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Scroop Patterns 20% off midyear sale 2024 scrooppatterns.com

It’s the midyear Scroop Patterns Sale!

It’s midyear, I’m in Hawai’i having a long overdue visit with my parents, AND 10 adorable khaki campbell ducklings hatched yesterday.  Clearly it’s time to celebrate – with a SALE!

So, from now until Tuesday 2 July, 11:59pm, NZ Time, all patterns at scrooppatterns.com are:

20% off! 

The discount is applied automatically at checkout: no need to do anything.  Just pop on over to scrooppatterns.com and fill your sewing queue up!

Happy shopping, happy sewing!

(and if you have a discount voucher from doing the Scroop Patterns Survey – don’t worry, there will be two new patterns to use it on before your voucher expires!)

 

Tea gown, 1920s. Silk, glass, Gallenga (Italian, 1918–1974). Maria Monaci Gallenga (Italian, 1880–1944).

Rate the Dress: Twenties Tea Gown

I’m currently on holiday* in Hawai’i, visiting my parents, but there’s no rest when it comes to blogging!  But I have picked a nice relaxing tea gown option for this week’s Rate the Dress…

Last week:  An 1830s evening dress in gold and white

Two numbers kept popping up in the rating for the 1830s evening dress.  Two quite different numbers.  9 (wooohooo!) and 6 (ergh).  It mostly lost points for the sleeves (which may not have been original), and for the elaborate border halfway up the skirt – many of you felt it should have been placed near the hem.

The Total: 7.8 out of 10

Pretty good for a dress that got a 5 and a 2 as ratings!  I should have posted a new Rate the Dress sooner – the worst ratings came in at the very end.

This week: A 1920s tea gown in silk velvet.

This dress isn’t exactly Hawai’i appropriate.  Silk velvet and heat and humidity aren’t good friends.  But something about the turquoise and the block print seem quite tropical.  And the relaxed fit definitely fits my mood!

Tea gown, 1920s. Silk, glass, Gallenga (Italian, 1918–1974). Maria Monaci Gallenga (Italian, 1880–1944).

Tea gown, 1920s. Silk, glass, Gallenga (Italian, 1918–1974). Maria Monaci Gallenga (Italian, 1880–1944).

The Renaissance-inspired metallic block print is a classic Gallenga touch.  Maria Monica Gallenga invented the unique process that allowed her to block-print metallic paints, making her clothes instantly recognisable to those in the know.

Tea gown, 1920s. Silk, glass, Gallenga (Italian, 1918–1974). Maria Monaci Gallenga (Italian, 1880–1944).

Tea gown, 1920s. Silk, glass, Gallenga (Italian, 1918–1974). Maria Monaci Gallenga (Italian, 1880–1944).

Gallenga’s interest in Medieval and Renaissance art is evident not only in the print, but also in the arch shapes joining the turquoise and black, and in the long trailing sleeves which evoke Medieval sleeve lappets.

What do you think of this 20s take on Medieval?

(wondering what a tea gown is?  Read this post!)

Rate the Dress on a Scale of 1 to 10

A reminder about rating — feel free to be critical if you don’t like a thing, but make sure that your comments aren’t actually insulting to those who do like a garment.  Phrase criticism as your opinion, rather than a flat fact. Our different tastes are what make Rate the Dress so interesting.  It’s no fun when a comment implies that anyone who doesn’t agree with it, or who would wear a garment, is totally lacking in taste.

As usual, nothing more complicated than a .5.  I also hugely appreciate it if you only do one rating, and set it on a line at the very end of your comment.

* ‘holiday’ meaning I’m deep-cleaning my mum’s kitchen, tackling the mending bin, and helping with all the usual farm chores…

A walk in Paris thedreamstress.com

A walk in Paris: from the Bastille to the Seine

I’ve still got about 8,372 photos from my Europe trip to show you, but I realised I’d done specific posts about Sweden and Germany and Czechia, but not a single one about Paris!

