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18th century Orientalism and Theresa

It was interesting dressing Theresa in the pet-en-l’aire.

I always visualize pet-en-l’aires on rounded, full-busted figures, with dimpled arms and round faces: the sort of figures shown in French fashion plates  of the era.  Theresa is tall and slim.  The pet fit her perfectly, but the change in proportions completely changed my perception of the pet-en-l’aire aesthetic.  The pet suddenly looked elegant and exotic, rather than sweet and coquettish.  Theresa in the pet looks like a Gainsborough rather than a fashion plate.

To play up the exotic aspect of the pet-en-l’aire, made as it is out of an Indienne chintz, and to worked with Theresa’s features, we focused on the orientalism so fashionable in the 18th century for the styling.  Theresa’s hair is not hedgehog-friendly, so we did a  turbaned headdress, and skipped the full ‘poof’ of petticoats and bumroll.

I wish I’d been able to find my proper ostrich feathers, not the skimpy ones I did find, and I still need to trim the pet and find proper silk (or at least rayon) ribbons for the front.  But it looks pretty darn good, and Theresa, well, Theresa looks gorgeous!

Rate the Dress: yellow and blue for a little girl

Whenever I post a late Renaissance/Elizabethan garment with a ruff, I know I’m running a risk.  Historically (as in, historically on this blog) ruffs have not been popular.  So I really wondered what you would make of Christina of Denmark (?) in her metal lace encrusted dress.  You have to admit, the look had a lot working against it: the terrible perspective issues of the painting, the ruff, the crazy upper-sleeves and even crazier lower sleeves.  And yet, you managed to look past the weird, crazy portrait, see the dress as it might have been in actual fabric on an actual person, and rated it a respectable (particularly for the era) out 7.3 of 10.  As Rowena said, it’s “the best Muppet costume I have ever seen.”

This week we go from status and bling to sweetness with a  little girl’s dress from the MFA Boston is made in the sweetest pastel yellow and blue taffeta.

Girl’s dress in two parts, about 1880, silk taffeta, American (Boston MA), MFA Boston

The colours remind me of a Beatrix Potter illustration, and the large pockets seem like a good idea for a child who might collect leaves and trading cards and the occasional frog.  I’m not so sure about the child-friendlyness of the rest of the design, which echoes the slim ‘natural-form’ silhouette fashionable in adult women’s clothes, with its emphasis on sculptural decoration around them hem and cuffs.

What do you think?  Does the dress work on an aesthetic level?  What about as a kid’s garment?

Rate the Dress on a Scale of 1 to 10