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Links and connections

I’ve been thinking about links and connections a lot lately.

The first, and super obvious, reason is because I have some awesome links to share with you!

In case you missed my notification, or don’t follow me on Facebook, the third issue of Glory Days is out.  My article on crinolines & petticoats is on pages 52/53, but there is plenty of other fun to be had throughout the magazine.  I particularly enjoyed Natasha Francoise’s article on Bodgies & Widgies, and Clarissa Dunn’s history of the Opera House in Wellington.

If you missed them, you can also read Issues 1 & 2 in the archives as well – I’ve written articles for all three issues.  Glory Days is crowdfunding to raise money to pay the staff and make it a paper issues (which would be fabulous – Christmas gifts sorted for half the people I know with subscriptions!), so if you can, please do give a little.

You’ve already seen the photos of Polly / Oliver that Sarah the Photographer took on my dinky little camera, but now she’s put her favourites from the proper photos on her Livejournal.  The first photo of the set is pretty much the most awesome thing ever!

Felicity the cat thedreamstress.com

Almost as awesome as this photo

In posting these, I thought about how I stay linked and connected online in the greater sense.

One of the problems with winter in New Zealand being cold and nasty is that I turn in to a bit of a hermit, and try not to venture outside of my house (though obviously this isn’t good for me).  One of the massive advantages of teaching is that it gets me out of the house, and meeting people, almost daily.

I’ve realised though that, despite blogging almost daily, I’ve been in a bit of an internet/blog winter, and have become a cyberspace hermit for the last few years.

It started when I migrated from Blogger to WordPress back in June of 2011.  Just as I was leaving, Google abandoned some of the interface that you used to follow bloggers (Google connect?) and half of the list of blogs I followed via the Blogger blog follower connection got corrupted, and I lost them.  And thanks to the demise of GoogleConnect, I couldn’t un-follow the corrupted spam blogs.  Then, in moving to WordPress, I discovered that, although my blog is powered by WordPress, because it end in .com instead of wordpress.com, I couldn’t get a WordPress ID which would let me comment on blogger sites.

All of which meant that it was much harder for me to follow blogs, and much harder for me to comment on them.  Which meant that I kinda stopped doing both.  I checked blogs when they commented on mine, and commented on theirs when I could, but I still ended up loosing touch with a number of fascinating blogs that I used to follow, plus all the new ones that have started since then.

And that’s not ideal!

The upshot of all this is, after two years of un-satisfactory blog reading, I’ve declared that it’s time for spring to come.

Obviously the Historical Sew Fortnightly has been a definite ‘thaw’ for me: I’m seeing all these blogs through the list on the HSF page, and through facebook, and getting to really interact with a lot of historical costumers again.

I’m trying to take it beyond that though.  I’ve signed up for Bloglovin, and have followed all of the HSF blogs, and other ones that delight an inspire me, costuming and otherwise.  If you aren’t familiar with Bloglovin, it’s a really handy tool for following blogs, keeping them sorted, and seeing new posts (and you can follow my blog through bloglovin!).

And I’m making a huge effort to read all of them, and to comment again.  I still can’t comment on blogs which don’t allow people to comment without a blogger/wordpress/openid/livejournal ID, because I don’t have any of those that actually functions properly on a regular basis.  And if I can’t comment, I’m less likely to read a blog, because its no fun if I can’t tell you how awesome your latest project is, and engage in a conversation.  For me, blogging, and reading blogs, is all about the conversation, and the interactions!

Felicity the cat thedreamstress.com

‘Talk to me!’ says Felicity

How many blogs do you read?  How do you keep track of them?  Do you comment on most of the blogs you read?  Are you more likely to comment on a blog if you don’t have to be signed into an account to do so?

The HSF Challenge #22: Masquerade

Just in time for Halloween and the biggest costume celebration of the year, the Historical Sew Fortnightly Challenge # 22, due Monday November 4, is Masquerade.

Fancy dresses and Masquerades have been popular for centuries, both as very organised pageants that blended into theatre, and as balls where all organization and constraints were abandoned. Masquerades as pageants were about creating another world, and as balls symbolised an escape from your ordinary life, and the rules of society. In fancy dress, with your face covered by a mask, you could step out of yourself. The Queen had as much responsibility as a peasant girl, a peasant girl (in the right dress) could rub elbows with a queen.

In this challenge, be inspired by historical fancy dress and masquerade, go whole-hog in an elaborate allegory (or a hog costume, or a side of bacon costume, because those exist), or keep it simple with just a mask and a domino. Because masquerades were a loosening of the rules, and a step into a fantasy, the Historical Sew Fortnightly rules are a little looser, and this is a good excuse to make something that ventures into fantasy or an alternative universe. As long as your fantasy has some link to history, it counts.

To inspire you and get you thinking, here are a few historical examples of masquerades and fantasy worlds that fascinate me:

One of the most famous fancy dress balls ever is the Bal des Ardents, which almost killed a king, and certainly added to the instability of his court.   Contemporary descriptions of the ‘Wild Men’ costumes of resin-soaked linen costumes covered in flax don’t sound very attractive, and the accounts of the tragedy are horrific, but illustrations of the costumes make them quite beautiful, green and lush with the unhappy addition of golden flames.

