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Art Deco 2015: Swinging* times in Sunny Napier

*And by swinging, I mean swing dancing, of course!

Another Napier Art Deco Weekend has come and gone, and another fabulous time was had by all – or at least everyone I talked to!

I almost didn’t go this year, because, while I had a great time last year, it was so ungodly hot  that I felt ill most of the weekend, and my memories of last year are also mixed up with how stressful it was (we took possession of our new house the day I left for Napier, and moved in three days after I got back!).  But the lovely ladies at the clothing swap convinced me to go, and I am so grateful for it!

I think this was the best Art Deco Weekend yet, and it was the best because I didn’t stress about trying to be anywhere, or do anything – I just let the good times happen when, and where they did, and they DID.

In previous years I’ve pushed myself to be at the costume contest to document it, and to photograph lots of attendees to show you the best fashions.  This year I just photographed the people I spent time with, and that’s OK, because the swing dancing crowd really are the best dressed people there anyway!

Lest you think I am biased, photographic proof.  Here I am with the Wellington Full Swing Crowd.  Tres elegante, non?

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I think swing dancers look best at events like this, because not only do they know a bit about the period and history, but they also wear vintage style clothes a lot, and know how to move in them, and they plan to be doing things in their outfits: dancing, biking, having gorilla hunts…etc.  So their outfits are practical and suited to the situation.  There is nothing less elegant and becoming than someone who looks uncomfortable in what they are wearing, and all too often that is the case with people in real vintage and (even in 34″ heat) furs.

But I digress!  Back to the fun and pretty photos!

First, a confession: I drove up to Napier  on Thursday (in Hepburn pants and Aloha blouse  – most practical and becoming for a road trip),  and didn’t get a single photo.  And then I got up Friday, ran around and visited 11 op-shops (the spoils of which I shall show you later), and didn’t take a single photo, until we went down to the beach after dinner (in a Vionnet frock, of course) to watch the biplane fly-bys.

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So basically, as a documentary blogger I failed for the first two days.  I made up for it Sat and Sun though!

On Sat I got up, put on my Bambi dress, finished hemming the last metre of hem on my Pants that Never End (as you do), and took photos.

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It was pretty easy, because I was sitting in the Glory Days Pamper Parlour, surrounded by great Deco architecture and gorgeous ladies getting their hair and makeup done.

ArtDecoTheDreamstress7ArtDecoTheDreamstress3  And  pool games (all pool games should involve men in braces and ladies in glamorous hats):

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And officers in lemon-squeezers, swoon!

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To go with the officer, I got to help a WWI nurse dress – we had to google to figure out how to do her scarf, and came to the conclusion from original photos that there was a lot more hair showing, and they were a lot messier, than Hollywood likes to show.

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After the Pamper Parlour, there were dance lessons to admire:

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And favourite outfits to document.

I’m loving this one as a modern take on ’20s.  Much more comfortable and attractive than the terrible ‘spandex and fringe with a chicken feather boa fancy dress look’ that you see so much of.  Also, those shoes?  Be still my heart!

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Best dressed couple!  You may recognise that dress as the Decades of Style button dress, which I’ve also made:

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And then lunch, and a stroll down to the beach for a pyjama party:

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You can read more about Kirsten’s beach pyjamas here.

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And then some lazy afternoon sitting around and watching the world go by:

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I spent the weekend as a walking advertisement for my sewing and Wearing History patterns (huge amounts of my wardrobe were adapted from them), and Alan (above) spent his weekend as a walking advertisement for Heyday repro vintage clothing.  As he said, “All the fun of the look, and then you throw them in the washing machine!”

Great for dancing in too:

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Only slightly worn out from all that looking fabulous, and a late-afternoon dance, we found it was time to glam up for dinner, more dancing, and an evening stroll and car-identification lesson.

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This year Napier put up stick-your-face-in-them billboards featuring the various posters they have used to advertise Art Deco Weekend.  Daniil and I decided we were much better dressed than the couple in the billboard, so we stood in front of it 😉

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That photo is a double outfit-brag for me.  Not only am I responsible for my look (purchased dress, my capelet), but Daniil’s tux is also borrowed from my [costume] wardrobe, because a lady should always help her friends to look as fabulous as possible!

After our beach promenade, I  took some time to stop and admire the  art:

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And then got a last photo with swing friends before heading off to bed an a ridiculously early hour (what can I say, I’m a wuss):

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Sunday involved being up bright and early to check out (boo).

