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The Scroop Patterns Robin Dress scrooppatterns.com

Introducing the Robin Dress!

What do my favourite person in the world, my favourite living author, and my favourite living artist all have in common?

They are all named Robin!

(my mum, Robin McKinley, and Robin White, respectively)

So obviously I had to make a Robin dress!

The Scroop Patterns Robin Dress scrooppatterns.com

The Robin Dress is inspired by my mother’s description of her ideal dress, and features her favourite dress elements: princess seams, elegant swishy skirts, a flattering scooped neck, and awesomely large pockets.

The Scroop Patterns Robin Dress scrooppatterns.com

It comes in sizes 30-56, with separate bust pieces for Small (A-B), Medium (C-D) and Large (DD-E+) cups, to make sewing and fitting as easy as possible.

The Scroop Patterns Robin Dress scrooppatterns.com

To celebrate the launch, the Robin Dress pattern is 25% off for the next week. No need for a code: the discount is applied automatically at checkout.

You may be wondering about the timing. I really debated whether to launch this pattern in the middle of an epidemic.  

I’ve chosen to do so for two reasons.

First, I know that many people are sewing for their mental health, and that happy news, even if it’s as tiny as a new pattern, is a morale booster.

Second, while I’m immensely privileged to continue to be employed while New Zealand is in lockdown, not all of my family and friends are in that situation.  I’ve been using the income from Scroop Patterns as a safety net for them: your purchases will help support people who are without an income due to Covid-19.

The Scroop Patterns Robin Dress scrooppatterns.com

(and just in case anyone is wondering, photos for this dress were taken the weekend before New Zealand announced it would be going into Level 4 lockdown. I used my long range lens, and the wonderful Danielle and I waved at each other from across the beach while maintaining a healthy 3+ meter distance. Mr D took all the photos of me in our last mini outing. No bubbles were compromised for these photos!)

The Scroop Patterns Robin Dress scrooppatterns.com

I hope you like the pattern as much as my mother likes her versions of the Robin dress. And I hope you’re safe and well. Sending love ❤️

Two-piece dress, c. 1850,Prague. Silk with a woven pattern, silk ribbons, linen. Purchased from the Hainz family in 1970, Museum of Decorative Arts in Prague Uměleckoprůmyslove museum v Praze

Rate the Dress: 1850s elaborations in green

Either we’re all a bit argumentative (entirely possible) or I’ve been posting a lot of very divisive Rate the Dresses. They have certainly been distinctive, and I haven’t been going for obvious crowd pleasers. Perhaps this week’s dress will be more universally popular? Or perhaps not!

Last Week: a tailored walking dress in plaid

I recorded a fashion history lecture for the Costume Construction students at Toi Whakaari today, and one of the things I talked about was the perception of taste in the Victorian era: how they were obsessed with what was good taste and what wasn’t, and how different elements of the Victorian era have subsequently been judged very attractive or unattractive, all per the taste of the era judging them. The point is that good taste is very subjective, and last week’s dress certainly proved that.

You all agreed that the outfit showed a great deal of skill on the part of the maker. And that was the only thing you agreed on. Spectacular, hideous, dazzling, nauseating – all options were there!

The Total: 7.5 out of 10

Beauty is in the eye of the beholder…

This week:  a mid century ensemble in green florals and bows

This week’s Rate the Dress is a ca. 1850 ensemble in jewel green silk brocaded with lush florals, trimmed with narrow fringed ribbon with a small check pattern, and topped by apple green bows with large checked pattern.

Two-piece dress, c. 1850,Prague. Silk with a woven pattern, silk ribbons, linen. Purchased from the Hainz family in 1970, Museum of Decorative Arts in Prague Uměleckoprůmyslove museum v Praze
Two-piece dress, c. 1850, Prague. Silk with a woven pattern, silk ribbons, linen.
Purchased from the Hainz family in 1970,
Museum of Decorative Arts in Prague Uměleckoprůmyslove museum v Praze

The layering of green on green and pattern on pattern is relieved with a white undershirt, which emphasises the jacket effect of the bodice.

Two-piece dress, c. 1850,Prague. Silk with a woven pattern, silk ribbons, linen. Purchased from the Hainz family in 1970,  Museum of Decorative Arts in Prague  Uměleckoprůmyslove museum v Praze
Two-piece dress, c. 1850, Prague. Silk with a woven pattern, silk ribbons, linen.
Purchased from the Hainz family in 1970, Museum of Decorative Arts in Prague Uměleckoprůmyslove museum v Praze

The layering of patterns on patterns is typical of 1850s taste, as is the overall effect of demure fussiness.

