166 Search Results for: pocket

Robe de Style, Paul Poiret (French, Paris 1879—1944 Paris), 1925, French, silk, Metropolitan Museum of Art, 1982.249

Rate the Dress: Poiret does evening blue

Last week’s Rate the Dress was quite popular, although not everyone was on board with its colour. For this week’s Rate the Dress I’ve picked a very different dress, but one in the most-suggested alternate hue for last week’s frock. Last Week:  an 1882-3 day dress in fawn brown Last week’s dress was way, way, way more popular than I thought it would be! I just didn’t expect people to be in to fawn brown, all the pleats + lace, and the very unusual front pocket situation. But it turns out you just really, really like pockets. And some people even like fawn brown! The Total: 9.2 out of 10 A very elegant effort. This week:  a blue velvet robe de style by Poiret This week’s Rate the Dress is a robe de style by Paul Poiret. While the overall shape is typical of a robe de style, in typical Poiret fashion it combines unusual and inventive elements to give a twist to the standard shape. This take on the robe de style features multicolour …

A dress made from a 1919 pattern thedreamstress.com

The 1918-19 ‘Not Another Blue Dress’ details

I wore the 1918-19 ‘Not Another Blue Dress’ at Costume College, and loved it just as much as the first time I wore it. I made a few improvements to it, and got some help from friend for a few more, and paired it with my Costumers for Climate Action sash. For improvements, I loved the detailed yoke I’d made, but felt the sleeves were a bit plain in comparison. I had just a few scraps of the yoke fabric left, and by careful placement (and one small mend, which you can just see in the photo below if you look closely) I managed to cut a set of cuffs. I’d paired the cuffs with fancy cut-glass buttons that imitate jet, and added matching buttons on the shoulder, where the yoke opens. For more texture and visual interest, and a little bit of colour, Hvitr the tassel queen made me a set of tassels: And Madame O the embroideress extraordinaire embroidered little motifs taken from a 1910s embroidery manual on the sash ends – no …

The Scroop Patterns & Virgil's Fine Goods Augusta Stays scrooppatterns.com

Cries of London in Augusta Stays

The absolute highlight of Costume College for me was getting to spend time with my Augusta Stays collaborator: Amber of Virgil’s Fine Goods. We’d been working on the stays patterns solidly for three months, emailing almost every day. To get to spend three days together together to trade ideas in person: what a treat! And, to make it even better, our third roommate, Cait of Willoughby and Rose, was one of the testers of the pattern. We wanted to show off the stays, so we hatched a plan: dress up as some of the most famous depictions of 18th century stays: the strawberry seller and other street vendors from Wheatly’s ‘Cries of London’. Wheatley was a landscape and portrait painter who worked in Ireland and England, and was elected into the Royal Academy in 1790. Unfortunately the politics around his election put him out of favour with most artistic patrons, and he received no major commissions after 1790. Instead he completed a series of paintings showing the street vendors of London, and their cries. They …