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Timeless Beauties at Dr Sketchy

I’ve just realised that I was very remiss, and while I shared links to Dr Sketchy photos on my facebook page, I never properly blogged about it.  This is mostly because I was sick with a cold on the day of Dr Sketchy, and can barely remember what happened, much less what I said!

I almost ended up not having photos from Dr Sketchy due to my foggy brain, but it’s also to thank for getting them in the first place.  I was so sick in the run-up to Dr Sketchy I forgot to ask the divine Sarah  if she would come and take photos.

In an odd quirk of fate though, as the models and I, all dressed in stays and petticoats, and laden with their costume changes, rushed to the venue we bumped into Sarah taking photographs of the street.  In my virus fugue I completely forgot that I hadn’t asked her to take pictures, and assumed that she was on the way to Dr Sketchy to do just that, which I proceeded to chat to her about, much to her bafflement!  Being an extremely good sport, Sarah didn’t tell me to go stuff it, and instead dropped her afternoon plans and came along as the photographer.  Did I tell you she was awesome?

She got some awesome photos (and even found time to do a bit of sketching of her own) too!  Here are my favourites.

The timeless beauties get a rundown of the schedule

Chiara and Megan double check their poses

Racheal & Shell as pretty 18th c 'peasant' girls

Chiara and Shell demonstrate spiral lacing

Megan in an 1870s bustle

Rachel Rouge of Dr Sketchy in 1880s and Chiara in 1870s

Racheal in the 1890s corded corset

Four of the timeless beauties

Rachel Rouge in 1880s and Megan in 1870s

Racheal in the 1890s black corded corset

Shell in 1900s and Chiara in 1910s

Rachel Rouge in the 1900s 'briar rose' corset

And my very favourite of all:

Chiara in 1870s - with a scottie dog!

Sarah wasn’t the only one to help me out at the last minute that evening.  Due to my cold I couldn’t wear a corset, so Joie de Vivre stepped in with less than 24 hours notice and provided most of her own costume.  She wore the black and white ribbon corset, but sadly there are very few pictures of her in it from the event (but you can check out her much more modern, burlesque-y photoshoot here).  Megan also subbed in when my original model couldn’t make it.  My models are not only timeless beauties, but just place awesome and sweet!

For more pictures of the event check out the Dr Sketchy event page, and make sure to browse Sarah’s livejournal.

Rate the Dress: a 17th century Allegory of Astrology

Last week you either appreciated the mix of simplicity and complexity in the floral bedecked late 1820’s frock, and rated it highly, or really hated either the fabric or period and rated it poorly, or experienced a mix of the two elements with a resulting middle-of-the-road vote.  The first tipped the scales just enough to bring in a rating of 7.2 out of 10 – a bit above average.

It may be coming into summer here in New Zealand, but I’m reminded that many of you are moving into winter, and (based on my latest poll) looking forward to celebrating Christmas.

So, just to mess with your heads, I’m presenting this nice warm, snuggly, Christmas-coloured 17th century rate the dress, which actually isn’t Christmas-y at all, because it’s a portrait of a lady posing as an Allegory of Astrology.  What makes her an Allegory, I’ve never figure out.*  And also, on second thought, that neckline isn’t really very warm and snuggly after all.

An Allegory of Astrology c.1650, Attributed to Charles Beaubrun

So, with a bit of confusion carefully established, what do you make of the ensemble?  Do you like the front-fastening jacket-y bodice with its plunging neckline and fur trimmed tabs?  Is the red, white and gold colour scheme effective, or just a cliche?  And what about her distinctive lace hood?

Rate the Dress on a Scale of 1 to 10

*Resists making jokes about being green and scaly on the banks of the Nile.

Pre-washing pretty period prints

Woosh, woosh

I know there is some debate about whether you still need to pre-wash cotton fabrics before you sew them up these days, but I still like to.  For one thing, I have no idea what the conditions on the factory floor were like, or what the fabrics were exposed to in shipping!  And it can’t hurt to make doubly certain that no unwanted shrinkage will occur.

In my machine are a beautiful monochromatic ’50s floral from Nana’s stash that reminds me of charcoal sketching, and a sweet pink and green and yellow ’30sish number and a sassy yellow and grey and white 30ish number, both from reproductionfabrics.com.

I say ’30sish, because (to the best of my knowledge) most prints from reproductionfabrics.com aren’t perfect reproductions, but modern prints that match the aesthetic of the era.  Still lovely, but not exact matches.

Darling little pink flowers with yellow and green leaves - so me!

Cunning bows and flowers in white and grey on daring yellow