Latest Posts

The Cassandra Stays Sew-Along: Sewing Down the Seam Allowances

Previously on The Cassandra Stays Sew Along:

Apologies for taking almost two months to get back to this!  How time flew…

Luckily, this next step is a pretty easy one – definitely not one that requires perfect stitching.

Securing the Seam Allowances

Seam Allowances Cassandra Stays scrooppatterns.com

18th century stay construction is unusual to a modern sewist because you bone each panel, sew the seam allowances down, and THEN sew the panels together, rather than sewing the panels together and then pressing down the seam allowances.

Seam Allowances Cassandra Stays scrooppatterns.com

The advantage of the 18th century method is that it makes it easier to adjust the stays later – particularly if the adjustment you need is inserting a panel.

Seam Allowances Cassandra Stays scrooppatterns.com

Because the stitches just need to hold the seam allowances in place, they don’t require a lot of strength, and can be quite large and rough.

Seam Allowances Cassandra Stays scrooppatterns.com

While your stitches themselves can be rough, there are a few things that will give you a better result at this step:

  • Make sure you have basted around your pattern piece exactly on the line you want to press your seam allowances back on, so you press the same amount of seam allowance back on each piece mirrored.
  • Press your seam allowances back with an iron so they are nice and flat
    Seam Allowances Cassandra Stays scrooppatterns.com
  • Sew back the seam allowances for both the left and right panel, and then check them against each other to make sure they are perfectly symmetrical.   This is particularly important at the front point: I press and sew both points at the same time, continuously checking to make sure the points end up even.Seam Allowances Cassandra Stays scrooppatterns.com
  • Sew the seam allowances down all the way into the tabs – if there is a slight curve, distribute the ease of the seam allowance and then use the iron to press it flat:

Seam Allowances Cassandra Stays scrooppatterns.com

And that’s it!

Up next:

Whipping the panels together:

Seam Allowances Cassandra Stays scrooppatterns.com

And then you’ll have assembled stays!

(and then you have the tricky parts, like seam tapes and binding…)

Visiting outfit, ca 1885, silk velvet & silk ottoman, sold by Tessier-Sarrou-et-Associes

Rate the Dress: 1880s beads & velvet

Last week:  An 1890s dress with a sexy silhouette and an eye-catching colour.

I try not to influence the rating with my description and analysis of the featured garment, but it’s impossible not to.  Last week’s dress was the perfect example.  I can’t imagine it would have gotten quite so positive a reception had I not waxed poetic about how that style of dress had influenced Hawai’ian fashion.

Even so, it was a divisive dress: some of you loved how modern and unexpected the fabric was, some of you didn’t.  And no one was really a fan of the odd lace and unbalanced velvet, though some felt it was still fabulous enough for a perfect 10.

I did love Natalie’s commentary on the trims: “The saturated purple and the main fabric pattern are yummy, like a ripe plum on the tree, and that pop of green is super. Velvet ribbon trim is oh-so-1890s and early 1900s; fashionable wear used it lavishly and I have some amusing quotes about the proclivity of teen girls to trimming everything with it till they were positively fluttering.”

The Total: 7.6 out of 10

I’ll be honest, that’s better than I thought it would do!

This week: 1880s jewel tones, velvet, and lots of beading

This episode’s choice for Rate the Dress could not be less suitable for Hawai’i if it tried:

Visiting outfit, ca 1885, silk velvet & silk ottoman, sold by Tessier-Sarrou-et-Associes

Visiting outfit, ca 1885, silk velvet & silk ottoman, sold by Tessier-Sarrou-et-Associes

Although, Hawai’i does have tall mountains that get cold, and the Hawai’ian monarchy wore some pretty spectacular 1880s fashions, so perhaps it could work after all…

Visiting outfit, ca 1885, silk velvet & silk ottoman, sold by Tessier-Sarrou-et-Associes

Visiting outfit, ca 1885, silk velvet & silk ottoman, sold by Tessier-Sarrou-et-Associes

And the triangular repeat of the beading is very reminiscent of the type of patterns seen on kapa and in Hawai’ian woodcarving, although I very much doubt that is what the designer and maker of this garment was using as inspiration!

Visiting outfit, ca 1885, silk velvet & silk ottoman, sold by Tessier-Sarrou-et-Associes

Visiting outfit, ca 1885, silk velvet & silk ottoman, sold by Tessier-Sarrou-et-Associes

I actually went on the opposite emotional journey with this ensemble that I did with last week’s dress.  When I saw last week’s dress my first thought was ‘urgh!’, but then the unexpected fabric grew on me, and I noticed the subtlety of the torso draping, and I realised how much it was the style of garment that influenced Hawai’ian attire.  In contrast, my initial reaction to this week’s visiting ensemble was delight, but the more I’ve looked at it, the less I like it.  I can’t quite put my finger on why.

Visiting outfit, ca 1885, silk velvet & silk ottoman, sold by Tessier-Sarrou-et-Associes

Visiting outfit, ca 1885, silk velvet & silk ottoman, sold by Tessier-Sarrou-et-Associes

Is it too elaborate and decorated and imposing?  Too much a dress to show off in?

Or am I just crazy and is this actually the peak of all that is glorious and beautiful?

