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Clothings Swaps

Last Saturday I got to host my own clothing swap for the first time.

I’ve been going to friend’s swaps for years, but never had enough space to host my own, but courtesy of exciting big(ish) new house, there was space!

So how does a clothing swap work?  You set up a time, and invite tons of people.

It works best if you can invite people from a variety of different social groups, so that you get a lot of cross pollination of clothes and styles, and don’t end up trading the same stuff constantly.  I invited my sewing friends, my vintage friends, my Theresa & Chiara friends (yes, you ladies get your own group!), and my swing dancing friends.

Bags of stuff for a clothing swap, thedreamstress.com

Everybody goes through their closet and fishes out the things they never wear, don’t fit, or  don’t love, and then shows up on the day with bags of clothes and fabric and shoes.  If you are lucky they also, to use the classic Kiwi phrase, “bring a plate” (of food, of course).

Clothing swap, thedreamstress.com

As hostess, I ran around beforehand sticking labels to the walls for different types of goods.  I had labels for shoes, skirts, frocks, pants, tops, sewing stuff, random stuff, and special stuff.

Clothing swap, thedreamstress.com

As people show up they empty their bags into the appropriate piles,

Clothing swap, thedreamstress.com

Felicity, cunning cat that she is, figured out what pile she belonged in:

Felicity the cat thedreamstress.com

I had to explain what a swap was, and how we certainly weren’t going to give her away!

Felicity the cat thedreamstress.comNoooo….please don’t!  

Once everyone arrived everything but the sewings stuff and special stuff was open for grabs – it was all hands in, picking things out, checking, sorting, dashing into the bathroom or spare room to try it on and check it out, showing it off to get others opinions.

When things quieted down just a wee bit, the sewing stuff was also open for all takers.

Clothing swap, thedreamstress.com

At the end we announced the special stuff individually, so it could be shown off, explained why it was so special, and the giver could ensure it went to a good home.

Finally, we went through all the remainders, tried to tempt people into taking them, and sorted the unwanted stuff into bags for our chosen charities:  nice work clothes for Dress for Success, or random bits for Opportunity for Animals.

And then there was showing off of scores, and hugs and farewells, and helping people carry bags out to their cars.

And the next day I took my body-weight in stuff to the chosen charities!

So what did I get?  Mostly I gave away a huge bag, but I am THRILLED with my pile:

Clothing swap, thedreamstress.com

From the top left, there is a cool old bag, A Girl of the Limberlost, a FABULOUS vintage raincoat (can’t wait to do a photoshoot with it!), and an equally fabulous hat that I think is 1980s does 1930s, 17th Century Dress Patterns (oh, swoon!), an amazing silk scarf which I’m going to make into a ’30s handkerchief halter, and a piece of grey and white checked merino.  Happiness all around!

Clothing swap, thedreamstress.com

OK, so the two books were specials: Emily found the copy of A Girl of the Limberlost for me (and contributed the hat and fabric to the swap), and another friend brought 17th Century Dress Patterns for a private post swap-swap (I traded it for a Janet Arnold).

A Girl of the Limberlost thedreamstress.com

Rate the Dress: Red & Gold Riding Habit

Last week I showed you a Titian portrait of a lady in all white.  Most of you approved of the  all white frock, and the way it focused the attention on the wearer, and would set her apart in a sea of Renaissance richness.  It lost points for weird pleating, and for the very stiff bodice, but still managed a very respectable 8.7 out of 10.

