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Friday Review: Richmond Antiques and Curios

Remember a long, long time ago, when I posted about some vintage photography pogey bait?  I picked the photos up at my favourite antique/junk shop ever, Richmond Antiques and Curios, in Richmond, Nelson, South Island.

Anyway, I figured it was high time I reviewed the shop.

What it is:

RAAC is what my mother calls a “junkshop” type antique store.  It has some of everything, pretty much all jumbled up in a barely organised heap.  This is not the place to go if you want 18th century French antiques in pristine condition.  It is the place to look if you are missing a piece of your china pattern, want a vintage lamp for your front hall, or need that particular type of gardening spade that they haven’t made in decades.

A good clue that this isn't a serious, snotty antique store. It has a taxidermied cows head outside the front door.

The Good:

This place has EVERYTHING.  It’s like a museum where you can touch all the items, but where nothing has a label to explain what it is.  It’s an excellent place to spend a happy afternoon.  And the staff are friendly and let you poke round forever.

Here is a very random assortment of the fabulosity on offer:

Kerosene lamps. I love kerosene lamps. We had them when I was little.

An old ladies field hockey uniform. I wonder if this is for the national team?

I really, really want this map chest. But not the balls.

Silver and celluloid servers

Diamante pogey bait

What a fabulous chair! One of the many lovely, covetable pieces of furniture that wouldn't fit in my house.

The other really good thing about this place is that EVERYTHING, absolutely EVERYTHING has a price tag on it.  I hate having to ask in antique stores.  Most of the time I just don’t bother.

Vintage flour sacks - all individually priced.

The Bad:

Not for the dust adverse.  Or for people who are distressed by disorder.  Or for people who know just what they want, and expect to be able to pop in and get it.  You need to be prepared to browse.

A toilet seat and an old sewing machine. And lots of chairs. And some stuff that completely baffles me. All dusty.

Piles of linens. Lots of browsing necessary.

Also, the pricing can be a tiny bit erratic.  Most things are very reasonably priced, but the occasional item or category is inexplicably pricey.

I don't know what this is (other then a tea-set-y thing), so I don't know if it is overpriced. But it is pretty. And missing a piece. And pricey. And not particularly useful.

The Ugly:

How about this dust-gathering but of statuary in less than pristine condition:

I think she is trying to flirt with me. I'm scared.

Or these extremely dubious post-apocalyptical dog bookends.  Pray they don’t reproduce:

I mean really, would you pay for those? Only if you needed a really, really bad gag gift...

Or this doll.  All dolls are creepy, but this one particularly so.  I am sure she comes alive ever night and stalks the streets of Richmond, searching for her prey.  Look at her:

And finally, this may be the best ugly I will ever come across:

I kind of want him. I wonder what sort of decor goes with a stuffed boar? I would call him Boris.

The Verdict:

Good enough that I almost didn’t tell you about it (hey, you have to keep some of your sources secret!).  Luckily there is plenty of yummy vintage and antique pogey bait goodness to share around – so now you are in on the secret!

Pretty pretty handbag pogey bait. Also a scary animal horn.

I've always wanted a fancy vanity set. I don't think I'll ever get one now though - I have too much clutter already!

Vionnet’s 1920s chiton dress – a catch up post

I ran out of time to post about the finished Vionnet chiton dress before Pompeii to Paris (though I did post about the initial construction), so I feel it is well time you got a proper catch up.

The really fabulous thing about making the chiton dress was that the inspiration frock practically came with a pattern.  There was a picture of it laid out flat:

The chiton dress - flat

And an image of Vionnet’s original design sketch, showing how she envisioned it looking on a model:

Vionnet's design sketch for the dress

And finally, an image of the surviving original dress on a mannequin:

The original chiton dress on a mannequin

Between these three images it was very easy to calculate the approximate dimensions of the original dress, and cut out a reasonable replica from vintage kimono crepe:

The chiton dress pieces - all laid out in their places

Two hours of picot edging and darning stitch to join the pieces later, I had a dress:

The necklace is a bit red and flapper for Vionnet's vision, but the dress needs it in photographs to provide contrast and 'pop'

It fits me very snugly (very modern, it shows off what a great bottom I have), Isabella the mannequin like a glove, and itsy-bitsy petite Anna in a perfectly period, slightly loose 1920s style.

As a recreation I love the 'chiton' ends, but they are a bit much for everyday wear

The darning stitch join across the bust

Not sure how I feel about the dress with a belt - though that is how Vionnet designed it

The little kimono mon hiding beneath a chiton flap

The dress was so easy I’m thinking of making another one that is proper ’20s’ size on me.  In other words – 4 sizes larger than what I usually wear!