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A fabric tour around the world: The Far East (and the rest)

Last week our fabric tour took us to India, where we visited Kashmir and a number of villages along the Coromandel Coast.

Since then I have learned that kohlrabi is the most commonly eaten vegetable in Kashmir.  This has nothing to do with textiles, or this weeks wrap of the textile tour, but I still thought it was interesting.

This week we tour to Far East (mostly China), and the rest of the world, which hasn’t done a very good job of getting textiles named after it.

For our tour we could go anywhere in China, to commemorate crêpe de Chine and china silk.

Grecian inspired wedding dress of crepe de chine for Helena in a 1914 production of A Midsummer Nights Dream. Costume Design by Norman Wilkinson. Collection of the V&A Museum

Cape and Dress, ca. 1931 Jean Patou (French, 1887—1936) Ivory china silk with multicolored floral print. The Metropolitan Museum of Art

Guangzhou and Guangzhou Province were known as Canton before the 20th century, and give us Canton crepe.

Guangzhou. Ummm…it’s a city. I’m sure it’s nice if you are there.

Afternoon dress of canton crepe embroidered with blue and black pearls.

Model wearing afternoon dress of canton crepe embroidered with blue and black pearls. May 1922

Shandong Province gives us silk shantung, the characteristic irregular dupioni-type silk fabric that is one of its major exports.

Yantai, Shandong Province.  This definitely looks worth visiting

Silk shantung printed with pop art images of Fred Astaire, 1973, designed by Lloyd Johnson, manufactured by Patrick Lloyd Ltd. Collection of the V&A Museum

Quanzhou in Fujian Province gave us satin, as the port was called Zaitun by the Middle Eastern traders who first brought it to Europe.

Panel of a court dress, silk and velvet applique on satin, with chenille, metal purl, swansdown, and silk thread embroidery. France. ca. 1780. Collection of the V&A Museum

Outside of China, but still in the far east,  Thailand is famous for Thai silk, though the term is still of questionably merit as a name for a fabric.

Oh yes, going to Thailand would be fun!

Evening dress by Elsa Schiaparelli, overdress of silk organza, with cotton machine embroidery and velvet applique, and underdress of Thai silk. Collection of the V&A

Kyoto silk is another interesting term, as it used to be a euphemism for artificial silks such as rayon.  The term is rarely used today, which must be a relief to the silk weaving industry of Kyoto, Japan.

Rinzu Rayon (kyoto silk)

Kyoto. Definitely a place I want to go to!

Outside of Europe, the Middle East, India and the Far East, there aren’t a lot of textiles named after places.  Time for the Austral-Pacific, the Americas, and Africa to pull finger and start naming fabrics after their locales!

The America’s are so far behind in naming fabrics that not only have they not immortalised ‘saopaolan’ or ‘manitob’ as fabrics, they have resorted to naming places after fabrics, rather than vice versa.

With this in mind, let’s finish out tour on the island of Bombazine Island in Maine, which is named after bombazine fabric.

Casco Bay, with Bombazine Island, from the air

Tee-hee “bum-be-seen”!

Rate the Dress: 1750s Robe a l’Anglaise

Last week you looked at a very unsimple puffed and frilled lavender and mauve creation from the 1820s.  Some of you loved it and gave it a perfect 10, but most of you thought it was a bit fussy and unflattering, so it rated a 6 out of 10.

This week, dear readers, I direct your fashion critique towards the 18th century, and specifically to a simple ca. 1750 robe a l’Anglaise.

Unusually for the period, this fabric is not pastel, but instead a rich brick red brocade silk, sprinkled with apricot and pink roses.  Unfortunately, the petticoat that was worn with the dress is no longer extent, so you will have to rate it on the merits of what is left.

What do you think?  Is the unusual colour a success or an unfortunate aberration?

Rate the Dress on a scale of 1 to 10