While I can’t say I personally love the frock, I really feel I ought to recreate it.  For one thing, I do LOVE all white gowns.  For another, I’ve got exactly the right body shape to match Titian’s lady: no bosom means that bodice is going to be just as flat on me (really, check out my pair of bodies), just the right hair (blond-brown-red, with a tendency to fringe), and I even kind of look like her – too much nose and classic curved  eyebrowns.  If only I had teeny curvy lips and a little dinky chin I’d be all set!  (side note: all the other historic costumers seem to be constantly finding old portraits that look just like them, but I never find an old portrait that looks like me, despite having an old-fashioned face!  Perhaps I need to do a ‘find a portrait that looks like me’ contest 😉 )

Right, back to business!  For this week’s Rate the Dress, let’s look at a late 18th century riding habit in rich red and gold:

Woman's Riding Habit Italy, Venice, circa 1780 Costumes; ensembles Watered silk faille, watered plain weave silk, linen lining, LACMA, Purchased with funds provided by Mr. and Mrs. Dennis C. Stanfill (M.82.16.2a-c)

Woman’s Riding Habit,  Italy, Venice, circa 1780,  Watered silk faille, watered plain weave silk, linen lining, LACMA, Purchased with funds provided by Mr. and Mrs. Dennis C. Stanfill (M.82.16.2a-c)

The ensemble features a red waistcoat, and a jacket and front-opening skirt in rich gold, with revers and cuffs in red to match the waistcoat.  The black petticoat and hat and white stock are  almost certainly  modern  recreations to give the effect of a full outfit without being visually distracting.  The front buttoning skirt is presumably to facilitate riding.

Most riding habits seem to have been in blue, red, and dark green, so this gold one, while not totally unique, would still have stood out as something a bit different.

Though it’s hard to tell for certain, the fit on the mannequin suggests it was made for a slightly larger woman.

What do you think of it?  A nice way to set a riding habit apart?  Or, because of the natural tones, would she just blend in to an autumn hunt?

Rate the Dress on a Scale of 1 to 10

What I’m working on for Art Deco 2015

I haven’t been doing many sewing progress posts lately, because the hectic sewing schedules of Fortnightly challenges made them impractical.

Project progress posts are one thing I’m hoping to get back into this year.  Along with progress!  And bigger projects.

At the moment I’m working on a bigger project with lots of little parts: new stuff for Napier’s Art Deco Weekend.  Well, maybe.  I’ve gone for the last three years, but there is a lot going on right now and I’m not sure if I’m actually going this year.  I have to decide really soon, because I have a booking!

Going or not, I’m still sewing Art Deco.

I’ve taken over the dining room:

Art Deco Sewing thedreamstress.com1

What am I making?  More beach pyjamas, because they are the most comfortable outfit ever!

I’m using Wearing History’s Chic Ahoy pattern  as a base  (she has an actual beach pajama pattern too, but I didn’t have any in-stash fabrics that match it).

My inspiration is looks like this, with halter tops:

Beach pajamas for sailing, 1930s

Beach pajamas for sailing, 1930s

And button front trousers:

Beach pajamas, 1920s

Beach pajamas, 1920s

I prefer the beach pyjama looks where the tops and bottoms don’t match:

Beach pyjamas on the Cote D'Azure, colourized postcard, 1930s

Beach pyjamas on the Cote D’Azure, colourized postcard, 1930s

I’m afraid I’m not game enough for the ruffle hem on these ones though:

Dutch couple on the beach, 1930s

Dutch couple on the beach, 1930s

Here is my halter (isn’t the fabric fabulous! I’ve had it stashed for three years for this!):

Art Deco Sewing thedreamstress.com2

It ties behind the neck with a knotted cord, and wraps around the waist with long ties that can go around twice and still tie and hang down.  The pants are in blue linen and just need hemming.

I’m also hoping to get a sporty 1930s dress in green and white done in time, but I’m going to really have to sew like mad to get it done.  This is half my  inspiration:

McCalls 8257

 

And the other half is my repro vintage Keds:

Art Deco Sewing thedreamstress.com4

They need a green and white sporty ’30s frock to go with them!  The green fabric are just going to be piping and trim (dependent on what I find in my button stash).

Sadly I don’t actually own the McCall’s pattern, so I’m going to cobble it together from patterns I do own, and a bit of drafting.

Well, if I want that I’d better get sewing!  Wish me luck!