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Shell got married! (And her dress looked gorgeous!)

Here is what you have all been waiting for: photos of Shell in her dress from her wedding!

These are my photos from the day.  It was definitely one of those times when I really wished I had a better camera – mine just doesn’t zoom well, won’t focus at different levels, and doesn’t play pretty tricks with the light, which really limits my fun.

It was an absolutely lovely day: the rain stopped just in time, everyone was happy, the site was gorgeous and Shell looked amazing: the perfect vision of elf queen meets modern bride, just as we had hoped.

And one with the bride and her dressmaker to finish it off:

There you go!  Would you be interested in a less ‘dress’, more ‘wedding story’ post with images from Sarah (in other words, images that are better than mine!)?

Patterns for a 1911 wedding dress

Want to recreate one of the gorgeous 1911 wedding dresses we have looked at?  Unless you are brave and foolish (e.g. me) you’ll want a pattern.  Here are some that might help:

The Sense & Sensibility 1910s tea gown pattern

The S&S 1910s tea gown pattern generally receives excellent reviews and is very similar in cut to many of the wedding dresses we’ve seen.  The sleeves appear to be a bit shorter than most examples, but it shouldn’t be too hard to lengthen them or to add lace undersleeves.  You could also lengthen the skirt to form a train if desired.  The one slightly tricky thing will be filling the neckline, as its much too low for a daytime wedding.  The easy way to fix this?  With a guimpe!   (Note to self – do a guimpe tutorial).  This is perfectly historical, as I’ve found quite a few 19teens wedding descriptions that make note of the guimpe, and  there are examples of 1910s wedding dresses that were worn with guimpes for the wedding, and without for evening wear after.

Sense & Sensibility also offers the 1912 kimono dress pattern:

1912 Kimono dress pattern

Note how similar the blue version is to Elizabeth Boyd’s wedding dress.  Just make it in luscious midweight silk satin over a lace bodice,  add tucks in the skirt and pintucks on the sleeves and a collar.

Want something with a fuller blouse?  Also from Sense and Sensibility is the 1914 afternoon dress pattern.

Sense & Sensibility 1914 afternoon dress pattern

Yes, it’s a few years later than our ideal year, but the pattern is quite simple, and does match the shape and silhouette of some extent 1911 gowns, so isn’t entirely out of the question.  And wouldn’t it be perfect for this dress  from the I Do exhibition.

Slightly less well known are Promenade Patterns, which offer this trained 1912 Dinner & Theatre gown:

Promenade Patterns, 1912 gown for dinner & theatre

Once again it needs a guimpe, but couldn’t you just imagine it in satin with a lace and tulle overlay?  Swoon!

They also offer a pattern very similar to the S&S tea gown pattern, but with a closed tunic:

Promenade Patterns 1910-14 Dinner/Ball gown

If the previous patterns have been too ‘teens, and you want a less ‘modern’ wedding dress, you could adapt Promenade Patterns 1905 summer gown to fit a later date:

Promenade Patterns, 1905 Summer Gown

To update this dress 5 or 6 years, reduce the skirt gores slightly, reduce the blousing in the bodice, change the sleeves to long slim lace sleeves under mid-length straight sleeves and remove the bodice ruffle.

Or just go with Past Pattern’s 1910-11 Misses panel dress:

Past Pattern #4971- Misses' Panel Dress- Circa 1910-1911

The original 1910 pattern even suggested it be made up in marquisette!  You could also easily work lace into the bodice, and there are lots of places to trim with Irish crochet buttons.

Past Patterns also has their version of the ubiquitous tea-gown pattern:

Past Patterns #8109: Tea Gown with Two-Piece Skirt: 1911 - 1914

This one is comes with a lace cape, and an option for a high neck – very helpful for a wedding dress!  It is, however, a style usually seen later than 1911.

Not quite so worried about historical accuracy?  And used to working with modern patterns?  You could try to find a copy of Simpliciy 9716, their ‘Edwardian’ wedding gown.

Simplicity 9716 - Edwardian wedding dress

It does have the high neck and options for long sleeves already built in, but you’d need to make extensive adjustments if you wanted it to be accurate (change the sleeves from set-in to kimono, the neckline from sweetheart to round, square, or crossover, and the back fastenings from zip to hooks or buttons at the very least).  Probably much easier to stick with the more historical patterns!

There you go!  Lots of options!  Just pick the one that matches your inspiration image best, and go with it!

Anyone made a dress from any of these patterns and want to show it off?

Real brides of 1911

We’ve looked at fashion magazines, extent wedding dresses, and discussed one of the fabrics used in them.  Now it’s time to look at real Titanic-era brides.

These wedding photos tell us so much that the fashion plates and extent dresses can’t quite convey: what the brides wore with their dress, the flowers they carried, how they actually looked in the dress, and what styles were popular (as opposed to what styles survived, and what styles the fashion magazines promoted)

Wedding, November 1910, Detroit, Michigan

Satin skirt, lace blouse, high neck.  Roses and ferns for the bride, chrysanthemums for the bridesmaid.  And I’m pretty sure the groomsman in the back is giving the photographers pretty assistant the eye 😉

Wedding of Kitty Wachdorf & Tony Hochertz, 1910 or 1911

Lashings of roses all round, a very poofy veil, and adorable bobbles on the brides tunic, yoke, and sleeves.

Max & Anna's Wedding, Nov 14 1911

A very fashionable bride in satin with some sort of embellishment near the hem.  Her flowers look like fake studio flowers.

The Perrone Pesce wedding, 1911

A groom in gloves, and a bride with beautifully pintucked skirt and a chrysanthemum bouquet tied with a huge bow.

A Queensland Australia wedding, 1911

A very elaborate and fashionable wedding, with a flower girl in a Kate Greenaway cap, pageboys in boaters, and bridesmaids in enormous picture hats with flower bedecked staffs.  You almost loose the bride amongst all the pomp and splendor!

Society Wedding, Lady Graham, 1911

Our most fashionable bride, Lady Graham, wears a Juliet cap, a cascading veil, and a slim, almost clinging, dress.

Wedding of James Cowan and Elizabeth Jane Boyd , 1911

And finally, Elizabeth Boyd in a fascinating wedding dress with a inverted yolk and lace trimmed skirt.  This image is courtesy of TwoPennies 1 on flickr who has kindly allowed me to use all the images of the Boyd-Cowan weddings, so I’ll be blogging more about Elizabeth’s dress and wedding in a few days.

So what do all these photos tell us?  Well, first of all, that real brides weren’t quite as fashionable as the fashion magazines!  Except for Lady Graham, all of the brides are wearing slightly earlier, more conservative dresses with stiffer A-line skirts.  This indicates what was already likely: that all the real wedding gowns I was able to show you are the dresses of extremely fashionable, wealthy brides, who picked up the latest styles.

Also of note is that quite a few of the brides aren’t wearing gloves: fashion magazines of the time made a point of discussing how brides were leaving off their gloves.

What all the brides are wearing is high necks:  Lady Graham’s gown doesn’t have the stiff Alexandra collar of the other brides, but every one of the lot is covered past her collarbone, so the real wedding dresses were definitely worn with guimpes.