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Rate the Dress: Bustled swags and bow

Last week’s 1820s mourning dress received  a rather unanimous opinion: you really, really liked the overall effect, but that trim was just a wee bit off…or a lot off.  So, for gorgeous use of fabrics, but badly applied trim, the dress came in at 8.2 out of 10.

Personally, I rather liked the peculiar hem trim, simply because it was so weird and imperfect.  It made it interesting, and accessible:  I found  the lack of perfection and refinement, without the least bit of overt vulgarity, quite refreshing.

This week, with the Historical Sew Fortnightly Shape & Support challenge, I present a garment that would require a lot of shaping from a corset, and support from a bustle:

Two piece day ensemble in beige, pale green, and purple, ca. 1882-1885, Smith College Historic Clothing Collection, 2008.6.1

Two piece day ensemble in beige, pale green, and purple, ca. 1882-1885, Smith College Historic Clothing Collection, 2008.6.1

This early 1880s asymmetrical day ensemble was worn by a student in the first graduating class of Smoth College.  It’s an interesting balance of aesthetic, fabric, and colour.  The tailored, masculine bodice, with its flat, almost aggressive, appliqued embellishment gives way to an intensely feminine lower half, all bows, swags and pleating, with the sensible beige wool peeling back to reveal delicate floral silks.

Two piece day ensemble in beige, pale green, and purple, ca. 1882-1885, Smith College Historic Clothing Collection, 2008.6.1

Two piece day ensemble in beige, pale green, and purple, ca. 1882-1885, Smith College Historic Clothing Collection, 2008.6.1

What do you think?  Too peculiar and disjointed?  Or an fascinating  blend of shapes, textures and colours?

Rate the Dress on a Scale of 1 to 10.

What should the Historical Sew Fortnightly Challenge #22 be?

It’s that time of year!  Time to decide what the Historical Sew Fortnightly Challenge #22: Fortnightlier’s Choice should be.

What do you want the 22nd theme of the year to be?  A fabric?  A colour?  A motif?  A construction method?  A particular source of inspiration?  A kind of embellishment?  The possibilities are endless!

Leave a comment with your theme suggestions, comment on those suggestions that you think are really good ideas, and in a week’s time I’ll collate the most popular suggestions (based on comments on them)*, and we’ll vote on which one we most want to do.

Felicity the cat thedreamstress.com

There are a few things that I keep in mind when I set themes (I don’t always get it right, but I try!)

  • It should be a theme that works for any period, so everyone can participate (e.g ‘Handsewing’ would work, because there are handsewn garments and elements of handsewing in garments right up to the end of WWII, but ‘Sewing machines’ isn’t fair to those who costume pre-1860, and try to do it accurately)
  • It shouldn’t be a repeat, or too close to a theme that we’ve already had this year (that’s what #19 HSF Inspiration, and #21 Re-do are for!)
  • It should work for both  hemispheres, and a wide range of  cultures (so ‘Season switch’ works, but not ‘Winter’, and ‘Holiday’, but not ‘Christmas’ etc.)
  • How simple/elaborate is the theme, and how busy is that time of year likely to be?  With most themes, you can make very fancy or very simple garments  within the  theme, but some themes do lend themselves to full-on costuming (Art, for example), and it’s disappointing to only have the time to make a simple thing, when you have an idea for something spectacular.
  • How does it fit with the themes around it?  #19 is HSF Inspiration,  #20 is Alternative Universe,  #21 is Re-Do,  #23 is Modern History, and  #24 is All That Glitters.  So you have a couple of themes that could be anything (#19 & #21), a couple that aren’t necessarily particularly historically accurate (#20 & #23), and one that is far more likely to be a fancy garment than an informal one (#24).  Maybe time for a theme that is particularly suited for simple, quite historical items?  Though, of course…
  • The very best themes are open to lots of interpretation!

 

* A Note: if needed I may combine some similar suggestions or edit the wording of others for clarity for the final vote.

A rather frustrating Regency wrap corset a la Paresseuse

A month ago Sabine came out with Short Stays Studies 2.0, and a new short stays pattern based on a pair of wrapped short stays (corset a la paresseuse – corset for the lazy) she identified at Centraal Museum, Utrecht.   Cue massive excitement.

So much excitement, that the very day she published her research, I downloaded the pattern, scaled it up to my measurements based on her guidelines, and printed it out.  The pattern was very well drafted – super easy to scale up, and very easy to put together.

