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Rate the dress: 1850s rainbow striped fringe

Last week I showed you Liotard’s mid-18th century ‘up-market shop girl’ as Lynne aptly identified her.  La Belle Chocolatière’s rust and grey-blue outfit was deemed equally beautiful – of only she hadn’t tried to pair it with a pink hat.  This dropped the rating from a perfect 10 down to a round 9 – still exceptional.

I feel that I’ve shown too many muted, colourless dresses lately.  To remedy that, rather than showing you something black and white and stripey for the HSF Stripes challenge, here is something colourful and rainbow-stripey, with horizontal stripes and vertical striped fringing.

Evening dress in two parts, made in New York, 1856-58

Evening dress in two parts, made in New York, 1856-58, featured in New York Fashion: The Evolution of American Style, via here

What do you think?  Too much?  Does it look a little too much like a cupcake, or is it a fun twist on the usual floral, lacey 1850s evening gown?

Rate the Dress on a Scale of 1 to 10

Late 18th century 'brown' linen shift

The ‘brown’ linen shift

After many, many hours of hand-sewing, and a stupid mistake and far too much angst, my 5th proper Historical Sew Fortnightly Challenge: Peasants & Pioneers, is done.

I was inspired to make an 18th century brown linen (brown indicating unbleached, rather than dyed brown) shift when I scored a 1.3m length of enzyme washed linen in the $5 end-of-roll bin at Fabric Warehouse.  At first I was disappointed that it wasn’t white, and then a helpful blog follower reminded me that brown linen was used to make lower-class shifts throughout the 18th century.

I did a bunch more research on brown linen (which I will be sharing with you on Thursday), and made up my shift:

Late 18th century 'brown' linen shift

Late 18th century ‘brown’ linen shift

I didn’t have enough fabric to make up a mid-18th century style shift, so I went for late 18th century, when shifts became narrower.

Late 18th century brown linen shift - back

Late 18th century brown linen shift – back

While they are still slightly puffed, late 18th century sleeves also become narrower, with widths the same as their length.

The sleeves

The sleeves with underarm gussets and slightly gathered cuffs

Since I had such lovely fabric to work with, I decided to go the whole 10 yards and hand-sew the shift with linen thread.  Shifts are actually easier by hand – it’s so much easier to set gussets by hand than machine.

Hand-sewn underarm gussets

Hand-sewn underarm gussets

I’m quite pleased with my hand stitching – it’s so fun to do on linen, you can just finger press everything, and the thread almost becomes one with the weave of the fabric.

Flat-felled seams and whip-stitched hems

Flat-felled seams and whip-stitched hems

Unfortunately, for all my beautiful hand-sewing, I screwed up the last step and cut the neckline way, way, way too big.  You probably noticed it in the first two pictures.  So I had to patch it so it was at least remotely wearable.

Patches to narrow the neckline

Patches to narrow the neckline

The patches are just hemmed rectangles of fabric that bring the shoulders in.  I may add another rectangle to the back neckline to bring it up higher as it is so low.

The rectangular patches

The rectangular patches

I’m gutted that I made such a stupid mistake and ruined what would have been a perfectly historically accurate garment.   However I rather like the patches as a decorative feature in a modern way.  It gives a rather elegant ‘falling off the shoulders’ without falling off the shoulders look.  I may have to play with that idea for a modern shift dress.

And, thanks to the vast quantities of documented patched garments in the 18th c, they probably aren’t that far off historically accurate either!

The patches from the inside

The patches from the inside

I’ve actually sewed the shift with all the flat felled seams facing out, so that the underside is smoother to wear against the skin.  And then the patches ruined that too.

Stupid but elegant patching

Stupid but elegant patching

Other than the back neckline, I still need buttons to fasten the cuffs of the shifts, so I guess it isn’t 100% done.

Whipstitched cuffs which still need buttons

Whipstitched cuffs which still need buttons

The Challenge: Peasants & Pioneers

Fabric: 1.3m unbleached enzyme-washed linen –
Pattern: none, based on historical examples

Year: late 18th-early 19th century.

Notions: linen thread, 2 self-fabric buttons to be added later.

How historically accurate is it? Sigh. Hand sewn, accurate fabric (even Wm Booth doesn’t sell real unbleached linen), accurate stitches and pattern…and then I stuffed up the neckline.  80%?

Hours to complete: 11 – hand sewing takes time, but at least I can multi-task while doing it.

First worn: Not yet.

Total cost: $5 (thank you Fabric Warehouse!)

Hand sewn, flat felled skirt gores

Hand sewn, flat felled skirt gores

Sunday glamour

Remember the assuit tunic that Elise gave me?  Shortly after I posted about it I found this amazing image of Clara Bow in a very glamourous assuit dress.  From the rest of her attire, she may have been going to a fancy dress party.

Clara Bow in an assuit dress

Isn’t it fabulous?  (and scandalous!  Is it just me or does the lining not start until halfway down her hips?)

Speaking of assuit, am I the only one who wondered if there was any chance that the sleeves of  Halle Berry’s Oscars dress were assuit?  I haven’t been able to find a close-up enough image to tell.  It would definitely improve my rating if it was!