Two-piece dress, c. 1850,Prague. Silk with a woven pattern, silk ribbons, linen. Purchased from the Hainz family in 1970,  Museum of Decorative Arts in Prague  Uměleckoprůmyslove museum v Praze
Two-piece dress, c. 1850, Prague. Silk with a woven pattern, silk ribbons, linen.
Purchased from the Hainz family in 1970, Museum of Decorative Arts in Prague Uměleckoprůmyslove museum v Praze

What do you think? 

Rate the Dress on a Scale of 1 to 10

A reminder about rating — feel free to be critical if you don’t like a thing, but make sure that your comments aren’t actually insulting to those who do like a garment.  Phrase criticism as your opinion, rather than a flat fact. Our different tastes are what make Rate the Dress so interesting.  It’s no fun when a comment implies that anyone who doesn’t agree with it, or who would wear a garment, is totally lacking in taste. 

(as usual, nothing more complicated than a .5.  I also hugely appreciate it if you only do one rating, and set it on a line at the very end of your comment

The Victorian Era: a timeline of world history, and how it intersects with fashion history

When I teach costume and fashion history one of my primary goals is to show that fashion doesn’t exist in a vacuum. Clothing is changed by what’s going on in the world, and what people wear can also change politics, trade, and world events.

So I start every lecture with a timeline of major world events in the era I’m discussing, and reference back to those events as I lecture.

I’m teaching Costume History for the Costume Construction Course at Toi Whakaari online for the next wee bit, and I’m trying not to make my students have to sit through hours of camera lectures a day – so I’m mixing up lectures, blog posts, quizzes, and other formats.

I’m also trying to take advantage of the benefits of online teaching, rather than using it as a poor substitute for in-person. One place where a blog post is better than a lecture is links. And timelines with lots of links are the perfect thing to put online.

The Victorian Era:

Choosing themes for lectures is always difficult: do you cover fashion history century by century; break it thematically by design era (which inevitably favours one country over another);, or go by larger themes? Every method has drawbacks and benefits. As a teacher I primarily choose thematically by design era (Renaissance, Baroque, Rococo to Neoclassical etc), and supplement with individual lectures on more specific themes, like the Industrial Revolution, which goes from 1580-20th century, and Boteh/Paisley, which goes from BC to the modern era.

I’ve used the Victorian Era as the theme for a lecture because it’s a commonly used term for a fashion era (albeit one that covers a whole range of fashions) in English, and does a reasonably good job of covering a specific set of changes and events which impact the fashions of that era.

While every era flows on from the previous, and has elements of transition, the Victorian era has a number of topical themes that do make it distinct from the 18th century and Georgian era, and which affect what people wear. These include: the increasing dominance of the middle classes; the change from a mainly rural to a mainly urban population; increases in the speed of transport and travel; changing attitudes towards morality and modesty; the industrial revolution reaching its peak, with a whole host of new technologies and products as a result of that; significant increases in education and literacy, plus significant increases in magazines and newspapers which disseminated fashion information.

Early Victorian – 1832-50

The Victorian era can be defined as the specific years of Queen Victoria’s reign (1837-1901), but some of the events which would define the era were already in motion in the early 1830s.

  • 1830-1849: July Monarchy in France. The Orleans cousin line of the old French monarchy ruled for almost two decades. The era is characterised by the increased influence of the bourgeoise, bankers and industrialists, and by French imperialism, particularly in Africa & the Middle East (Algeria). The burnous is one fashion item that can trace its Western lineage to the Orleans monarchy.
Burnous, Journal des Demoiselles, December 1858
Burnous, Journal des Demoiselles, December 1858
  • The UK Reform Act of 1832: clarified the UK’s election process and who was allowed to vote, and is sometimes considered the political beginning of the Victorian Era, as well as the beginnings of modern democracy in the UK.

    How this affected fashion: Many tradesmen saw the Act as giving them the right to vote and a say in politics, leading to more industry input into laws, and increasing the social standing of the making classes, eventually eroding some of the visible fashion distinctions between the makers and the buyers. Additionally, the Act was the first in England to specifically give the rights to voting only to ‘Males’, which helped to spark the women’s suffrage movement.
  • 20 June 1837: Victoria becomes Queen of England.
  • 1839-42: the First Opium War between UK & China (Qing Dynasty) is inextricably linked to fashion. Demand for Chinese silks, porcelains, decorative arts (like the elegant brise fan below, created in China for the Western market), & tea created a trade imbalance from the 18thc onwards, with too much (in the opinion of the West) European money flowing in to China. To counteract it, the UK began growing opium in Bangladesh and smuggling it into China, reversing the flow of money out of China, and causing a rising problem with opium addiction in China. China’s attempts to protest and stop the smuggling caused the war (which they lost) and changed the balance of power in Asia in ways that are still affecting us today.

