All posts tagged: Ninon

Five for Friday: Questions I’m bound to be asked at a talk

Whenever I give a talk there are certain questions I can be almost certain I will be asked. How long does it take to make one of these dresses? A long time.  A long, longtime.  But it does depend on the dress.  A Regency, even hand-sewn, can go together in 12 hours.   I actually counted with the tea gown, and it took between 32-40 hours from draping to hemming.  The Ninon dress was much longer, thanks to all the hand-sewing and bodice boning.  The Japonisme dress would have been relatively quick, were it not for the hand-appliques obi motifs.  Are the dresses (and corsets) uncomfortable to wear? Chiara in Ninon said “Yes!” much too enthusiastically to this question this time, much to my chagrin.Certainly cramming all five us into a car for the ride from dressing to Premier House didn’t help with the comfort factor.  I like to say that they are ‘differently comfortable’.  Like a suit isn’t the same as jeans, but you wouldn’t necessarily say uncomfortable.  How do you sit in them? …

Taking tea and talking about tea fashions at Premier House

Monday was the much anticipated (at least by me) afternoon tea charity fundraiser for Save the Children at Premier House, where I gave a talk about the history of tea, and the way it has influenced fashion. It was a fabulous day: the event completely sold out resulting in a sizeable donation for Save the Children, the sun shone brightly all morning, Premier House looked wonderful, and so did my models. I wore Japonisme, the chintz pet made its ‘soft debut’, Julie debuted as a model in the Raspberry Swirl, Chiara looked beyond amazing in Ninon (as always), and I also debuted a new 1900s tea gown that I haven’t told you about yet.  Lots of excitement! With everything I do, there are so many people to acknowledge.  Save the Children for having the event of course, my models for being gorgeous and supportive and keeping me calm and putting up with my running around like a crazy women during the dressing.  Most of all, there are the people who contributed and supported in the …

Feeling Grand and Frivilous

Here are the images from Grandeur and Frivolity: Music and Fashion in the courts of Louis XIV and Louis XV. The event went beautifully.  It was a privilege to work with The Historic Arts Trust, and especially the amazing Clarissa, who arranged all the music and coordinated all the musicians. I’m also deeply indebted to all of the people who made this possible: Mrs C, Madame Ornata (two of the dresses were hers!), all the models, my sister and mother in law, Shell and Joie de Vivre, and of course Mr Dreamy. And you!  For suggestions and support and encouragement and research!  Seriously – some days when I’m just soooo tired, reading your comments is just the perk-up I need to keep going.