40 Search Results for: 1916 fortnight

Climate Change, Mental Health, Costuming & Me

Warning: this post contains triggers. Sometime in late April my brain figured out how bad climate change is going to be. I’ve been aware of climate change for as long as I can remember. I wrote a paper on it for school when I was 15. I got into a massive argument with a professor about it my first term in university and derailed the entire lecture (still not sorry). But I managed to be aware, without grasping how bad it’s going to be. It’s going to be bad. High likelihood of completely dead, un-swimmable oceans bad. Mass extinction bad. Potential death of all humans by 2050 bad. My mind took the realisation…badly. By badly I mean I went from blithely happy to extremely depressed in less than 24 hours, and became so anxious that in one four day stretch I spent more of my awake hours having panic attacks than not. I had so many panic attacks I pulled a muscle in a my chest from hyperventilating. It was not good. I’m seeing a …

Ruffled unders at Ruffles & Rebellion thedreamstress.com

Mansfield & the Modern Woman: a fashion history talk

Need some fashion history in your weekend? Come hear me talk about Katherine Mansfield, the New Zealand suffrage movement, and ideals and archetypes of femininity in late 19th & early 20th c New Zealand – all illustrated with models in gorgeous costumes. Mansfield & the Modern Woman New Zealand Portrait Gallery, Shed 11   Sunday, 7th October, 1pm Free This talk is part of Mansfield 130 and Suffrage 125 There will be models in gorgeous dresses, fabulous artwork, and interesting history.  What’s not to love? If you aren’t able to come in person, enjoy some of the media coverage of me in preparation for the event: I talk about sewing, books, films, and more on Afternoons with Jesse Mulligan on RadioNZ The Fortnight in 1916 and some corset mythbusting in the Herald.  

Toi Whakaari New Zealand Drama School Costuming

#mytoistory Toi Whakaari the New Zealand Drama School

I’m delighted to (somewhat belatedly) announce that at the start of May I accepted the position of Senior Tutor, Costume Construction at Toi Whakaari: New Zealand Drama School. Toi Whakaari is New Zealand’s oldest and largest performing arts school, and offers the only tertiary course focused on costume construction for stage and screen in New Zealand.  The two-year Diploma course covers everything from dyeing and corsetmaking to leatherwork and worbla.  It’s very small, with a maximum intake of only 8 students each year, and very competitive.   Teaching at Toi is the perfect job for me: it gives me the opportunity to teach both academic and hands-on craft skills, and to expand my own learning, both through historical research and technical experimentation.  I’m incredibly privileged to be able to contribute to the next generation of costumers, and to learn from all my immensely talented colleagues. Teaching at Toi is also almost literally a dream come true.  When I first moved to New Zealand almost 13 years ago I looked at the career options in Wellington, …