It’s embellishment time on the Historical Sew Fortnightly. Time to trim, ornament, adorn, frill, bedeck, garnish, festoon, and gild to your hearts content.
It’s also time for a confession. I have trouble with embellishment. I like the idea of embellishment, I like it when I see it on historical gowns, but when I get a gown finished, but un-trimmed, I love the silhouette and simplicity so much I just can’t make myself finish the trim and change the clarity of line.
So I’m hoping to use this challenge to finally make myself trim some of the un-embellished items I have sitting around. And I’m hoping all these pretty embellished pieces reconcile me to some historical maximalism!
Like Elisabeth’s fabulous lace trimmed ruff, bejewelled headdress, and garnished partlet and dress. I’m not usually a fan of late 16th century fashions, but the ornamentation of her dress is so perfectly balanced with the simplicity of her face, and with all the other embellishments.

Elisabeth of Austria (1554—1592) Queen of France, ca. 1571, by François Clouet (1515—1572)
Late 17th century fashion can also be a bit hit-or-miss, but this frock marries the ribbon tabs and lace of the full chemise sleeves, the richly patterned skirt (pattern is, after all, a form of ornamentation), and the jewelled tie backs in such a delightfully romantic fashion.

French fashions, 1690s
The 18th century is all about embellishment, and I love that men got in the act. If I could embroider like this I’d probably be far more enthusiastic about embellishing everything!

Waistcoat, England, Date- 1730-1739 (made) Silk satin, silver thread, spangles, silk thread; hand-sewn and hand-embroidered, V&A
Since my embroidery skills are sadly lacking, I’ll have to content myself with 18th century lace, bows, ruffles and fly fringing and passimentarie.

Robe a la Francaise, 1762-1767, silk taffeta with ribbons and lace, Museum of London
Even the simple white frocks of the turn of the 19th century were embellished – usually white, but this polychrome and gilded example is delightful.

Muslin evening dress 1812-1815. Embroidered with single strands of very fine silk, the stalks are embroidered in silver gilt thread
I also love the simple 1840s frocks with their deep lace-trimmed skirt tiers. They clearly have links to Queen Victoria’s lace trimmed wedding dress of 1840, but I’ve also rread period references that call them ‘Boston dresses’ as they were apparently favoured by the elite ladies of that city. I wouldn’t be surprised if they were also called Winterhalter dresses, as he was so fond of painting the grand ladies of Europe in that style of embellished frock.

Maria Luisa von Spanien, 1847, Franz Xaver Winterhalter
It’s not just pretty ballgowns that can be embellished. I’m fascinated by the tasselled trim on this 1860s mantle

Wool mantle with silk embroidery and tasseled fringe, late 1860’s, Metropolitan Museum of Art
And the embroidery and piecing on this 1880s jacket. Wow.

Black velvet embroidered fancy walking jacket, 1884, Arnold Constable, Antique Dress
The late Victorians just loved embellishment. Just checkout the hecka everything going on on this dress:

Evening dress, Jacques Doucet, ca. 1902, French, silk, linen, Metropolitan Museum of Art
If that is too much, what about this amazing chenille embroidery from the designer who (to my mind at least) brought a mastery of embellishment to her garments which no other designer has come close to matching:

Jolibois, House of Lanvin (French, founded 1889), Jeanne Lanvin, fall-winter 1922—23, French, silk, Metropolitan Museum of Art
Let’s finish off with another bit of subtle embellishment, in the form of 1930s colour-play trim.

1930s dress, DCV archives