Then I did a quick toile, tried it on, and voilà  – super easy impressive uplift!

I made a few tiny changes to the pattern based on my toile – longer shoulder straps (not nearly long enough as it turned out), rounded edges to all the straps, and eyelets to lace through and fasten the front wrap, rather than a hook, so the stays would be more adjustable for size (Sabine even suggests that ties rather than hooks  may have been how the stays originally fastened).

With the toile sorted  I cut out the corset (with the lack of boning, these really were probably called corsets not stays) pieces – one layer in glazed cotton, one layer in midweight raime.  Gussets, side seams, eyelets, and then lots, and lots, and lots, and lots, and lots of binding.

They took way longer than expected, thanks to my flu and all that binding (why does sewing binding take so long?), so they were finished today – just in time for the Shape and Support HSF challenge.

Unfortunately, this is what they look like:

Wrapped Regency short stays thedreamstress.com

The falling off the shoulder isn’t a pattern problem – everything falls off my shoulder – I have scoliosis and am seriously lopsided.  The bust though, that’s an issue:

Wrapped Regency short stays thedreamstress.com

The bust, despite using the exact same gussets that worked so well in my toile, gapes terribly.

Wrapped Regency short stays thedreamstress.com

And it doesn’t provide any real uplift.  My bust keeps trying to slip down, so the gussets sit halfway up the bust.  Ouch.

Wrapped Regency short stays thedreamstress.com

The back wrap looks great though, even in blurry, terrible, self-timer photos:

Wrapped Regency short stays thedreamstress.com

Other than the back though, not  a success.  So, grumpy, grumpy dreamstress.  I had a play to see if I could improve things (without having to take out and re-do the gussets).

First quick fix: I worked a second pair of lacing holes where the straps attach at the bust, so that the straps would be more secure, less likely to slip off my shoulders, and would provide more  lift for my bust:

Wrapped Regency short stays thedreamstress.com

Then I remembered that I’d fitted the toile over a modern singlet, not a chemise.  Would that make a difference?

Wrapped Regency short stays thedreamstress.com

As a matter of fact, yes!  Massive improvement.  Uplift, cleavage, high round bosom.  (Well, more  uplift, cleavage, and high round bosom than usual.  I don’t have a lot to work with.)  Unfortunately, wearing the stays with a knit singlet certainly isn’t period!  I shouldn’t have cheated and fitted my toile over one.

Wrapped Regency short stays thedreamstress.com

I’m still not particularly impressed with how they fit my body though, and unfortunately they aren’t very comfortable.  The straps dig into my shoulders, and the wrap gives me a backache.

Wrapped Regency short stays thedreamstress.com

I think these are a really interesting garment, but for me, they didn’t work particularly well.

I could probably improve them a bit with pattern alterations, particularly to the gusset area, but some of the biggest problems are simply the result of my figure, and can’t be corrected.  Anything that wraps that tightly  across my lower ribs is going to hurt and exacerbate my scoliosis.

The search for Regency corsets/stays  that are comfortable and provide me with the right shape continues.  Time to to try Sabine’s other Regency Short Stays patterns, and some of the other Regency patterns out there!

They do look good laid flat though:

Wrapped Regency short stays thedreamstress.com

Wrapped Regency short stays thedreamstress.com

Wrapped Regency short stays thedreamstress.com

Wrapped Regency short stays thedreamstress.com

The Challenge:  #12  —  Shape & Support

Fabric: 1/2 metre polished cotton, 1/2 metre raime

Pattern:  Sabine of Kleidung um 1800s  corset a la Paresseuse pattern, based on an original at the Centraal Museum

Year:  1805-20

Notions:  Cotton twill tape in 3 sizes, linen and cotton thread, one wooden ruler.      

How historically accurate is it?   I followed the pattern very closely, but scaled it up to my measurements.  My materials are reasonably period accurate (though the ramie would have been nettle cloth), and they are entirely hand sewn.  My alterations are all in line with what might have been done in period (and Sabine even mentions that the corset may have originally tied, not hooked).  So 90%

Hours to complete:  9 hours

First worn:  For photos.  Unless I find a model that fits it better than I, it’s unlikely to see much use, because backache: Owww!

Thank you so much Sabine for the pattern and research!  I’m gutted that my version isn’t really working on me, but enjoyed making them and the hand-on research  nonetheless.