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Rate the Dress: Perky yellow 1780s

Sometimes I pick the week’s Rate the Dress because it represents some element of what I wish I was sewing at the moment.

Not this week! I’m not saying that I don’t adore this week’s dress (or, equally, that I do – though you probably know that I’m generally a fan of yellow, though, of course, some yellow garments are better than others…), but my heart is firmly in Edwardian petticoatery, and 18th century silks cannot sway me. But perhaps someday…

Last week:  a brilliant blue and floral late 1870s bustle era reception gown

Either the Rate the Dresses I’m posting are a major disappointment after the fabulosity of that 1910s evening gown, or you are all  super  busy.   Last week’s frock received very few comments, which was rather disappointing as it was such an interesting frock.  

They may have been few, but they were very interesting ratings – every number from 1 to 10 represented!  And what do you get when you have every number on the spectrum?

The Total: 5.2 out of 10

A very halfway score!  So it might not have been the most universally popular dress, but it was perfect for someone.

This week: a 1780s gown in buttercup yellow

This 1780s dress combines sleek taffeta and a smooth bodice with an abundance of poofs and frills.  

Robe à l'anglaise retroussee ca. 1780-82 From the Gemeentemuseum via Vergeten Harlingers

Robe à l’anglaise retroussee ca. 1780-82 From the Gemeentemuseum Den Haag

The dress is identified as a robe à l’anglaise – a gown with a back panel that extends from the bodice down through to the skirt.  However, in looking at the photos I’m pretty sure it’s what the historical costuming community is now referring to as an Italian Gown – a dress with a fully separate skirt and bodice pieces.  

Robe à l'anglaise retroussee ca. 1780-82 From the Gemeentemuseum via Vergeten Harlingers

Robe à l’anglaise retroussee ca. 1780-82 From the Gemeentemuseum Den Haag

As for retroussee?  That just means the skirt is designed to be bustled up, forming puffs!

What do you think?  Do you enjoy the simplicity of the fabric with the abundance of trimming?  

Rate the Dress on a Scale of 1 to 10

A reminder about rating — feel free to be critical if you don’t like a thing, but make sure that your comments aren’t actually insulting to those who do like a garment.  Phrase criticism as your opinion, rather than a flat fact. Our different tastes are what make Rate the Dress so interesting.  It’s no fun when a comment implies that anyone who doesn’t agree with it, or who would wear a garment, is totally lacking in taste.

As usual, nothing more complicated than a .5.  I also hugely appreciate it if you only do one rating, and set it on a line at the very end of your comment.

Felicity the Costuming Cat at work and play

One of the horrible facts of life that I’m having to face is that Felicity is getting old, and I won’t have her forever.  She turned 14 this year, and has had a very rough six-months health-wise, with thyroid issues causing kidney issues causing her to loose 2/5 of her body weight in only 6 months.

You’ll be happy to hear she’s doing much better now, so I can hopefully look forward to a good few years more of snuggles, help, and general wonderfulness.

Despite not feeling the best, she’s still been a dedicated sewing helper, patternmaker, and nap buddy.  Here’s a catch up of her activities.

They include:

Sitting on sewing projects:

Felicity the Costuming Cat thedreamstress.com

Sitting on me while I sew:

A calico cat sleeping on a lap, with handsewing in the foreground.

Felicity the Costuming Cat thedreamstress.com

Felicity the Costuming Cat thedreamstress.com

Keeping a firm paw on the pattern-instruction process:

Felicity the Costuming Cat thedreamstress.com

Felicity the Costuming Cat thedreamstress.com

Felicity the Costuming Cat thedreamstress.com

And the pattern testing process:

Felicity the Costuming Cat thedreamstress.com

(sorry, this is a personal pattern, and not one destined for a future Scroop project.  Sometimes I need to do things just for me!)

Felicity the Costuming Cat thedreamstress.com

Felicity the Costuming Cat thedreamstress.com

And she even managed to get in a few naps in the sunshine:

Felicity the Costuming Cat thedreamstress.com

She’s such a good kitty!

Rate the Dress: Brilliant Blue Bustle Era

Last week’s dress, and the reactions to it, were rather restrained.  This week I’ve picked a very un-restrained dress, from an era that was rarely restrained.  The first-bustle-era reception gown we’re looking at combines bold fabrics, bold colours, and bold textures for maximum impact.  Will you find it find it pleasingly exciting?

Last Week: an early 19th century embroidered morning dress.

Reactions to last week’s embroidered morning dress were slightly more muted than the week before, both in the ratings, and in the number of people who were inspired to rate.  You thought the dress was restful and comfortable, and perfect for a slow day after a big evening.  The main complaint was that the embroidery didn’t have enough impact, though Emma Louise commented how balanced the dress would look with a richly coloured Kashmiri shawl, which is exactly the sort of accessory it might have had.

The Total: 8.5 out of 10

Very respectable, but not one for the rating history books.

This week: a brilliant blue and floral late 1870s bustle era reception gown

Late 1870s fashion is rarely subtle, and this end-of-the-first-bustle-era reception dress, in vivid sapphire blue satin and black and ivory floral brocading, combines the era’s love of the still-relatively-new aniline dyes and lavish textural trim.

Reception gown, ca. 1876, Centraal Museum

Reception gown, ca. 1876, Centraal Museum

While the patterned fabric and the coloured fabric are are unrelated, they have both been used very deliberately.  The stripes of the floral have been carefully arranged to heighten the illusion of curves, emphasising the fashionable hourglass figure.  The plain blue satin is used as the perfect canvas for fabric manipulation, arranged in a series of pleats and ruches.

Reception gown, ca. 1876, Centraal Museum

Reception gown, ca. 1876, Centraal Museum

The structured geometry of the pleats and gathers in the blue silk provides a counterpoint the the naturalistic draped fall of the floral bustling.  A single lavish bow in the blue silk pulls the two fabrics together.

Reception gown, ca. 1876, Centraal Museum

Reception gown, ca. 1876, Centraal Museum

What do you think?  Is it an elegant representation of its era?

Rate the Dress on a Scale of 1 to 10

A reminder about rating — feel free to be critical if you don’t like a thing, but make sure that your comments aren’t actually insulting to those who do like a garment.  Phrase criticism as your opinion, rather than a flat fact. Our different tastes are what make Rate the Dress so interesting.  It’s no fun when a comment implies that anyone who doesn’t agree with it, or who would wear a garment, is totally lacking in taste.

As usual, nothing more complicated than a .5.  I also hugely appreciate it if you only do one rating, and set it on a line at the very end of your comment.