17th century is also when cabbage picked up the connotation it has today: as a bit of private theft and skimming off the top.

Tailors claimed the scraps from cutting out a client’s garment as their perquisites.  Some clients felt  that the scraps should be theirs, not the tailors, and  less scrupulous tailors were even accused of inflating the amount of fabric needed for a garment, or cutting it poorly, in order to make off with  larger and more valuable scraps.

Dyche’s Dictionary of 1748 describes cabbage as:

…a cant word to express anything that is pilfered privately, as pieces of cloth or silk retained by taylors, mantua-makers or others.

In 1811 A Dictionary of the Vulgar Tongue described  cabbage as:

clothe, stuff or silk purloined by tailors from their employers.

In 1826 Etymons of English defined it as:

What is taken or purloined in cutting out clothes

Depending on the circumstances, tailors were  charged for cabbage, and even hanged for it.

Cabbage as theft lingers in the vocabulary associated with organised crime groups today – you might have heard it mentioned in a mob movie or TV show, as the monies skimmed off the top.

There are a score of suppositions as to where the words come from.

There is  a 1725 claim that it is because tailors like eating cabbage, so bits they steal are also cabbage. A 19th c researcher proposed that  it is after a late 17th c hairstyle called the choux or cabbage, a sort of bun which may have been stuffed with scraps, and then the scraps picked up the name of the bun.  I think we can discard both of these as options, the first because there are no other mentions of tailors liking cabbage, which there ought to be if it was so commonly known, and the second because the hairstyle  post-dates numerous usages of the words for scraps.

In the 19th c it was proposed that it came from cablish, an old term for wind-fall wood, or cabas, a basket to hide the hoardings, among other etymologies.

Despite all the guesses, there are no clear  answer as to where the word comes from.

Sources:

Anonymous.  Slang and Its Analogues Past and Present: A Dictionary Historical and Comparative of the Heterodox Speech of all Classes of Society for More than Three Hundred Years with Synonyms in English, French, German, Italian, etc.

Arnold, Janet.  Patterns of Fashion: The Cut and Construction of Clothes for Men and Women c. 1560-1620.  London: Macmillian.  1985

Thomas, John.  Etymons of English.  Edinburgh: Oliver and Boyd Tweeddale Court.  1826

Cumming, Valerie and Cunnington, C.W.; Cunnington, P.E,  The dictionary of fashion history  (Rev., updated ed.). Oxford: Berg. 2010

Partridge, Eric,  The Routledge Dictionary of Historical Slang. Routledge & Kegan Paul Ltd, London.  1973

Fosbroke, Thomas Dudley,  Encyclopaedia of Antiquities and Elements of Archaeology, Volume 2.  London: M. A Nattali.  1843

Linebaugh, Peter. The London Hanged: Crime and Civil Society in the Eighteenth Century. London: Verso Books. 2003