After breakfast we checked out the market, and spent more time enjoying the waterfront and posing on the beach:

ArtDecoTheDreamstress23  Because really, who wouldn’t want to spend all day hanging out on a beach looking fabulous?

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No Sunday at Art Deco is complete without  a walk through the Gatsby picnic. This time I was lucky enough to run  into international vintage friends-who-I-hadn’t-met-on-person-yet at the Glory Days cucumber cinema tent (yay!):

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Sara is involved with the Bay Area Gatsby picnic and does all the US events, so naturally her clothes were amazing.  She won the costume contest too!  Not with these beach pyjamas, but with an original 1934 dress.

Post-picnic I went hunting, got a last photo with friends, and then (wailey, wailey), headed home.

ArtDecoTheDreamstress26  See you next year Napier!

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Rate the Oscars 2015

I skipped my annual Rate the Oscars post last year, because all the outfits were so boring.  I’m back in for this year though, because of a conversation I had last night.

Someone was discussing a red carpet host who decided to ask the men the same questions they asked the women – specifically “Who are you wearing?”  According to this person, the men got a bit weirded out and upset – and wanted to know why they weren’t being asked ‘real’ questions, about the film they were in etc.

Now, this doesn’t make sense to me, because I’ve watched the Oscars red carpet, and the men always do get asked about their outfits.  And they answer, happily.

Now, “Who are you wearing?” is a dumb question (“Who designed your outfit?” is just as short and much more accurate), but I would strongly maintain that questions about clothes are ‘real’ questions.

Yes, male and female actors should be asked the same question, but on the red carpet at Oscars night, questions about clothes are probably the most valid questions to ask.  Every actor there has discussed their film to death in talk shows and interviews for months, and months.  The votes are in, there is nothing they can do to affect the chances.  Every person on that carpet has  also put hours of thought and deliberation into their outfit and every aspect of their look.  Why not ask them about it?  How is that inappropriate and invalid?

The red carpet looks also reflect wider societal shifts, and can tell us important things about what is happening.  Red carpet clothes have been pretty and glamourous but safe, and boring for the last few years for the same reason studios are pumping out endless sequels and remakes and surefire superhero blockbusters: Hollywood is under siege due to new media and the internet, and is sticking to safe things it knows works in response.  How many times have you heard the phrase ‘Old Hollywood Glamour’ in reference to an actors look?  Hollywood wants Old Hollywood back, in many ways.

Saying “We shouldn’t discuss clothes, that’s silly and sexist.” is actually sexist in itself.  It assumes that clothes are unimportant, and buy doing so buys into a deeper, more ingrained sexism.  Clothes are seen as a female interest, because for centuries women were in charge of many aspects of clothes procurement and care.  Knitting, spinning, small lengths of hand-sewing and mending are things that you can do in between rocking cradles, minding children, making food, and while nursing.  Clothes related tasks became women’s tasks because it was logical and practical for them to be women’s tasks.  They weren’t considered lesser tasks until a divide between Art and Craft arose in the Renaissance.  The writings that defined the Art/Craft divide are hugely misogynistic (just try reading any Cellini if you don’t believe me), and the idea that clothes, as a women ‘thing’ are frivolous is a descendent of those same ideas.  Don’t buy into it.  Clothes are important.  They are the first, and most obvious way we advertise our personality to the world.

And with that rather longer and more impassioned defense of the importance of clothing out of the way, here is my, admittedly silly and frivolous write-up rate-up on Oscar’s fashions.  Because sometimes silly and frivolous is OK too!

I’ve realised in writing this post that I am very out of the Hollywood loop.  I hardly see any movies, I don’t watch much TV.  Mostly I research, sew, write and read.  So I don’t know who  David Oyelowo is, but I do know his suit is AMAZING.  Brown on brown sounds terrible, but this looks like a really beautiful 1930s two-tone car, with every detail perfectly thought out.  The curve of that collar!  The contrast buttons.  The cut in the shoulders.  The little silent piping details, and the perfect length of white cuff.  I swoon.  And if it were black, or grey, or blue, it would be boring.  As it is, 10/10!  Be still my sartorial heart!

OscarsDavid Oyelowo

I know that putting Cate Blanchett in the top 3 is probably the most unoriginal placement ever, but how could you not?  She’s taken the most simple dress, and elevated it to perfection.  I would wear this in a heartbeat.  Except maybe for those fringy armholes.  Not sure about those, so 9/10 instead of a perfect score.