The Bal des Ardents depicted in a ca. 1470 miniature from Froissart's Chronicles

The Bal des Ardents depicted in a ca. 1470 miniature from Froissart’s Chronicles

I love the following outfit because it’s just so chic and elegant, and dare I say, minimalist.  Exquisite!

Portrait of the Hon. Mrs William Townshend in masquerade dress by Thomas Gibson. Christies

Portrait of the Hon. Mrs William Townshend in masquerade dress, 2nd quarter of the 18th century, by Thomas Gibson. Christies

How fabulous is this fancy dress costume from 1831?  What is she supposed to be?  A firebird?  It’s all quite magnificent!

Fancy dress, La Moda magazine, 1831

Fancy dress, La Moda magazine, 1831

The following costumes pretty much make me hyperventilate with their awesomeness.  Not only do the fabulous masks include a hedgehog, but the regular clothes they are wearing are pretty swish.  I don’t know how you walk or eat in them, but that doesn’t stop their amazingness!

Fancy dress costumes, Germany, 1860s

“The Hare & the Hedgehog” fancy dress costumes, 1860s, from the Stadtmuseum, Germany

I love this fancy dress fashion plate because it lends credence to the whole idea of the Polly / Oliver dress.  The Elizabethian and Polly’s 18th century soldier are quite obvious, but what is the girl in pink meant to be?

Fancy dress, 1877, La Mode Illustree

Fancy dress, 1877 La Mode Illustree, design by Adel Anais Tondouze

This costume involves a black cat.  And roller skates.  Naturally.

Black cat costume (with roller skates), 1880. via Retronaut

Black cat costume (with roller skates), 1880. via Retronaut

(actually, random costumes paired with roller skates seems to have been a thing, because I’ve seen a dozen other images of Cavelier boys and little witches and Romeos in roller skates.)

I love this “Scrap Album” costume.  It is so perfectly of its time, so unique, and so brilliantly made!

"Scrap Album" fancy dress. Circa 1893, Made of silk, cotton, linen, paper, glue, metal (fastening), wood, leather, baleen, wax, and paint, England. Madame Gough, London (court dressmaker), Sarah Ann Gough (designer) National Gallery of Victoria

“Scrap Album” fancy dress. Circa 1893, Made of silk, cotton, linen, paper, glue, metal (fastening), wood, leather, baleen, wax, and paint, England. Madame Gough, London (court dressmaker), Sarah Ann Gough (designer) National Gallery of Victoria

Speaking of scraps, have you ever seen such an elegant Waste Paper Basket?  Simple, but brilliant!

Wastepaper basket, 1896

Wastepaper basket, 1896

How amazing are these costumes?  The thistle (what on earth would you make the headdress out of?)!  The climbing rose! The one in the middle is a Japanese garden (which is somehow so much more novel, and less dreadful, than the usual stereotypical national costume masquerade outfits)

Fancy dress, 1920s

Fancy dress, 1920s

If you are in need of more inspiration, mine Fancy Dress through History board is only one of a number of fantastic pinterest boards dedicated to masquerade dress – there is no end to the fabulous, wacky, inventive ideas out there.

Rate the Dress: Electric blue paisley, ca 1902

I did wonder what you would make of the 1950s Paquin dress last week.  I find it emotionally appealing, because it reminds me of those flowers so, and aesthetically not quite as appealing, because it looks exactly like a dress based on those flowers which I would have designed when I was, I don’t know, nine?  It’s just so literal.  In the end, I was the opposite of Fidelo: I wanted to hate it, but I just couldn’t.  I also couldn’t love it though, and so the 7.3 out of 10 that you rated it is just a teeny bit higher than what I would have given it.

I know this fortnight is supposed to be Separates, and I had the perfect Separates ‘Rate the Dress’ all picked out, and now I can’t remember where on earth the link is, and all the other separates I can find seem to be beige and white, and I’m quite sure you’ve all had enough of pale tones for a while, and it’s time for something vivid and colourful!

So today’s Rate the Dress is quite vivid and colourful, and slightly inspired by last week’s Rate the Dress, as the paisley design rather reminds me of sea creatures.

Afternoon dress of printed silk satin, ca 1902, via Whitakers Auctions

Afternoon dress of printed silk satin, ca 1902, via Whitakers Auctions

 

Afternoon dress of printed silk satin, ca 1902, via Whitakers Auctions

Afternoon dress of printed silk satin, ca 1902, via Whitakers Auctions

The fabric is certainly very bold, and vibrant, and distinctive.  It’s also surprisingly modern, which shows that modern isn’t as modern as we think, in some ways!

Afternoon dress of printed silk satin, ca 1902, via Whitakers Auctions

Afternoon dress of printed silk satin, ca 1902, via Whitakers Auctions

Afternoon dress of printed silk satin (detail), ca 1902, via Whitakers Auctions

Afternoon dress of printed silk satin (detail), ca 1902, via Whitakers Auctions

Modernity actually seems an apt theme for a dress from the turn of the century.  What do you think?  Is this the way to blend bold modernity and old fashion femininity, the way to MAKE A STATEMENT in a sea of pastel frocks, or has it missed the mark?

Rate the Dress on a Scale of 1 to 10