    How this affected fashion: it increased the flow of Chinese goods to Western markets, and eroded Chinese society, decreasing the quality of those goods. Over the course of the 19thc Chinese items for the Western market, including fabrics and fashion items, would go from premium luxury items to affordable, but increasingly poorly made, items.
Brise fan, mid-19th century, China, Museum of Fine Arts Boston, 1976.406 Brise fan with silver filigree inner blades painted with white enamel
Brise fan, mid-19th century, China, Museum of Fine Arts Boston, 1976.406 Brise fan with silver filigree inner blades painted with white enamel
  • 6 Feb 1840: the Treaty of Waitangi  is signed between some Maori and the British, and NZ becomes a British colony.

    How this affected fashion: it allowed increased Western colonisation of New Zealand, importing European fashions. It also allowed the exploitation of New Zealand’s native resources to feed the Western demand for exotic animal accessories, like the kiwi feather muff below:
Muff, kiwi feather; circa 1900; New Zealand; feather, silk;
Museum of New Zealand Te Papa Tongarewa, PC000107; Bequest of Marjorie Hector, 1948
  • 10 Feb 1840: Queen Victoria marries Albert of Saxe-Gothburg

    How this affected fashion: Not only did Queen Victoria’s choice of a white wedding dress (in contrast to the cloth of gold or silver usually worn by royal brides) solidify a trend for white wedding dresses, her close relationship with her husband, and focus on family life and children supported a middle class idea of morality and home life, with a focus on church and the woman as ‘the angel in the house’. Her family will inspire many fashion trends, from kilts and tartan, to sailor suits for children.
Queen Victoria’s lace trimmed dress and veil
  • 1840s: the idea of Manifest Destiny takes root in the US, leading to US imperialism. ‘Manifest destiny’ is based on the principal that [white, European based] American ideals are superior to all others, American is ‘destined’ to expand Westward, shaping the rest of the world based on their ideals. While the idea never had majority support, it was used to justify war with Mexico, the acquisition of Oregon, the Spanish American war, the overthrow of the Hawaiian monarchy and acquisition of Hawaii. It can be argued that the idea of Manifest Destiny led to the Korean and Vietnam wars, and impacts American foreign policy to this day.
  • 1841: NZ leaves Colony of New South Wales and becomes the separate Colony of NZ
  • 1845-1849: Great Famine/Irish Potato Famine – 1 million Irish die, another million emigrate (out of a population of ca. 8 million)  

    How this affected fashion: the Irish diaspora changes the cultural makeup of Canada, the US, Australia & New Zealand, among other countries. In many places Irish emigrants end up working in the sweatshops of the industrial revolution, making clothes for the growing middle class. The calamity also leads to a rise in Irish nationalism, both within the country, and among the diaspora, leading to a romanticisation of Irish traditions and history, which affected all the arts, including fashion, resulting in garments like this clover bedecked gown:
Dress in two parts, 1897, France, Brocaded silk satin and velvet, Les Arts Decoratifs
  • 1845-47: train travel becomes widespread in the UK, revolutionising transport & leisure

    How this affected fashion: in so many ways it’s hard to count! Goods were able to move quickly from one place to another. People were able to take vacations to the seaside, leading to a rise in bathing costumes and nautical inspired fashions. Races and other large one day events became major fashion and social focal points. There is an increase in clothing suitable for certain places (country vs. city, mountains vs. seaside)
Bathing-dress ; Caps ; Shoes, etc. Aug.1870. From The Peterson magazine,
NYPL Digital Collection
  • 1846-1848: Mexican-American war over Texas.
     
  • 1846-60: The third cholera pandemic originates in India (possibly as early as 1837) and causes over a million deaths worldwide. It leads to increased awareness of the links between sanitation and disease, and better public sanitation works, better sewers, etc.
  • 1847: Women & children in England given the right to the 10 hour working day

    How this affected fashion: the increase in workers rights in the UK will spread out to Western countries over the next few decades, blurring the divides between the maker and consumer classes in terms of what they wear and do. Increased workers rights in factories also tempt women away from service, decreasing the amount of household staff available to hire, and encouraging clothing styles that you can care for and put on by yourself.
  • 1847: Black Americans (primarily ex-slaves) establish Liberia in Africa  
  • 1848-1851: Second French Empire, republican empire between Orleans monarchy & Louis Napoleon Bonaparte’s coup

Mid Victorian – 1851-79

  • 1850-70: the average national income in the UK grows by half during this period.