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Viola Davis is also missing out on a perfect 10/10 for one thing.  Her necklace.  It’s just not doing it for me.  I love the dress – it manages to be Old Hollywood, without that being a synonym for Glamorous but Boring, which it usually is, and her lipstick colour is perfection, but that necklace is loosing 2 points.  8/10

OscarsViola Davis

This is Isan Elba.  I’m assuming she’s Idris Elba’s daughter, and under  16.  Technically, her frock is ghastly.  Bright blue and black are ghastly.  Stiff fakey organza ruffles are ghastly.  The high-low is almost always ghastly.  But on a teenager?  Fabulous!  Sometimes appropriateness makes all the difference.  And she looks like she is LOVING it.

7/10, because I still can’t quite forgive those ruffles.

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Zoe Saldana’s frock is gorgeous.  And just, just, just verging on Old Hollywood is So Boring.  But the seams turning into straps rescue it, for 7/10

OscarsZoe Saldana

Rosamund Pike is so beautiful it’s hard to just look at her dress.  And she’s so ethereal its nice to see her in something that isn’t, even if the red colour isn’t doing anything for her.  I LOVE the peacock fan effect of the bodice.  Tres magnifique.  And I would LOVE the whole dress, if it weren’t for that slit.  Not only is it an awful slit, but Rosamund has the same problem I do: leg tones that look terrible with red.  My legs go all sallow and yellow in red, hers go all purple and blotchy.  Next time close the slit and go for metallic shoes with your red frock Rosie.    6/10  

OscarsRosamund Pike

Rosamund may be loosing in the colour department, but America Ferrera is WINNING big time.  That may be the most divinely hued frock I have EVER seen.  I want to steal it off her…to cut apart and make a dress with a much less awkward bodice.  The weird boob squishage, the amateur chiffon overlay.  Not good.  But the colour…oh, the colour!  So good!  So 6/10.

OscarsAmerica FerreraWho is Laura Dern?  I don’t know.  Laura Dern’s dress is amazing.  Laura Dern’s clutch is amazing.  Laura Dern’s train has me worried.  And Laura Dern’s hair and twee ’90s medallion necklace have confirmed all my worries.  5/10, because if you hold one hand just above her decolletage, hiding her head, and another on the left hiding her train, she’s got the best outfit at the Oscars.   But if it takes two hands to rescue an outfit, that’s not right.

OscarsLaura Dern

In case you ever wanted to go to a costume party as Sexy Lettuce Garnish Chopped Finely on the Edge of the Plate, Emma Stone has you covered.  For which effort she gets a 4/10

OscarsEmma Stone

It’s another ‘Who the heck is this person?’ post.  Her name is Dakota Johnson.  She’s gorgeous, and red is her colour, but they forgot to sew a side seam (I hate literal side-slits), the super straight bottom doesn’t go with the drapey top, and the snake crawling up her shoulder caught her frock in its scales and is pulling it all out of wack.  30 seconds more and the fabric is going to tear or come uncaught and slip down in a very unfortunate wardrobe malfunction.  Still, fabulous colour, so 3  out of 10.

OscarsDakota Johnson

Marion Cotillard gets a lot of accolades for her fashion sense, and I can see where her frock is going here.  There’s a definitely ca. 1960 Balenciaga reference to the under-bum gathers.  And while the are not normal, nor strictly flattering, I’d be totally behind it (hehe) if it weren’t for the fabric.  The fabric just looks like toilet paper under a microscope, and as soon as that thought appeared in my mind I could not unsee it.

3  out of 10, which is still better than  the one Balenciaga we’ve done as a Rate the Dress got.

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Ugh.  Ugh.  Ugh.  Stiff and icky.  Looks like it’s sculpted of plastic.  And reminds me of a milk ad – but the kind where you know they are using glue not milk.  Gross.  2/10    

Oscars Reese Witherspoon

Poor Jennifer Aniston.  Was she in a motorcycle accident or something?  That must be some serious road rash she got, because she’s wearing a full-body bandaid.  Flesh coloured, little holes for the skin to breath, layers where you wrapped it over itself.  This is just horrific.  And even worse from every other angle.  At least it isn’t starting to peel away at the edges and getting all grey and sticky like they do after 3 hours.

1 out of 10, because you know the rules –  no 0 in RtD.

