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What should the Historical Sew Fortnightly Challenge #22 be?

It’s that time of year!  Time to decide what the Historical Sew Fortnightly Challenge #22: Fortnightlier’s Choice should be.

What do you want the 22nd theme of the year to be?  A fabric?  A colour?  A motif?  A construction method?  A particular source of inspiration?  A kind of embellishment?  The possibilities are endless!

Leave a comment with your theme suggestions, comment on those suggestions that you think are really good ideas, and in a week’s time I’ll collate the most popular suggestions (based on comments on them)*, and we’ll vote on which one we most want to do.

Felicity the cat thedreamstress.com

There are a few things that I keep in mind when I set themes (I don’t always get it right, but I try!)

  • It should be a theme that works for any period, so everyone can participate (e.g ‘Handsewing’ would work, because there are handsewn garments and elements of handsewing in garments right up to the end of WWII, but ‘Sewing machines’ isn’t fair to those who costume pre-1860, and try to do it accurately)
  • It shouldn’t be a repeat, or too close to a theme that we’ve already had this year (that’s what #19 HSF Inspiration, and #21 Re-do are for!)
  • It should work for both  hemispheres, and a wide range of  cultures (so ‘Season switch’ works, but not ‘Winter’, and ‘Holiday’, but not ‘Christmas’ etc.)
  • How simple/elaborate is the theme, and how busy is that time of year likely to be?  With most themes, you can make very fancy or very simple garments  within the  theme, but some themes do lend themselves to full-on costuming (Art, for example), and it’s disappointing to only have the time to make a simple thing, when you have an idea for something spectacular.
  • How does it fit with the themes around it?  #19 is HSF Inspiration,  #20 is Alternative Universe,  #21 is Re-Do,  #23 is Modern History, and  #24 is All That Glitters.  So you have a couple of themes that could be anything (#19 & #21), a couple that aren’t necessarily particularly historically accurate (#20 & #23), and one that is far more likely to be a fancy garment than an informal one (#24).  Maybe time for a theme that is particularly suited for simple, quite historical items?  Though, of course…
  • The very best themes are open to lots of interpretation!

 

* A Note: if needed I may combine some similar suggestions or edit the wording of others for clarity for the final vote.

A rather frustrating Regency wrap corset a la Paresseuse

A month ago Sabine came out with Short Stays Studies 2.0, and a new short stays pattern based on a pair of wrapped short stays (corset a la paresseuse – corset for the lazy) she identified at Centraal Museum, Utrecht.   Cue massive excitement.

So much excitement, that the very day she published her research, I downloaded the pattern, scaled it up to my measurements based on her guidelines, and printed it out.  The pattern was very well drafted – super easy to scale up, and very easy to put together.

Then I did a quick toile, tried it on, and voilà  – super easy impressive uplift!

I made a few tiny changes to the pattern based on my toile – longer shoulder straps (not nearly long enough as it turned out), rounded edges to all the straps, and eyelets to lace through and fasten the front wrap, rather than a hook, so the stays would be more adjustable for size (Sabine even suggests that ties rather than hooks  may have been how the stays originally fastened).

With the toile sorted  I cut out the corset (with the lack of boning, these really were probably called corsets not stays) pieces – one layer in glazed cotton, one layer in midweight raime.  Gussets, side seams, eyelets, and then lots, and lots, and lots, and lots, and lots of binding.

They took way longer than expected, thanks to my flu and all that binding (why does sewing binding take so long?), so they were finished today – just in time for the Shape and Support HSF challenge.

Unfortunately, this is what they look like:

Wrapped Regency short stays thedreamstress.com

The falling off the shoulder isn’t a pattern problem – everything falls off my shoulder – I have scoliosis and am seriously lopsided.  The bust though, that’s an issue:

Wrapped Regency short stays thedreamstress.com

The bust, despite using the exact same gussets that worked so well in my toile, gapes terribly.

Wrapped Regency short stays thedreamstress.com

And it doesn’t provide any real uplift.  My bust keeps trying to slip down, so the gussets sit halfway up the bust.  Ouch.