    How this affected fashion: more money = more ability to buy goods = ‘fashion’ being worn by a larger group of people, and designers and makers marketing specifically to people who work, rather than just the leisure classes.
  • 1851: Great Exhibition in England

    How this affected fashion: makers and inventors get a chance to exhibit their works, and to see other maker’s works, as well as artistic and cultural displays from around the world. All of this trade in ideas increases innovation. The Great Exhibition also leads to further exhibitions, all of which have a flow on effect.
  • 1851-69: Australian Gold Rush.   Australia’s population triples in a decade  
  • 1852-70: Napoleon III (nephew of Napoleon I) is Emperor of the French Second Empire

    How this affected fashion: Napoleon III’s wife Eugenie is a major fashion influence. She’s an early supporter and adopter of Worth, and led many fashion trends, from 18th century historicism, to the adoption of the bustle.
Empress Eugenie as Marie-Antoinette, 1854, Franz Xaver Winterhalter
  • 1853: the United States pressures Japan into opening its borders to the West by sending Commodore Perry and American warships to threaten the country.

    How this affected fashion: Japonism! Or, the fashion for all things Japanese inspired, from Japanese fabrics to kimono based pattern cutting.
Furisode Kimono-Style Dressing Gown, c. 1885, Silk, FIDM Museum
  • Oct 1853-Feb 1856: Crimean War is Russia vs. Eng, France, & the Ottoman Empire. Russia technically looses, but nobody really benefits from the war.

    How this affected fashion: the cardigan, from the 7th Earl of Cardigan, who needed a warm, easy to put on, easy to wear garment for those cold Crimean winters. Cardigans gradually became acceptable for a wide range of occasions, leading to modern knitwear.
Cardigan sweater, 1900—1903, American, wool, , Metropolitan Museum of Art, 2009.300.2358
  • 1856: NZ becomes self-governing  
  • 1856-60: Second Opium War  
  • 1857: Indian Rebellion against the British East India company results in the British government taking over, and the start of the British Raj.

    How this affected fashion: Europe had been obsessed with Indian fabrics from the early 17th century. Indian chintzes were widely used in fashionable 18th century dress, Kashmiri ‘paisley’ shawls were a serious status symbol in ca, 1800s dress, and ubiquitous items for the first half of the 19th century. The British takeover of India and Victoria’s crowning as ‘Empress of India’ brought in a new wave of Indian inspired textiles and fashions – particularly embroidered items.
Child’s cape. Twilled peacock blue woollen cloth, embroidered in cream silk thread, with a cream tassel on the hood; Anglo-Indian, 1860-70, V&A
Tea gown with front panel of Indian embroidery, ca. 1900, House of Rouff (designer), collection of the V&A
  • 1860-1872: New Zealand Wars  
  • 1861: Prince Albert (Queen Victoria’s husband) dies.    

    How this affected fashion: Victoria famously went into mourning and wore black for the rest of her life. Mourning attire, and an increasingly elaborate description of what to wear for mourning depending on how close you had been to the deceased, and how long it had been since they died, became de rigueur for anyone with pretensions to gentility.
Silk mourning dress, rear view, 1872-4, American, Metropolitan Museum of Art
Silk mourning dress, rear view, 1872-4, American, Metropolitan Museum of Art
  • 1861-65: the American Civil War

    How this affected fashion: the Northern blockade of the South limited access to cotton in Europe, encouraging cotton production in India. In the years prior to the Civil War it had also made cotton an ethical talking point: one of the first modern examples of people choosing not to wear a garment for ethical reasons. Some historians have also argued that the increased fashionability of the paisley design in the 1850s and 1860s was because of its link to India, rather than the American south.
Petticoat, 1855—65, American, cotton, Metropolitan Museum of Art
  • 1862: American Homestead act gives settlers 160 acres in the American West.
  • 1867: British North American becomes the Dominion of Canada.
  • 1870-91: Education becomes free for children under 10 in the UK
  • 1871: Banks Holiday Act ensures public holidays in the UK
  • 1876: Invention of the telephone

Late Victorian – 1880-1901

Bifurcated bicycling costumes, ca 1896
  • 1896: Republicans come into majority power in the US & stay there for 16 years, use the concept of ‘manifest destiny’ to include overseas expansion. Aka, rise of American Imperialism
  • 1898: the US annexes Hawai’i.
  • 1898: Spanish-American War  
  • 1899 – 1902: the Second Boer War (Boer War) sees the UK annex South Africa  
  • 22 January 1901: Queen Victoria dies