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AetherCon: The Steampunk Convention

This Saturday was AetherCon, Wellington’s first (hopefully annual) Steampunk convention. I really want to support any sort of historically inspired costuming in Wellington, so I agreed to do a talk on the historical origins of Steampunk Fashion.

In the weeks before had lots of fun sprucing up costumes and finishing UFO’s and even making some new things.

Unfortunately the day itself did not start well.  It was pouring.   A dear friend was kind enough to lend me her apartment – only three blocks from the venue  – for dressing in, but I still had to get all my garments from my house to the car, from the car to the apartment, and then get the models from the apartment to the venue – all without getting the dresses (and models) soaked and bedraggled.  Ergh.

I put the dresses in plastic bags to transport between my place and the apartment, and stuck every umbrella I owned in the car.  And then I prayed.  Nothing else to do.

I got soaked getting to the car and getting to the apartment.  We dropped all the wet stuff outside, patted off, and started getting dressed, all while I kept a worried eye on the rain outside.  I wasn’t happy about any of my garments getting wet, but one especially freaked me out.  I’d been planning to put a model in Juno, but wasn’t going to risk it if it was still raining, so I’d scraped together a backup outfit – I wouldn’t know which she could wear until the last minute.

Luckily the rain cleared up in the last 40 minutes of dressing, so Juno sans train went on the model, all of us wrapped up in anachronistic jackets and trotted to the AetherCon venue, causing turned heads even in ‘too cool to be surprised by anything’ Wellington.

The talk was great – my only complaint was that it was hot.  The room was packed, and all those people warmed it up considerably.  It’s good to be that popular though!

Afterwards we posed for pictures outside, browsed the pretty goodies on sale in the vendor section, and trotted back to get undressed before it started raining again.  Oh, but first we stopped in at an Asian grocery for ‘Melona’ ice creams (sooooo delicious!).  They loved us in the grocery store – all the clerks wanted pictures of us.  Best part of the day!

Thank you all for putting up with me while I was distracted with sewing (but hey, now I have new fun sewing things to show you!), and huge thanks to  all of my models and my great friend who let us spread our huge mess over her apartment for a couple of hours on a Saturday.

And now, for your viewing enjoyment, pictures:

After the talk (Madame O not pictured, because it was too cold outside for her to pose in a corset and drawers):

And having posing with customers and having ice creams at the Asian grocery:

After getting undressed and packing up I was pretty exhausted – but there was still a ball to go to that night.  I really considered flagging it, but thought I’d just try on a dress to see if I had something that worked.  And it did, and then I did my hair, and it worked, and I decided it was meant to be!

Lots of gorgeous dresses at the ball  – some of which I had a hand it too!  I made Sadie’s  gold dress, and helped Madame O with patterning her ‘Night Sky’ extravaganza (it sparkles amazingly in person).

I think I want to re-do the bodice of Sadies dress, but the overall effect is amazing.  It just glows gold.

My goal for the ball was to be comfortable. I wanted to dance, and was pretty worn out, so no corsets and bustles for me.  Instead, I put on the 1913 Poiret ‘Carte Blanche’ frock.  It’s a couple sizes too big for me, but I just tightened the waistband and pinned under the arms, and it was good to go.

To Steampunk it up, I wore my gold wedding shoes, added a Japanese fan (OK, not that Steampunky), a gold bag, a steampunk-esque necklace from Things Unseen (which unfortunately got tugged and broke before I took pictures), and as a final touch, a copper rose in my hair.

It’s not the usual Steampunk attire, but I was thrilled with how I looked, and I also have a problem with gadgets and gears all over Steampunk ball attire.  I mean, what scientist wears their lab coat to a ball?  When Dr Livingstone came back to England he didn’t wear his African explorer gear to balls.  I think we need to find a way to make Steampunk fashion logical when it comes to eveningwear.  It’s an idea I’m working on!

