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Terminology: What is a balmoral petticoat?

We all know about Queen Victoria’s obsession with Scotland and her castle in Balmoral, and how this led to the name ‘Balmoral’ being applied to all sorts of fashion items.  One of these was the balmoral petticoat.

The balmoral petticoat was a coloured petticoat that was intended to show at the hem of a drawn-up skirt for walking and sportswear in the 1860s and 1870s.

‘Belle of the winter’ – a skater in a striped Balmoral petticoat

The balmoral petticoat could be worn over a hoopskirt or crinoline or have hoops built into the petticoat, and (according to some sources) include a horsehair stiffener as part of the petticoat itself.

1860s walking outfit worn with a Balmoral petticoat

The most common Balmoral petticoat was red wool, often with 2-4 black stripes running around the hem.  Later in the 1860s there are mentions of balmoral petticoats in plaid or striped wool, and even cotton balmoral petticoats in the Americas.

Rachel Bodley (1831-1888), the first female chemistry professor at Philadelphia’s Women’s Medical College from 1865 to 1873, in a balmoral petticoat. via here

The petticoat was said to originate at Balmoral, with  writers in the 1890s claiming that during the 1860s royals at Balmoral wore high laced boots (Balmoral boots), scarlet petticoats, and their skirts drawn up to walking length for practicality, showing glimpses of the scarlet petticoats, the boots, and bright coloured stockings.

Harper’s Bazar, 1867, Promenade Dresses

The balmoral petticoat was most popular at the height of the crinoline era, but quickly became a victim of its own popularity and practicality.  Fashion has never loved sensible garments, and balmoral petticoats were eminently sensible: warm, durable, easy to walk and move in.  They were adopted by all levels of society almost immediately (there are numerous mentions of slaves in the American South wearing balmoral petticoats in the 1860s), and quickly discarded by the upper levels of society.  A variant of the Balmoral petticoat (sans hooping) remained popular with older women and the less fashionable for decades after the crinoline was discarded.  As a result ‘red flannel petticoat’ became synonymous with provincial fashion and the elderly.

Margherita of Savoia-Genoa in the late 1860s carte de visite by Henri Le Lieure. Is this a balmoral petticoat? Debatable

Skating on the Schuylkill in a balmoral petticoat

 

Sources:

O’Hara, Georgina,  The Encyclopedia of Fashion: From 1840 to the 1980s.  London: Thames and Hudson Ltd.  1986

Lewandowski, Elizabeth J, The Complete Costume Dictionary.  Plymouth UK: Scarecrow Press.  2011

Rate the Dress: Worth Jr plays with gold embroidery

Sometimes I think I should find a way to tally not just the ratings that are given in my ‘Rate the Dresses’, but also the ratings that weren’t given.  After all, if you can’t even be bothered to comment on a garment, that’s a much worse criticism than being moved to pillory it.  Such was the case with Marie Christine last week.  Most of the ratings were quite complimentary, but there were so few that I suspect many of you found it too bland to be of interest.  I’m afraid I agree – the dress/Brunswick was boring, the sleeves awkward and bulky with their double flounces, the headdress and necklace overdone and awkward, but oh, that lace fichu!  And the elegant apron!  And that dear, dear  little spinning wheel!  Perhaps that’s not what you loved, but you gave it an 8.1 out of 10.

This week I return to something more likely to prove of universal interest: turn-of-the-century Worth.  In the past you have not always been so complimentary of Worth Jr’s creations.  Perhaps this turn-of-the-century frock, with its exotic and fanciful embroidery, will win your approval.

Ball Gown, silk, metal, rhinestones, House of Worth, Jean-Philippe Worth, 1896—1900, Metropolitan Museum of Art

Ball Gown, silk, metal, rhinestones, House of Worth, Jean-Philippe Worth, 1896—1900, Metropolitan Museum of Art

Ball Gown, silk, metal, rhinestones, House of Worth, Jean-Philippe Worth, 1896—1900, Metropolitan Museum of Art

Ball Gown (detail), silk, metal, rhinestones, House of Worth, Jean-Philippe Worth, 1896—1900, Metropolitan Museum of Art

What do you think?  Do you like the cream and gold with touches of grey-blue and grey-green?  Is the exotic embroidery just novel enough to lift the simple silhouette, or does it turn the dress into a Orientalist cliche?  Has JP lived up to his fathers standard?  Excelled it even?  Or is he doomed to forever live in his shadow?

Rate the Dress on a Scale of 1 to 10

Afternoon tea at the Coronation Cafe

Today I gave a talk on the interaction between tea and fashion at an afternoon tea charity fundraiser for Ronald McDonald house.

It was held at the Coronation Cafe at the Museum of Wellington City and Sea – a charming venue themed around a display of reproduction British crown jewels made for the New Zealand centennial.  We had tea, I talked, we visited with guests, lots of photos were taken, and a lovely time was had by all.

Many thanks to the wonderful Daniil for being the photographer!