So here’s a post about the experience I loved most in Paris:*  The walk from the Bastille to the Seine.

Really!

All the meticulously planned things we did in Paris (museum exhibitions, restaurants, etc) were fabulous (my friend the Comtesse who you may remember from her amazing, fabulous, meticulously planned graduation dinner, showed me around, and she knows how to plan!), but there’s something special about the things you discover just by stumbling across them.

The walk really felt like discovering Paris.  On every corner there was something absolutely stunning, or new and amazing related to some bit of history that I already knew.

We started at the Place de la Bastille.

A walk in Paris thedreamstress.com

The Bastille is gone, but plaques in the pavement show the outline of where it stood.

A walk in Paris thedreamstress.com

The Comtesse immediately got asked to take photos of an influencer, which I feel is one of those ‘if it doesn’t happen to you than you haven’t been to Paris’ things.  So we can check that off our bucket list!

A walk in Paris thedreamstress.com - 2

From the Place de Bastille we headed down the Rue Saint-Antoine, stopping to photograph particularly spectacular bits of architecture, and particularly attractive street-views, along the way.

A walk in Paris thedreamstress.com

A walk in Paris thedreamstress.com

I also photographed particularly unspectacular bits of architecture that amused me greatly as someone from Hawai’i:

A walk in Paris thedreamstress.com

A walk in Paris thedreamstress.com

A walk in Paris thedreamstress.com

So old!  So narrow and quirky!  So unlike NZ!

A walk in Paris thedreamstress.com

I annoyed the Comtesse by wanting to stop at every single fruit shop we passed.  They were so tempting…

A walk in Paris thedreamstress.com

At 62 Rue Saint-Antoine we found something we both wanted to stop for: the Hôtel de Sully.  What a stunner of a 17th century building!

A walk in Paris thedreamstress.com

It looked like we could go through the arch, so we did…

A walk in Paris thedreamstress.com

A walk in Paris thedreamstress.com

And found a stunning courtyard!

A walk in Paris thedreamstress.com

With fabulous architecture:

A walk in Paris thedreamstress.com

A walk in Paris thedreamstress.com

And statues:

A walk in Paris thedreamstress.com

And mysterious basements:

A walk in Paris thedreamstress.com

And another tunnel:

A walk in Paris thedreamstress.com

Leading through a stunning arcade of shops:

A walk in Paris thedreamstress.com

A walk in Paris thedreamstress.com

We could have explored for hours (and oh my, did I dream of photoshoots in historical dress!), but we had places to be.  So we continued on!

A walk in Paris thedreamstress.com

Past more fabulous alleyways:

A walk in Paris thedreamstress.com

And then at we found La Petit Versailles du Marais:

A walk in Paris thedreamstress.com

A walk in Paris thedreamstress.com

And we sat outside the cafe and I had my first patisserie of Paris and fancy tea and it was all my Paris dreams come true!  I could have just sat there and eaten patisserie and watched the world go by every day I was in Paris, and I would have been delighted!

A walk in Paris thedreamstress.com

But there were places to go, but after just enough, but yet not enough, of a treat, we carried on down the Rue X, to see one of the oldest houses in Paris:

A walk in Paris thedreamstress.com

A walk in Paris thedreamstress.com

Further on there were more fabulous old half timbered buildings:

A walk in Paris thedreamstress.com

Through more narrow streets, now with dazzling plays of light and shadow:

A walk in Paris thedreamstress.com

And then out into the bright sunshine:

A walk in Paris thedreamstress.com

And the Seine!

A walk in Paris thedreamstress.com

A walk in Paris thedreamstress.com

A walk in Paris thedreamstress.com

A walk in Paris thedreamstress.com

Delightful.

A walk in Paris thedreamstress.com

 

 

 

*I loved everything in Paris, but in a ‘mad, frenetic, 4 days of amazing sensory overload’, not in a ‘I want to move to Paris’ way.  Four days was just right for me.