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Advice for health and grooming, 1931

To be sure that you present a consistently well-groomed appearance, check yourself each night by the following “daily dozen”:

  1. Have I shampooed my hair (if necessary) and brushed it?
  2. Have I brushed and thoroughly cleaned my teeth twice today?
  3. Did I have eight hours of sleep last night?
  4. Have I thoroughly cleansed my face, hands and body?
  5. Have I taken some out-of-door exercise today?
  6. Have I had adequate intestinal elimination?
  7. Have I eaten three balanced meals?
  8. If I use cosmetics, have I chosen and applied them artistically?
  9. Have I kept my nails clean and well manicured?
  10. Have I maintained a good posture?
  11. Did my clothes appear well kept?
  12. Were my undergarments and hose fresh?

McCalls, early 1930s

Excerpted from:

Rathbone, Lucy & Tarpley, Elizabeth,  Fabrics and Dress.  From the Riverside Home Economics Series.  San Francisco: Houghton Mifflin Company.  1931 (given to me by the amazing Elise, and it is amazing and pretty much my favourite sewing book ever, already!)

The HSF ’14: Challenge #8 UFOs & PHDs

I’m a wee bit behind posting challenge pages for the HSF, because I got rather stumped about what to post for Challenge #8, due Thur May 1: UFOs & PHDs.  It’s not like you need inspiration: you either have that stack of UFOs & PHDs, or don’t!

In sewing parlance, a UFO is an Un-Finished Project, and a PHD is a Project Half Done.

I prefer the term PHD: it’s so much more positive than UFO: it’s the ‘glass half full’ speak of sewing, and besides, it sounds posher!  And who doesn’t enjoy saying that they have multiple PHDs? 😉

I certainly have A LOT of PHDs – far more than I would like to.

I’ve got Emily’s Dress (all those bloody pintucks…):

Evening dress worn by Mrs Emily Jane Mildon (nee Whitley), 1902-1904, Collection of Te Manawa Arts and Cultural Centre

Evening dress worn by Mrs Emily Jane Mildon (nee Whitley), 1902-1904, Collection of Te Manawa Arts and Cultural Centre

And the Frou Frou francaise, which is what I plan to do.

Charlotte of Mecklenburg-Strelitz, Ramsay, 1765

Charlotte of Mecklenburg-Strelitz, Ramsay, 1765

And the Chinoiserie ensemble is only half done, so technically it’s a PHD…

Design sketch for a 1903 chinoiserie inspired promenade dress
And I need to do some work on the Tea Gown, which makes it kind of a PHD (and man, is making a portfolio for that long overdue…)

The 1900s tea gown

The 1900s tea gown

And I’ve always meant to make a day bodice for the raspberry swirl gown, though I like that outfit less and less every year, so it may never happen.  You never know though!

Madame O in the Raspberry Swirl

And finally, there are actually the foundation beginnings of Mariana Victoria’s blue dress sitting in a suitcase somewhere.  Someday they should come out…

And there is a cut out 1770s mans waistcoat somewhere, and a half-finished 1930s swimsuit, and oh, probably some other things I can’t remember!  At least SOME of them will get done this year!

So good luck with your own UFO/PHD projects, and I look forward to seeing the doubly-exciting finished projects when HSF Challenge #8 comes around!

Rate the Dress: neutral suits in 1913

Last week I thought the rather mad 1860s dress, while not exactly attractive, was at least fascinating, which I feel is sometimes better than pretty.  But your responses started out quite unenthusiastic, and went from there to quite enthusiastic, and QUITE unenthusiastic, resulting in a pretty dismal rating of 5.2 out of 10, which is the lowest we’ve had in a long while.  At least those of us who liked it won’t have a lot of competition if we decide to recreate it!

This week I’m sticking with the theme of rather odd and oddly placed decoration on a neutral background, and seeing if it can work in some instances.

Suit, Josefine Hammarbæck (Oslo, Norway)- 1913, silk and cotton, Digitalt Museum

Suit, Josefine Hammarbæck (Oslo, Norway)- 1913, silk and cotton, Digitalt Museum

What do you think of this summer suit that reflects the new, simple, tailored style and oriental influence of mid-teens fashions?  Is the creamy neutral sophisticated or boring?  The abundance of matching buttons cunning or fussy?  Does the trim, drawing attention, as it does, to the cut-on sleeves and flattening bosom, perfectly period or rather atrocious?

Rate the Dress on a Scale of 1 to 10