Rate the Dress on a Scale of 1 to 10

A reminder about rating — feel free to be critical if you don’t like a thing, but make sure that your comments aren’t actually insulting to those who do like a garment.  Phrase criticism as your opinion, rather than a flat fact. Our different tastes are what make Rate the Dress so interesting.  It’s no fun when a comment implies that anyone who doesn’t agree with it, or who would wear a garment, is totally lacking in taste.

As usual, nothing more complicated than a .5.  I also hugely appreciate it if you only do one rating, and set it on a line at the very end of your comment.

Medieval Historybounding thedreamstress.com

Medieval Historybounding with Son de Flor

If you’ve followed me for a while you know I almost never do collaborations & marketing posts.

I blog because I love sharing about sewing and history and random stuff from my life. I’m here to have fun.  I’ve never monetised the blog, and try to make sure the Scroop-related content is less than 1/4 of my posts.  I want this blog to be a haven from all the ‘buy-buy-buy’ flashing lights and marketing websites on the internet.

So I have to REALLY love an item to agree to a collaboration.

Medieval Historybounding thedreamstress.com

When Son de Flor approached me about a collaboration I didn’t have to think about it at all.  Their clothes are gorgeous and I’ve coveted them every time I see them. 

I also really like their ethics and their commitment to the environment and slow fashion.

Plus, they contacted me at the perfect time.

I’ve come to realise I want to teach at Toi Whakaari, and make new Scroop Patterns, and sew my whole wardrobe, and renovate my house.

But I can only handle 2.6798 of the 4 while still maintaining any semblance of sanity and a healthy life that also involves socialising and exercise and a decent diet.  So, something’s got to give.  And what can give is making my whole wardrobe – you’d rather I make new patterns than that, right?

So the solution to not making my whole wardrobe is to invest in ethical clothes that will last and last.  Which is exactly what Son de Flor makes. 💛

I adore all their romantic linen frocks and was so tempted by them, but we were heading in to winter here in NZ.  It’s wool weather, not linen weather.  Then I saw this double slit wool dress and it was instant love. 

Medieval Historybounding thedreamstress.com

 

I’ve been really into Medieval inspired historybounding lately (in case you hadn’t guessed from my last post!), and this fits perfectly into that aesthetic.  And it looked so warm and cozy…

Medieval Historybounding thedreamstress.com

It IS so warm and cozy.  It’s boiled wool knit, and so soft and snug.  We took these photos on a chilly late autumn day with a strong, freezing wind and the occasional drizzle.  And I was delightfully comfortable for the whole shoot.  

Medieval Historybounding thedreamstress.com

The tunic arrived at the perfect time too.  Theresa was visiting Wellington, and what do Theresa and I do when she visits?  Have a photoshoot!

I suggested Medieval fantasy, and she was all on board.

Medieval Historybounding thedreamstress.comSo I went foraging around Wellington for autumn leaves (harder than you’d think – our woods are, thankfully, mostly natives, but all NZ native trees are evergreen), and adapted Hawai’ian haku lei making techniques to make up two wreaths using twisted brown paper bags and crochet twine instead of banana bark and raffia.

Medieval Historybounding thedreamstress.com

Medieval Historybounding thedreamstress.com

Medieval Historybounding thedreamstress.com

The effect was just what I had hoped for, although leaves did keep blowing into our eyes and ruining shots.  I hadn’t anticipated a photoshoot in a gale!

Medieval Historybounding thedreamstress.com

Medieval Historybounding thedreamstress.com

Plus, we had the most fun photoshoot prop ever.  I’m the kind of person who knows people who have swords.  I asked if I could borrow one, and the answer I got was “sure, what style are you after?”

Medieval Historybounding thedreamstress.com

We settled on a plastic Anduril LotR replica, because it was lightest and cheapest and I was worried about damaging something valuable.

Medieval Historybounding thedreamstress.com

10/10 for fun photoshoot prop!   I really want my own sword now…

Medieval Historybounding thedreamstress.com

About the tunic!

I’m 5’6” and a Scroop Size 40.  I’m wearing it in Size L.  I could have gotten away with M, but I ordered it large because I know I like the oversized look, and preferred that to too snug.  

It’s sold out in this warm brown, but as of this post is still available in poppy, pale grey, and pink (and I want one in every colour!).

It’s 80% wool, 20% poly, and for the first time in my life I look forward to it being really cold, so I can slip this on and feel glamorous and cozy.  It looks great over trousers too!

Medieval Historybounding thedreamstress.com

As a fabric and construction snob, I’m super impressed with the quality.  The fabric is very nice, and the finishing details are really well thought-out.  The black edging is a soft jersey binding, so there’s absolutely no chance of the wool rubbing.  The binding even on the slit and hem is such an elegant touch.  Most companies would just go for a coverstitched hem.

Medieval Historybounding thedreamstress.com

So, highly recommend autumn wreaths, excellent friends, swords as photoshoot props, and Son de Flor’s clothes.  Could definitely see myself in one of those fabulous linen frocks come summer.

Medieval Historybounding thedreamstress.com

If you want to add some beautifully and ethically made Son de Flor items to your own wardrobe  please use my affiliate link – plus enter the code LEIMOMI5 for an extra 5% off that!

And obviously, this is a sponsored post and Son de Flor gave me the tunic in exchange for writing it – but my gushing would be significantly less muted if I didn’t think their products were fantastic!