Wrapped Regency short stays thedreamstress.com

The back wrap looks great though, even in blurry, terrible, self-timer photos:

Wrapped Regency short stays thedreamstress.com

Other than the back though, not  a success.  So, grumpy, grumpy dreamstress.  I had a play to see if I could improve things (without having to take out and re-do the gussets).

First quick fix: I worked a second pair of lacing holes where the straps attach at the bust, so that the straps would be more secure, less likely to slip off my shoulders, and would provide more  lift for my bust:

Wrapped Regency short stays thedreamstress.com

Then I remembered that I’d fitted the toile over a modern singlet, not a chemise.  Would that make a difference?

Wrapped Regency short stays thedreamstress.com

As a matter of fact, yes!  Massive improvement.  Uplift, cleavage, high round bosom.  (Well, more  uplift, cleavage, and high round bosom than usual.  I don’t have a lot to work with.)  Unfortunately, wearing the stays with a knit singlet certainly isn’t period!  I shouldn’t have cheated and fitted my toile over one.

Wrapped Regency short stays thedreamstress.com

I’m still not particularly impressed with how they fit my body though, and unfortunately they aren’t very comfortable.  The straps dig into my shoulders, and the wrap gives me a backache.

Wrapped Regency short stays thedreamstress.com

I think these are a really interesting garment, but for me, they didn’t work particularly well.

I could probably improve them a bit with pattern alterations, particularly to the gusset area, but some of the biggest problems are simply the result of my figure, and can’t be corrected.  Anything that wraps that tightly  across my lower ribs is going to hurt and exacerbate my scoliosis.

The search for Regency corsets/stays  that are comfortable and provide me with the right shape continues.  Time to to try Sabine’s other Regency Short Stays patterns, and some of the other Regency patterns out there!

They do look good laid flat though:

Wrapped Regency short stays thedreamstress.com

Wrapped Regency short stays thedreamstress.com

Wrapped Regency short stays thedreamstress.com

Wrapped Regency short stays thedreamstress.com

The Challenge:  #12  —  Shape & Support

Fabric: 1/2 metre polished cotton, 1/2 metre raime

Pattern:  Sabine of Kleidung um 1800s  corset a la Paresseuse pattern, based on an original at the Centraal Museum

Year:  1805-20

Notions:  Cotton twill tape in 3 sizes, linen and cotton thread, one wooden ruler.      

How historically accurate is it?   I followed the pattern very closely, but scaled it up to my measurements.  My materials are reasonably period accurate (though the ramie would have been nettle cloth), and they are entirely hand sewn.  My alterations are all in line with what might have been done in period (and Sabine even mentions that the corset may have originally tied, not hooked).  So 90%

Hours to complete:  9 hours

First worn:  For photos.  Unless I find a model that fits it better than I, it’s unlikely to see much use, because backache: Owww!

Thank you so much Sabine for the pattern and research!  I’m gutted that my version isn’t really working on me, but enjoyed making them and the hand-on research  nonetheless.

Rate the Dress: Sumptuous mourning in the 1820s

Last week one option on the sparkly Callot Soeurs evening dress was almost universal: the dress was definitely meant to make an impact from across the room, and the bodice was a wee bit clumsy close up.  The overall consensus though, was quite divided.  There were a lot of swoons and 10s, and a a fair sprinkling of ‘ewww’ 4s (0r so), plus a swathe of ‘well, it would have been 10 but for that bodice’ 7s.  More 10s than 4s though, as the overall rating came in at 8.3 out of 10.

This week’s dress tones things down, a LOT.

As it should, because it’s a mourning dress, albeit one for the third, and most relaxed, stage of mourning.

This evening dress is both sumptuous and restrained, fitting for a mourning garment.  The low neckline and short sleeves indicate that this is an evening dress.  The main ground of the dress is black silk velvet, with appliqued decorations in black on  black silk satin.

When worn the luminous silk velvet and sheen of the satin would reflect candlelight beautifully.

There are bands of decoration rising up the bodice, petals which frame the sleeves, and abstract  pleated floral designs around the skirt hem

What do you think?  Is the dress still interesting and compelling, despite the monochromatic colours?  Does it balance the proprieties of mourning dress with fashionable elegance?

Rate the Dress on a Scale of 1 to 10.