Oscars Jennifer Aniston

Also getting a 1 cause I can’t go lower is Scarlett Johansson.  Usually a colour this magnificent would at least add an extra point or two, but the super-corseted, boobs pointing in opposite directions silhouette, dominatrix fungus necklace and 90s boy-band hair are all SO irredeemably awful that I just can’t find even a 2.  It’s an oversexed superhero at the Oscars costume.

OscarsScarlett Johansson

Speaking of costumes…

I lied.  I’m breaking all the rules, but there is no-way this deserves even a single  point:

OscarsGwyneth Paltrow

Or this:

OscarsNicole Kidman

Or this:

OscarsJennifer Lopez

I think Gwyneth, Nicole and Jennifer all  decided to come as Barbie at the Oscars, but went in totally different directions with it.  Gwyneth went for Classic ’80s Barbie at the Oscars, Nicole went for Malibu Barbie at the Oscars,  and Jennifer had a crisis of identity at the last minute and went for both Swimsuit Model and Princess Barbie at the Oscars.  Cleavage or meringue skirt Jen, pick one or the other.

For the final touch of awful, have a look at Nicole’s hem.

These are the pants that never end

I am very pleased to report that, after sharing my sewing plans  for my Art Deco Weekend wardrobe, I also managed to finish it all!  Not exactly in the form I’d originally planned, but in just as awesome, and just as elaborate a form.

I’ll be doing a full weekend wrap-up post later this week, and sharing about the my sewing bits in individual posts.  To start the series off, here are my beach pyjama pants that never end:

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And, by never end, I mean that everything about them, from the hem width, to the crotch length, just goes on and on my friend:

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(and, I’m sorry, I know, that’s stuck in your head now, and it’s very evil of me.  However, I’ve had the stupid Charleston song that they always play at Art Deco Weekend stuck in my head for 5 hours now, and I’m at the point where the song that never ends is a preferable alternative!)

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The pants are made from an altered version of the Wearing History Chic Ahoy trousers.  The Chic Ahoy trousers (being period accurate) have a front flap that buttons over a hooked or laced front opening.  Because ADW is a bit frantic, I though that might be a bit of a hassle to climb in and out of for the loo, so I changed it to pockets and a side zip.  I wanted the trousers to look more like earlier ’30s pants, so I lengthened them and changed a few other small fit details to rewind the look from the patterns ca. 1937 to my desired ca. 1930.  And I subbed out the facings for a petersham waistband, because petersham waistbands are awesome.  In retrospect, I wish I’d done a more period side-buttoning opening, but other than that I’m extremely pleased with the trousers.

To model them, Kirsten of Fifty-Two Fancies, who also made a set of beach pyjamas,  and I had a beach pyjama party (on the beach, of course!)

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We got photography help from the wonderful Daniil, who you may recognise as my favourite male model (and, who, it turns out, is a car and plane wiz, so while I walked around saying, “Oooh, plane!” and “Oooh, green car” he walked around saying “DC10” and “1932 Dodge, you can tell because of the grill shape”, so I learned a lot about something I knew practically nothing about, which is awesome)

Here I am learning about DC10s:

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The trousers  were extremely comfortable to wear, super fun to dance in (all the swish of a skirt, all the convenience of trousers!), and I got tons of compliments on them, which is always a good sign.    Best of all, I could do things in them, like climb trees:

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Not everyone was so pleased with my trousers.  I think some of the ladies were a bit scandalised by the uninhibited freedom that the bifurcated look afforded me:

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The Challenge: #2 Blue

Fabric:  2.7m of vintage linen (found at Fabric-a-Brac Palmerston North, from a pair of  fabulous sisters who were selling off their designer mother’s stash of fabric from the 60s-80s)

Pattern:  Wearing History’s Chic Ahoy culotte pants pattern

Year:  ca. 1932

Notions:  petersham ribbon, bias hem tape, cotton thread, and a concealed zip (shhhhh!)

How historically accurate is it?:  If  I’d only gone for a side button entry, instead of an invisible zip.  I am REALLY regretting that now!  Other than that, it’s a very good match for the looks  you see in early ’30s pyjama pants – cut, pockets, etc are spot on.  Oh, I guess the petersham ribbon is cheating too.  70%

Hours to complete:  5, more or less.

First worn:  Saturday 21 Feb, at Napier’s Art Deco Weekend

Total cost:  $7 ($5 for the fabric!  What a score!)