 

Rate the dress: Pink and black in 1869

Last week there wasn’t a great deal of love for Maria Anna and her fabulously (there, I said it!) geometric gown.  A few of you shared my excellent taste (there, I said it again), many of you were ‘meh’, and a few of you really disliked it.  It came in at 6.4 out of 10 – not bad for 17th century Spanish princess, but not as much as that spectacular geometry deserved (yep, I’m going to keep saying it!)

At least I won’t have much competition in the ‘it’s already been made’ stakes if I decide to make a reproduction of it!

For this week’s rate the dress I’m going to present something with a lot of colour.  We’ve had quite a few not-particularly-vivid garments in a row: time for something a little different.

This striking gown was sold at auction a while back.  It’s very vivid.  And vibrant.

Promenade gown, circa 1869

While it is much more colourful than Maria Anna’s dress, it shares the same enthusiasm for crazy geometricisation and pattern arrangement.  I clearly though the geometry and patterning on Maria Anna’s dress was divine, and while you may not have agreed with me, perhaps you will like the concept in another era.

Or perhaps not?

Rate the Dress on a scale of 1 to 10.

(and be sure to leave your comment on this post, not on the image, or I won’t see it to include in the final rating!)

Rodeo & Wrangle & Ramble in Style

Isn’t it wonderful when you get the excuse to make something that you’ve been hankering after for ages and ages?

Fifteen years ago I inherited Grandma’s stash, and I’ve been sewing with it and enjoying it ever since.  A few pieces of her stash I made up right away, because they were that special, and a few pieces were so, so special that I’ve been trying to decide what to do with for a decade and a half.

This fabric was one of those:

How  cute  is that? How utterly, absolutely, totally darling and  adorable  is that? And perfect for a Western challenge!

I would have loved a full dress of it, but I only had 2.1 metres, it’s only 90cm wide, and there was a lot of age damage. I considered blouses like  Simplicity 1868, but that didn’t seem to do the fabric justice.

The perfect solution?  Butterick 8044′s  not-quite-a-circle skirt! (yes, I am so in love with that pattern, and if it weren’t for my  True Love Story  outfit I wouldn’t have considered the skirt for this since I’m  not exactly a circle skirt fan). It was  just  the right amount of fabric. I managed to keep the worst of the age damage of the skirt, and still get the full width and length.

The skirt is really simple to put together.  I went with overlocked seams (with threads in shades of fuchsia, aqua & black, because I’m like that), and a bias turned hem.

Inspired by  the bow on my first Butterick 8044 skirt, I cut a sombrero from a scrap of the fabric and appliqued it to the back of the skirt yoke to mark the back.

It’s lovely and simple and quick but beautifully done, and I love it.

To go with the skirt, I unearthed one of the few pieces of knit fabrics in my stash — a delicious fuchsia viscose. For all that I’m perfectly comfortable sewing corsets and hand-sewn 1660s gowns, I’m pretty much a novice when it comes to knits. They are just so modern! So I used Steph at 3hourspast’s very  helpful list of knit resources, and her brilliant  Blank Canvas pattern  to develop my own hack with 40′s details. Using this knit for a Blank Canvas shirt has been on my to-do list since the day she launched the pattern.

For ’40s inspiration for the top, I used  Marian Martin 9254. I loved the neck cutout, and thought the flutter sleeves would create a nice 40s broad-shouldered aesthetic to a T-shirt.  I also had the idea that I could tie the neck with a bit of leather, for a cheeky nod at a lariat.

I developed the neck cutout myself, and used Steph’s  flutter sleeve hack tutorial  for the sleeves. I did the most flutter possible. For now I like the über-flutter craziness, and I can always tone it down later.

The best part? The cut-out opens up to be a fold-back collar, also very 1940s! I didn’t plan that — it was just a bonus extra.

I’ve done a two-part tutorial on how to ‘hack’ the Blank Canvas T pattern, and my construction techniques.  For now, enjoy the photos, and have a lovely weekend!

The title of this post comes from Connie Dover’s ‘Where Shall I Go (A Cowboy’s Hard Times)‘. It’s a rather sad song, but this dress and the ‘in style’ is as close as I’m likely to get to rodeos and wrangling (I do like to ramble – in writing and through the fields and woods).